Nora Dunn Movies

The novel of the same name by crime author Donald E. Westlake becomes this MGM comedy starring Martin Lawrence as Kevin Caffery, a thief who breaks into the supposedly unoccupied beachfront mansion of billionaire Max Fairbanks (Danny De Vito). Max unexpectedly catches the burglar red-handed and summons the police, but before the criminal can be carted off, Max impulsively claims that Kevin's lucky ring is his own. Enraged, Kevin vows revenge on the tycoon, and so begins a game of one-upmanship from which neither party will cease and desist, even when the result becomes public scandal, financial ruin, divorce, and criminal proceedings. What's the Worst That Could Happen?co-stars John Leguizamo, Glenne Headley, Larry Miller, Ana Gasteyer, Richard Schiff, William Fichtner, Bernie Mac, and Nora Dunn. ~ Karl Williams, All Movie Guide

Garry Shandling makes his big-screen debut as a leading man in this sci-fi romantic comedy. Harold (Shandling) is an alien from another galaxy sent to Earth on a vital mission: in order to ensure that his civilization will prevail, Harold must impregnate an Earth woman. But he discovers that this is more easily said than done, as he quickly gets a crash course in the arcane rituals of the human courtship process. What's worse, just when Harold thinks he's making progress in Earthbound seduction, he discovers that the males of his planet don't physically interface properly with women on Earth, so he is issued a variety of bizarre gadgets to complete his assignment. Mike Nichols directed What Planet Are You From?, which also features a top-notch supporting cast, including Annette Bening, John Goodman, Ben Kingsley, and Camryn Manheim. ~ Mark Deming, All Movie Guide

With 46 episodes to its credit in Season One, the zany animated educational series Warner Bros. Histeria was supposed to have offered 19 more episodes for its second season. However, the series' disappointing ratings prompted the WB network to cut down its episode manifest, and thus only seven more episodes were churned out by the animators. However, these installments are every bit as funny as the first batch, with Father Time, Mr. Smartypants, Aka Pella, Miss Information et. al. guiding viewers on a skewered, slapsticky jaunt through history. In the season opener, the Histeria! gang accompanies Neil Armstrong to the moon (Bang! Zoom!) Then it's off for a slightly more serious visit to Martin Luther King and a drop-in at the trial of Socrates. A stopover in the court of Charlemagne results in a "scrapple at the chapel", followed by random historical glimpse as viewed by the flatulent Big Fat Baby. Napoleon is subjected to jokes about his height during a visit to France, which also includes the solemn "Tennis Court Oath." And finally, a journey through North America takes us all the way from Alaska to...Mayberry? ~ Hal Erickson, All Movie Guide

Warren Beatty directed, co-produced (with Pieter Jan Brugge), co-scripted (with Jeremy Pikser), and stars in this political satire, a comedy-drama about a U.S. senator who decides to start speaking the truth. Despondent California Sen. Jay Bulworth (Beatty), up for re-election, is disillusioned by the usual campaign banalities; his marriage to Constance (Christine Baranski) seems equally hollow. In the midst of a nervous breakdown, Bulworth goes without sleep or food for three days and takes out a $10 million insurance policy on himself while arranging his own assassination. Drinking during a return to Los Angeles, Bulworth is scheduled to speak at an African-American church in South Central L.A. Once there, he tosses aside his prepared speech, startling both the audience and his campaign manager Murphy (Oliver Platt) by improvising truthful remarks instead of the familiar rhetoric. These loose-cannon salvos gain the attention of an attractive young woman, Nina (Halle Berry). Bulworth finds an exhilaration with this new freestyle approach, and after shocking a gathering in Beverly Hills with further fulminations, Bulworth invites Nina and her girlfriends into his limo. During a spaced-out sojourn at one of South Central's more frenzied after-hours clubs, Bulworth gains respect for hiphop culture. Still reeling from insights gained by this nightlife, he arrives the next day for a fund-raising function at the Beverly Wilshire, startling everyone with a diatribe delivered in the intonations of a rap artist. His interest in Nina and his new optimistic outlook on life give Bulworth a sense of elation and a will to live. He phones to call off the hit, but gears have been set in motion. After an assumed hitman turns up during a church appearance, Bulworth flees, and Nina offers him a safe-house hideout at the home of her family, veterans of the Civil Rights movement. Here Bulworth goes through the final steps in his transformation -- making a Kennedy-styled connection with the disenfranchised as he tunes into forgotten memories of the '60s. Outfitted in homeboy clothing, the born again Bulworth heads for a TV station to unleash even more caustic comments on the American political scene. Language and drug use brought this film an R rating. ~ Bhob Stewart, All Movie Guide

The History of the World and other business is reinterpreted through the skewered vision of the Warner Bros. Animation team in Season One of the aptly titled cartoon series Warner Bros! Histeria. Led by the decrepit Father Time, the Histeria! crew (including the likes of Mr. Smartypants, Miss Information and Big Fat Baby) get things rolling by introducing Alexander Graham Bell via the Serlingesque "Telephone Zone", then move on to make life miserable for $Thomas Edison and J. Robert Oppenheimer. In later episodes, the life of Abraham Lincoln is morphs into the Brady Bunch theme song; George Washington bids farewell to his troops in the manner of a Bob Hope monologue; Nostradamus and Descartes have a philosophical discussion over whether the chicken or the egg came first; Leonardo Da Vinci becomes a painter through the patronage of the Book Formerly Known as "Prince"; the royal family of Ancient Egypt performs its own version of "Cats"; the conquest of Montezuma is detoured by a perusal of the Inca Shopping Network; the history of the Tudors is reformatted as a bloody slasher flick; there's an informercial for "Super Amazing Constitution"; the Yalta Conference degenerates into a pie fight; and Khrushschev tries yet again to sneak into Disneyland. ~ Hal Erickson, All Movie Guide

In the style of the screwball comedies of the 1930s and 1940s, I Love Trouble depicts the developing romance of two rival reporters who reluctantly fall for each other while competing for a major scoop. Old hand Peter Brackett (Nick Nolte) and aspiring newcomer Sabrina Peterson (Julia Roberts) first meet when they are both assigned to cover a mysterious train crash. The pair immediately develops a connection despite their professional rivalry, and they decide to work together. Sensing something fishy about the crash, they look deeper and are soon fighting to expose a wide-ranging conspiracy, while also struggling to outmaneuver and out-charm each other along the way. Co-creators Charles Shyer and Nancy Meyers, who previously found success harking back to 1940s comedy in Father of the Bride, borrow heavily from His Girl Friday, Bringing Up Baby, and other screwball classics. ~ Judd Blaise, All Movie Guide

With his trademark emphasis on character development and dialogue, writer/director John Sayles tells the story of May-Alice Culhane (Mary McDonnell), a New York soap opera actress left paralyzed by a car accident. As the film opens, she lies in a hospital bed, confused and scared, watching her own show on TV and shrieking, "That was supposed to be my closeup!" With no other options, she returns to her family's old and empty Southern home, where she drinks hard, offends every caregiver, and wallows in self-pity. Her outlook begins to changes with the arrival of Chantelle (Alfre Woodard), a nurse with her own life problems. The two gradually find a heartfelt connection with one another, and, as a result, their lives subtly change. McDonnell's work in Passion Fish earned her an Oscar nomination as Best Actress. ~ Norm Schrager, All Movie Guide

Based on the late Charles Willeford's series of hard-boiled crime novels featuring Miami cop Hoke Moseley, the Jonathan Demme-produced Miami Blues opens with the prison release of Frederick Frenger Jr. (Alec Baldwin), a deranged killer who has barely de-boarded his plane before he's killed a Hare Krishna in the airport. Checking into his hotel, Frenger meets up with Susie Waggoner (Jennifer Jason Leigh), a young prostitute with dreams of domestic life, and the two quickly become romantically involved. Meanwhile, the Hare Krishna murder case is given to Moseley (Fred Ward), a grizzled vet who vows to hunt down Frenger, but may be getting too long in the tooth for the demands of his job. ~ Matthew Tobey, All Movie Guide

Unhappy with her job and her loser boyfriend, Melanie Griffith takes a secretarial post at a major Wall Street firm. Her boss is Sigourney Weaver, an outwardly affable yuppie whose grinning visage hides a wicked and larcenous propensity for exploiting the ideas of her employees. While Weaver is incapacitated, Griffith is compelled by circumstances to pose as her boss. Her inborn business acumen and common sense enable Griffith to rise to the top of New York's financial circles, and along the way she wins the love of executive (Harrison Ford). Things threaten to take a sorry turn when Weaver returns, but it is she who suffers from the consequences of her own past duplicity. Working Girl was Melanie Griffith's breakthrough film, proving than she was more than just the off-and-on "significant other" of Don Johnson. The film was later adapted into a brief TV series, starring a pre-Speed Sandra Bullock. ~ Hal Erickson, All Movie Guide