Michael Dunn Movies

The Freakmaker is a creepy horror film about a mad scientist who abducts college students for the subjects he needs in his attempts to crossbreed plants with humans. His failures are turned over to a dwarf who runs a circus freakshow. This film is also known by the title The Mutations. ~ All Movie Guide

In this historical drama based on actual events, Sweden's Queen Christina (Liv Ullmann) decides in 1654 to give up her throne in order to embrace Catholicism. However, as she studies the faith, she falls in love with Cardinal Azzolino (Peter Finch), a cleric being considered for the papacy. Greta Garbo previously played the same abdicating monarch in the film Queen Christina. Michael Dunn, who plays the dwarf in The Abdication, died during production, and several of his scenes had to be shot with another actor doubling for him. ~ Mark Deming, All Movie Guide

After being unknowingly inflicted with the bite of a werewolf while on a visit to Europe, White House press secretary Jack Whittier (Dean Stockwell) begins to turn into a deadly beast by night, terrorizing Washington D.C. and presenting a very deadly threat to the President. ~ Iotis Erlewine, All Movie Guide

The fourth film to explore Edgar Allan Poe's classic tale, this clever adaptation takes some rather broad liberties with the source material. A flamboyant Jason Robards plays Cesar Charron, owner of a Grand Guignol theatre in 19th-century Paris, who is launching a stage adaptation of "Murders in the Rue Morgue" -- much to the dismay of his young daughter Madeleine (Christine Kaufmann), who is tormented by nightmares filled with images from the play. A spate of gruesome murders among the theatre's regular stable of actors leads Charron to suspect the return of his deranged, disfigured former partner René Marot (Herbert Lom), who had been presumed dead after the murder of Charron's wife. Madeleine's nightmares eventually come true when Marot makes his presence known and reveals his intentions to her on the eve of the production's opening night. Director Gordon Hessler's creative handling of the dreams-vs.reality premise is rendered a bit confusing thanks to AIP's sloppy re-editing, but the overall production is still effectively chilling. ~ Cavett Binion, All Movie Guide

Three social rejects plan an elaborate bank robbery. Ticky (Michael Dunn) is the dwarf and mastermind of the caper who is hopelessly in love with his female accomplice. They plan to murder the daughter of a bank president and replace her with a look-alike at the victim's private school. She manages to get all the keys to the strongboxes, and Ticky and his other accomplice make off with the loot. Ticky kills the man when he suspects he will make off with the money. He stands on shore as the woman masquerading as the banker's daughter swims out to sea. She would rather die than be loved by the hideously malevolent dwarf. Bernard Fresson, Jane Birkin, Claude Brasseur and Andre Pousse also star in this crime drama. ~ Dan Pavlides, All Movie Guide

New York detective Moe Brummell (George Segal) is assigned to track down a serial killer who has been preying on lonely middle-aged ladies. Each of the bodies is discovered with a lipstick kiss drawn on the forehead. We know (but Brummell doesn't) that the murderer is Christopher Gill (Rod Steiger), a round-the-bend actor whose hatred for his mother has driven him to his killing spree. Gill is fond of adopting a different personality and costume with each killing (a priest, a homosexual, a plumber etc.), making him doubly difficult to trace. When Brummell comments to the media that he's up against a criminal genius, he finds himself the reluctant recipient of Gill's anonymous phone calls, wherein the killer plants cryptic clues leading to his next crime. It may not be readily apparent from the previous sentence, but No Way to Treat a Lady is a comedy-albeit a jet-black one. Moe Brummell is hampered with an archetypal Jewish mamma (Eileen Heckart), who in her own way is as deadly as the elusive Christopher Gill. Lee Remick plays Brummell's girl friend, who, as the only person who might be able to identify Gill, is placed in harm's way at the film's climax. A curious by-product of No Way to Treat a Lady is the fact that Rod Steiger was cast in the lead in the 1976 biopic W.C. Fields and Me on the basis of the third-rate Fields imitation he offers to George Segal during one of his taunting phone calls. ~ Hal Erickson, All Movie Guide

It's a seemingly peaceful spring morning in New York City -- graduation day at the Police Academy -- and Police Commissioner Anthony X. Russell (Henry Fonda) is looking forward to giving a speech to the new officers. But all isn't well: Russell's been given apparently incontrovertible evidence that his oldest friend, Chief Inspector Charles Kane (James Whitmore), is shaking down a bar owner, and a black minister (Raymond St. Jacques) is claiming that his son was brutalized when he was picked up for questioning in a rape/assault case. Then Russell gets a call informing him that two first-grade detectives, Daniel Madigan (Richard Widmark) and Rocco Bonaro (Harry Guardino), allowed small-time hood Barney Benesch (Steve Ihnat) to get the drop on them, steal their guns, and escape while they were trying to pick him up for questioning at the request of Brooklyn detectives -- and Benesch is now a suspect in that earlier murder in Brooklyn. Madigan has other problems, including the fact that the commissioner -- his ex-captain -- doesn't trust him, always believing him to be a loose cannon who has taken advantage of the badge in accepting favors and cutting corners where peoples' rights were concerned. Madigan also has a beautiful, upwardly mobile wife (Inger Stevens) who loves him but can't abide all the time his job takes him away from her or crimps her socializing; and he has never fully gotten over Jonesy (Sheree North), a saloon singer he knew before he was married. Madigan and Bonaro are given 72 hours to bring in Benesch and begin beating the bushes for leads. They get help from "Midget" Castiglione (Michael Dunn), a bookmaker and an old enemy of Benesch's, and a nervous, long-haired punk named Hughie (Don Stroud). While the clock ticks away on Madigan's and Bonaro's careers, the commissioner must decide how to deal with Kane, whose father -- also a police officer -- was like his own, and he must also fathom how a four-star chief could be involved with anything as tawdry as pressuring a tavern owner. Russell genuinely believes that there must be "one standard, one rule" for any member of the department, but in the course of this one weekend, he finds this notion shattered by what he discovers about Madigan, King, and himself. Meanwhile, Benesch is still on the loose, acting like a complete psycho and a threat to anyone who crosses his path. Russell's and Madigan's paths finally cross personally, as the detective proves -- and the commissioner discovers -- just how good a cop he is. ~ Bruce Eder, All Movie Guide

Boom is taken from the Tennessee Williams play The Milk Train Doesn't Stop Here Anymore. Flora Goforth (Elizabeth Taylor) is a foul-mouthed, booze-swilling, pill-popping, middle-aged woman near death. She spends her time swearing at the servants and looks forward to the end of it all, until poet Chris Flanders (Richard Burton) comes to her island home. Known in literary circles as the "angel of death," the poet gives the dying woman some measure of comfort in his presence -- while he takes comfort in her liquor cabinet and her jewelry. Often she is visited by the Witch of Capri (Noel Coward), a gossip-minded homosexual who appears to be Flora's only friend. Williams wrote the screenplay, which unfortunately proved ineffectual, as Taylor and Burton were seemingly caught up in their own world of wallowing in self-importance. The feature did little to boost the sagging careers of Burton and Taylor or to alter the public's negative opinions of their personal lives. ~ Dan Pavlides, All Movie Guide

The first person the audience sees in Ship of Fools is dwarf Michael Dunn, who speaks to viewers directly and acts as a Greek chorus throughout the film. It begins on the deck of an ocean liner travelling from Vera Cruz to Bremerhaven. The time is the 1930s, so close and yet so far from war. The cross-section of humanity on board includes ship's doctor Oscar Werner, Spanish political activist Simone Signoret, aging coquette Vivien Leigh, hedonistic baseball player Lee Marvin, philosophical Jew Heinz Ruhmann, a smattering of pro- and anti-Hitlerites (Jose Ferrer plays the nastiest and most vocal "pro") and young lovers George Segal and Elizabeth Ashley. Yes, it's Grand Hotel at sea, a feast for stargazers and an endurance test for those who aren't comfortable with non-stop speechmaking. Despite such lines as "What can the Nazis do? Kill all six million of us?," Ship of Fools manages to stay afloat throughout its 148 minutes. Michael Dunn was nominated for an Academy Award for his interlocutory characterization; the rest of the performances range from brilliant to merely filling up the room. Other Oscars were presented to cinematographer Ernest Lazslo and to the art-direction staff. Ship of Fools was adapted by Abby Mann from the novel by Katharine Ann Porter. ~ Hal Erickson, All Movie Guide

In this drama, a young circus performer begins looking for his long-lost mother after his father dies. He finds the eccentric woman living alone in a big house in a small town. Her only companion is a dwarf who acts as her valet. The trouble begins when a wealthy citizen in town begins wanting the old house to give to his spoiled son. Just before the place is to be auctioned off to pay back taxes, the young son arrives and pays the debt. This angers the locals. They sic the town thug upon him and mayhem ensues. The poor hermitess is then assaulted by a drunken group of youths who suddenly show up at her house. The old woman is so frightened that she has a fatal heart attack. After she dies, the son loads her corpse into his circus truck and begins slowly driving to the town cemetery. The remorseful townsfolk follow behind. ~ Sandra Brennan, All Movie Guide