Thomas Jefferson Byrd Movies

Training Day director Antoine Fuqua takes viewers on a dark ride through the streets of Brooklyn, following three New York Police officers as they wrestle with temptation, loyalty, and duty while attempting to uphold the law and deal with the pressures of the job. Eddie Dugan (Richard Gere) is days away from retirement, but he's been burnt-out for years. Unable to remember why he signed up for the job in the first place, all Eddie can think about is retreating to his fishing cabin in Connecticut, and forgetting the horrors that he's seen during his decades on the job. At the same time, undercover narcotics cop Clarence "Tango" Butler (Don Cheadle) is right in the thick of it. As hard as he tries to quit, however, his superiors always find a way of keeping him on the job. Much like Dugan, he's lost sight of his priorities, and these days Tango's loyalties seem to lie more with notorious inner-city drug dealer Caz (Wesley Snipes) than with the boys in blue. And Tango isn't the only cop who's being drawn to the dark side of the law; narcotics officer Sal Procida's (Ethan Hawke) wife is currently pregnant with twins, and he's barely making enough to keep his family afloat. When Sal learns that his wife is at risk of losing their unborn children, desperation drives him to consider unethical means of ensuring financial stability. In seven days, the lives of all three officers will converge at one crime scene as the NYPD attempts to clean up the BK projects, the epicenter of lawlessness in the highest-crime precinct. ~ Jason Buchanan, Rovi

Directed by Taylor Hackford, this biopic profiles the life of legendary musician Ray Charles. Despite humble beginnings and the loss of his eyesight due to glaucoma at the age of six, Charles, depicted by Jamie Foxx, would nonetheless become an icon in both the music industry and the civil rights era. While the film delves into his problems with drugs and women, the bulk of the story details his career; among the highlights of that career are 12 Grammy awards and 11 R&B chart-toppers, such as "Unchain My Heart," "Hit the Road, Jack," "Georgia," "Doin' the Mess Around," and "Hallelujah I Just Love Her So." Also among the cast are Larenz Tate as Quincy Jones, as well as Regina King, Kerry Washington, and Clifton Powell. Charles' son, Ray Charles Jr. helped produce the film. ~ Tracie Cooper, Rovi

Playwright Tyrone Atkins lost a promising career in theater and film -- as well as his home, his belongings, and (for a time) his freedom -- when he became addicted to crack cocaine. After conquering his habit, Atkins used his experiences living on the streets as the basis for this story about a group of homeless addicts attempting to hold on to the last shreds of their dignity. Cody (Thomas Jefferson Byrd) was once a respected jazz musician, but after getting hooked on crack, Cody abandoned his wife and son and now lives in a makeshift hut in Los Angeles's MacArthur Park. Cody scrapes up enough money to feed his habit through petty crime and acting as a go-between for more privileged users willing to pay a premium to him rather than hunt down hard-nosed dealer Freddie (B-Real). Cody's friend Blackie (Miguel Nunez) gets along in much the same way, but he finds himself in hot water after he takes off with the money of downwardly mobile TV actor Steve (Balthazar Getty), who gave him a handful of cash to score drugs for him. Cody is forced to take a long look at his responsibilities when he's confronted by his son Terry (Brandon Adams), whom he hasn't seen in years; Cody also runs into Karen (Rachel Hunter), once a fellow addict, who wants him to know there is a way out of the cycle of addiction. MacArthur Park's supporting cast also includes Julie Delpy, Lori Petty, Ellen Cleghorne, David Faustino, Sticky Fingaz, and Sydney Tamia Poitier, while R&B star Macy Gray contributed to the soundtrack; the film was enthusiastically received in its screenings at the 2001 Sundance Film Festival. ~ Mark Deming, Rovi

Atlanta attorney Jermaine (Gary Dourdan) wants to enliven his sex life with wife Jasmine (Kenya Moore) by having a threesome. Jasmine somewhat grudgingly agrees, and Jermaine's buddy Terrance (Soloman K. Smith) hooks him up with the comely Jade (Gretchen Palmer). Jermaine enters into a secret agreement with her to pay for a ménage à trois, but after the deed is done, Jade becomes increasingly unhinged as the married couple expresses no desire for further carnal commingling. ~ Rebecca Flint Marx, Rovi

Released one year to the day after the 1995 Million Man March, in which a million African-American men marched peacefully in Washington, D.C. in a bid for greater unity and understanding, Spike Lee's Get On the Bus follows a group of black men who take a charter bus from Los Angeles to the rally in the nation's capital and watches as they interact and air their personal issues and concerns. George (Charles S. Dutton) is the organizer of the trip and de facto leader of the group. Evan Thomas (Thomas Jefferson Byrd) is a truck driver who travels to the march with his son (De'Aundre Bonds) chained to his belt by court order after the boy was arrested for petty theft. Kyle (Isaiah Washington) and Randall (Harry Lennix) are gay lovers who take no small amount of abuse from their fellow passengers. Gary (Roger Guenveur Smith) is the product of a mixed-race marriage who could pass for white but sees himself as black; he's also a cop, which does little to endear him to his peers. Flip (Andre Braugher) is an actor who seems more concerned with getting his next film role than the larger issues of the march. Jamal (Gabriel Casseus) is a good-natured young Muslim trying to lead a righteous life to make up for his violent past as a gang member. A film student (Hill Harper) is capturing the trip on videotape, and Jeremiah (Ossie Davis) sits in the back, reflecting on the struggles of African-Americans in the past and present. Financed by a private group of 15 black American men (among them Will Smith and Wesley Snipes), Get On the Bus speaks less of a single political goal than of the need for black men to set aside their differences to work for their common good. While the film falls short of openly criticizing Million Man March organizer Louis Farrakhan, it does present debate about Farrakhan's ideals and statements, ultimately coming to the conclusion that whoever brought this group together is less important than the fact that they came together in peace and brotherhood. ~ Mark Deming, Rovi