Liam Dunn Movies

Silent Movie is just that: a totally nonverbal comedy, save for one single line. Director Mel Brooks stars as a once-famous comedy director, who with his faithful assistants Dom DeLuise and Marty Feldman return to Hollywood with plans for a comeback. Brooks wants to return to the good old days by producing a silent movie (he explains this via subtitle). Producer Sid Caesar is agreeable, provided Brooks can line up top stars. In a series of vignettes better seen than described, Brooks persuades Burt Reynolds, Liza Minelli, Paul Newman, James Caan and Anne Bancroft (Brooks' real-life wife) to star in his project. The only holdout is mime Marcel Marceau, who after a few moments of walking against the wind shouts the film's solitary line: "No!" Meanwhile, the crooked executives of the Engulf and Devour conglomerate want to take over Caesar's studio and are worried that Brooks' film might be so huge a hit that Caesar won't be interested in selling. To prevent this, the conglomerate dispatches sexy Bernadette Peters to lure Brooks into drink and ruination. The film's climax is lifted from the 1943 Olsen and Johnson film Crazy House). Featured in brief comic cameos are Harry Ritz as the man with half a suit, Charlie Callas as the blind man, Dom DeLuise's wife, Carol Arthur, as the incredibly pregnant woman, Fritz Feld as the headwaiter (whose trademarked "Pop" is conveyed on a subtitle) and Henny Youngman as the diner with a fly in his soup. Co-writers Ron Clark, Rudy DeLuca and Barry Levinson also show up on screen as three of the Engulf & Devour minions. ~ Hal Erickson, All Movie Guide

Robert Stevenson, Walt Disney Productions' house director, cobbled together his 19th family film for the organization with this slapstick sequel to the Disney comedy The Shaggy Dog (produced 17 years after the fact). Dean Jones plays Wilby Daniels, a lawyer running against the villainous John Slade (Keenan Wynn) for district attorney. His campaign is cast into doubt when he comes upon an ancient ring that transforms him into a fat sheepdog. But the campaign progresses on a level playing field when the unscrupulous Slade finds himself also turned into a canine -- a disgruntled bulldog. Another sequel, The Return of the Shaggy Dog, followed. ~ Paul Brenner, All Movie Guide

Vietnam veterans Baumgartner and Watson (Ben Gazzara and Paul Winfield) are hired to rescue an executive (Keenan Wynn) abducted by Asian guerrillas. ~ Jason Ankeny, All Movie Guide

The Night That Panicked America is centered around Orson Welles' notorious "War of the Worlds" broadcast of October 30, 1938. Welles (Paul Shenar) arrives at CBS studios just in time to assume his directing post for the radio adaptation of the H.G. Wells classic, which has been updated and rewritten in the form of news bulletins. Unfortunately, millions of listeners tune in late and assume that the Earth is actually being invaded by Martians. This TV movie periodically cuts away from the broadcast in progress to concentrate on the panicky reactions of several listeners -- including a terrified mother (Eileen Brennan) who nearly kills her own children rather than allow them to fall into the tentacles of the Men From Mars. Advised of the panic, Welles is convinced that his career is over, but the ensuing publicity makes him nationally famous. As he absorbs the events of the evening, the hoodwinked radio fans crawl back sheepishly to the safety of their homes. ~ Hal Erickson, All Movie Guide

Kojak (Telly Savalas) is approached with an offer that he may not be in a position to refuse. The detective has been ordered to relinquish incriminating evidence against a man named Steiner (Mark Stevens), who has been arrested on drug charges. If Kojak fails to do so, the kidnapped wife (Jean Le Bouvier) of police captain Frank McNeil (Dan Frazer) will be killed. ~ Hal Erickson, All Movie Guide

Lending his burlesque touch to 1970s genre revision, Mel Brooks followed his hit "western" Blazing Saddles with this parody of 1930s Universal horror movies. Determined to live down his family's reputation, Dr. Frederick Frankenstein (co-screenwriter Gene Wilder) insists on pronouncing his name "Fronckensteen" and denies interest in replicating his grandfather's experiments. But when he is lured by Frau Blucher (Cloris Leachman) to discover the tantalizingly titled journal "How I Did It" in his grandfather's castle, he cannot resist. With the help of voluptuous Inga (Teri Garr), wall-eyed assistant Igor (Marty Feldman), and a purloined brain, Frankenstein creates his monster (Peter Boyle). Igor, however, stole the wrong brain, and the monster tears off into the countryside, encountering a little girl and a blind hermit (Gene Hackman). Frankenstein finds the monster and trains him to do a little "Puttin' On the Ritz" soft-shoe, but the monster escapes again, this time seducing Frankenstein's uptight fiancée Elizabeth (Madeline Kahn) with his, ahem, sweet mystery. His love life and experiment in shambles, Frankenstein finally finds a way to create the being he had planned. Shooting in gleaming black-and-white, with sets and props from the 1930s and appropriate fright music by John Morris, Brooks' cheeky attitude towards the Hollywood past attracted a large audience, turning it into one of the most popular 1974 releases after (what else?) Blazing Saddles. ~ Lucia Bozzola, All Movie Guide

Gilbert Wright's novel Madman's Chain had already been adapted to television by Alcoa/Goodyear Theatre by the time that Cry in the Wilderness premiered March 26, 1974. While the first version, titled Chain and the River, was a moderately suspenseful half hour, Cry in the Wilderness manages to keep viewers on the very edges of their seats for a full 74 minutes. George Kennedy stars as a farmer who is bitten by a rabid skunk. To protect his family from the madness that he is sure will overtake him, Kennedy has his wife Joanna Pettet chain him to a post in their barn. Left alone, Kennedy discovers that the dam has burst, and that his farm will soon be consumed by flood. The climactic deluge was largely (and superbly) created in the lab by special effects maestro Albert Whitlock. Cry in the Wilderness premiered March 26, 1974. ~ Hal Erickson, All Movie Guide

This crime-caper film from director Gower Champion stars George C. Scott as a visionary thief. He doesn't merely intend to rob a bank; his plan is to steal the whole bank. This is accomplished by lifting the structure with house-moving machinery in the dead of night, then painting it pink and squirreling it away in a trailer park. The Bank Shot was based on a novel by Donald E. Westlake who also wrote the book that became 1972's The Hot Rock. ~ Hal Erickson, All Movie Guide

Finding that he hasn't much time left to live, a man makes needed changes in his life with the help of an angel in this Disney feature. ~ Kristie Hassen, All Movie Guide

Koska. ..and His Family was an unsold 60-minute pilot, originally telecast on the last day of 1973. Koska (Herb Edelman), an unemployed aerospace engineer, decides to become an inventor. He sets up a lab in his own home, where he is constantly driven bonkers by his physical education teacher wife (Barbara Barrie), his voting-age kids (Jack David Warner and Ellen Sherman) and his aphasiatic grandpa (Liam Dunn). Only Koska's unquenchable optimism enables him to persevere. Though obviously inspired by the success of All in the Family, Koska...and His Family takes pains not to imitate any of the trademarks or characterizations of its role model. ~ Hal Erickson, All Movie Guide

On three occasions between 1973 and 1975, Star Trek producer Gene Roddenberry attempted to launch a new science-fiction series. All three pilot films were predicated on the premise of a modern-day scientist awakening after nearly two centuries in suspended animation. The first of these feature-length pilots was Genesis 2, which debuted March 23, 1973. Alex Cord stars as Dylan Hunt, who opens his eyes to discover that he now resides in a post-apocalyptic world. He is reluctantly recruited into a resistance movement, aimed at toppling the present despotic regime. The film's "money scene" involved leading lady Lyra-a (Mariette Hartley), who at a crucial plot juncture lifts her blouse to reveal that she has two navels. When Genesis 2 failed to click as a series, Roddenberry and company tried again with Planet Earth (1974); when that didn't sell, the property was reworked as Strange New World (1975). ~ Hal Erickson, All Movie Guide

One of the best of the early-1970s Disney farces, The World's Greatest Athlete stars Jan-Michael Vincent in the title role. A "wild boy" living off the land in the jungles of Africa, Vincent is discovered by coaches Tim Conway and John Amos. Cursed with a last-place college athletic lineup, Conway and Amos hope that Vincent will pull them out of their years-long slump. And he does, but not before several Disneyesque slapstick highlights, not to mention a handful of amusing special-effects gags (at one point, Conway is shrunk to mouse size by witch doctor Roscoe Lee Browne). Despite its formidable lineup of comedians-Conway, Billy DeWolfe, Nancy Walker, Vito Scotti et. al.--The World's Greatest Athlete's funniest line goes to guest star Howard Cosell! The script is the handiwork of Gerald Gardner and Dee Caruso, late of That Was the Week That Was and Get Smart. ~ Hal Erickson, All Movie Guide

Edith is in a panic when she loses a valuable locket. Archie, however, is less concerned about the locket than in its long-range value. Hoping to purchase a new color TV set, Archie tries to persuade Edith to claim that the locket was stolen so he can collect a huge insurance settlement. Written by Robert Fisher and Arthur Marx (son of Groucho Marx), "The Locket" was originally scheduled to air on December 23, 1972, but was instead moved up to November 25. ~ Hal Erickson, All Movie Guide