Emma Dunn Movies

Scattergood Pulls the Strings was the second in a series of B pictures based on the long-running radio series Scattergood Baines. Guy Kibbee returns as Baines, the philosophy-dispensing proprietor of the general store in the village of Coldriver. Living up to the film's title, Scattergood manages to solve practically everyone's problems in the course of the film's brief running time. He is especially effective in helping a pair of young lovers (Susan Peters and James Corner) achieve their life's ambition, and in reuniting a 10-year-old boy (Bobs Watson) with his long-missing father (silent screen veteran Monte Blue). If this film were any more heartwarming, it would catch fire. ~ Hal Erickson, Rovi

A young, naive schoolteacher gets in over her head when the advances of a suitor grow too ardent. To escape his unwanted attentions she steals a rich man's car and takes off. In her haste she does not check the car. If she had, she would have seen the murdered corpse of a gangster stuffed into the back seat. Fortunately for her, the wealthy man, wants to help her. To do so, he pretends to be a gangster. ~ Sandra Brennan, Rovi

Dr. Kildare's Crisis is actually one suffered by his fiancee, nurse Mary Lamont (Laraine Day). Mary's financier brother Douglas Lamont (Robert Young) is subject to unpredictable seizures, and for a while it seems that he is suffering from hereditary epilepsy. This being 1940, Douglas' affliction carries an onus which seriously threatens the impending marriage between Mary and Jim Kildare (Lew Ayres); after all, who knows how their children will turn out? But by using an unorthodox therapeutic method, Dr. Kildare proves that Douglas' medical condition was borne of an accident rather than a genetic disorder. The final diagnosis is rendered by crusty Dr. Gillespie (Lionel Barrymore), who thereby manages to justify his appearance in the film in the very last reel. ~ Hal Erickson, Rovi

While paging through a scrapbook, Dr. Wyman (Robert Sterling) recalls his college days. Though preferring to stick to his studies, Wyman was strong-armed into joining the football team because of his athletic abilities. Sure enough, his gridiron activities caused his grades to drop, while his dalliance with seductive Janice (Katherine Aldridge) endangered his campus romance with Lee (Jean Rogers). It took his best pal Garrett (Russell Gleason) to put Wyman's priorities in order. An excellent early showcase for Robert Sterling, Yesterday's Heroes is also a treat for serial fans, featuring former "Dale Arden" Jean Rogers and future "Nyoka the Tiger Woman" Katherine Aldridge in prominent roles. ~ Hal Erickson, Rovi

The One Crowded Night of the title takes place at a tourist camp on the outskirts of the Mojave Desert. In true "Grand Hotel" fashion, the film manages to keep several subplots going at once, all of them resolved in one fell swoop by fadeout time. Former gun moll Gladys (Billie Seward) hopes to find happiness with honest truckdriver Joe (William Haade), but her past catches up with her in the form of escaped convict Jim (Paul Guilfoyle). Lunch-counter waitress Annie (Gale Storm) allows gas station attendant Vince (Dick Hogan) to flirt with her. Young mother-to-be Ruth (Adele Pearce), on the verge of giving birth, is unexpectedly reunited with her AWOL sailor husband Mat (Gaylord Pendleton). Quack doctor Joseph (J. M. Kerrigan) tries to peddle his miracle elixir. A pair of gunmen show up to knock off Jim, a couple of MPs arrive to pick up Mat, and so it goes?.. ~ Hal Erickson, Rovi

"This is the story of the period between two world wars--an interim during which insanity cut loose, liberty took a nose dive, and humanity was kicked around somewhat." With this pithy opening title, Charles Chaplin begins his first all-talking feature film, The Great Dictator. During World War I, a Jewish barber (Chaplin) in the army of Tomania saves the life of high-ranking officer Schultz (Reginald Gardiner). While Schultz survives the conflict unscathed, the barber is stricken with amnesia and bundled off to a hospital. Twenty years pass: Tomania has been taken over by dictator Adenoid Hynkel (Chaplin again) and his stooges Garbitsch (Henry Daniell) and Herring (Billy Gilbert). Hynkel despises all Jews and regularly wreaks havoc on the Tomanian Jewish ghetto, where feisty Hannah (Paulette Goddard) lives. Meanwhile, the little barber escapes from the hospital and instinctively heads back to his cobweb-laden ghetto barber shop. Unaware of Hynkel's policy towards Jews (in fact, he's unaware of Hynkel), the barber gets into a slapstick confrontation with a gang of Aryan storm troopers. He is rescued by his old friend Schultz, now one of Hynkel's most loyal officers. Thanks to Schultz's protection, the ghetto receives a brief respite from Hynkel's persecution. The barber sets up shop again, developing a warm platonic relationship with the lovely Hannah. But things take a sorry turn when Hynkel, angered that a Jewish banker has refused to finance his impending war with Austerlitz, begins bearing down again on the Ghetto. Near the end of the film, when the dictator is expected to make another one of his hate-filled, war-mongering speeches, the barber steps up to the microphones...and Charles Chaplin drops character and becomes "himself," delivering an impassioned plea for peace, tolerance, and humanity. ~ Hal Erickson, Rovi

Little Orvie (Johnny Sheffield) is a small boy whose stern father (Ernest Truex) and by-the-book mother (Dorothy Tree) refuse to buy a dog. Orvie befriends a stray mutt, which of course follows him home and just won't leave. Failing to keep the dog's presence a secret, Orvie is ordered to give up the canine. Orvie's dad finally weakens his resolve and reveals himself to be a sentimentalist. Based on a story by Booth Tarkington, Little Orvie provided an unusually "normal" assignment for young Johnny Sheffield, best remembered for his appearances as Boy in the Tarzan pictures and his later starring stint in Monogram's "Bomba the Jungle Boy" series. ~ Hal Erickson, Rovi

The Hero for a Day is elderly night watchman Frank Higgins (Charley Grapewin), still basking in the memories of his long-age college football triumphs. To stir up publicity for a crucial post-season game, his alma mater plucks Higgins out of obscurity and once more showers him in glory. The old man's triumph turns to tragedy when he drops dead during the Big Game, but at least he goes out secure in the knowledge that his protégé Brainy (Dick Foran) has scored the winning touchdown. Critics in 1939 were amused by the inconsistencies during the gridiron sequences (the scenes appeared to have been shot at several different stadiums, then haphazardly patched together in the cutting room) and by the lavish wardrobe sported by "humble" stenographer Sylvia Higgins (Anita Louise). Featured in the cast of Hero for a Day is Richard Lane, who seems to have been in every sports movie ever produced between 1935 and 1945. ~ Hal Erickson, Rovi

The second of MGM's "Dr. Kildare" series, Calling Dr. Kildare finds the title character (Lew Ayres) transferred to Blair General's downtown outpatient clinic by his crusty superior Dr. Gillespie (Lionel Barrymore). It is Gillespie's hope that Kildare will gain valuable experience by working in less than ideal circumstances. A wounded gangster stumbles into the clinic; he is treated by Kildare, who is almost immediately tagged as the criminal's accomplice by the police. Kildare clears himself after burrowing through several subplots and the sporadic comedy relief of ambulance jockey Nat Pendleton. Calling Dr. Kildare was primarily a showcase for MGM's new starlet Lana Turner, here playing the gangster's cute sister. ~ Hal Erickson, Rovi

The most elaborate--and longest--of Universal's Frankenstein series, Son of Frankenstein represents Boris Karloff's last appearance in the role of the Monster. The title character is played by Basil Rathbone, who with wife Josephine Hutchinson and son Donnie Donegan returns to the Old Country to take over his late father's estate. Rathbone receives a cool reception from the local villagers, who remember all too well the havoc wreaked by his father's monstrous creation. Though he assures his neighbors that he has no intention of following in his father's footsteps, Rathbone is hounded by suspicious town constable Lionel Atwill, whose stiff artificial arm is an unfortunate legacy of an earlier confrontation with Karloff. Also hanging around Frankenstein Castle is crazed shepherd Bela Lugosi), whose neck was broken in an unsuccessful hanging attempt. Lugosi wishes to exact revenge on the city fathers who'd tried to execute him, and to that end persuades Rathbone to revive the hideous Karloff. At first resistant, Rathbone becomes as obsessed as his father with the notion of creating artificial life. Now the fun begins, directed with Germanic intensity by Rowland V. Lee. Though Mel Brooks's Young Frankenstein has rendered Son of Frankenstein virtually impossible to take seriously, the film remains an excellent marriage of the slick, sanitized production values of the "New Universal" and the Gothic zeitgeist of the earlier Frankenstein epics. Best line: Lugosi, looking over the dormant body of The Monster, explains raspily that "He does...things...for me." Hans J. Salter's intense musical score for Son of Frankenstein would continue to resurface in Universal's Mummy B pictures of the 1940s. Watch for Ward Bond in a bit part as a police officer...and see if you can spot Dwight Frye, whose supporting part was excised from the final release print, among the villagers. ~ Hal Erickson, Rovi

Nancy, a jilted bride-to-be, is played by Janet Gaynor in one of her last starring films. The three loves are novelist Robert Montgomery, publisher Franchot Tone, and gormless nebbish Grady Sutton (Sonny TUFTS??). In New York to find her runaway groom Sutton, Janet runs across Montgomery and Tone. More selective since her unfortunate near-wedding, Gaynor decides to have the two swains demonstrate their worthiness, leading to a brief (and chaste) menage-a-trois in which all three are under the same roof. Three Loves Has Nancy is a sedate screwball comedy, carried completely by the charm of its stars. ~ Hal Erickson, Rovi

Dick Powell stars as a Brooklynite who becomes a cowboy in spite of himself. Drifting into a small western town, Powell takes the only job available as a ranch hand. He likes to sing in his spare time, which attracts the attention of talent scout Pat O'Brien. Before you can say Gene Autry, Powell is promoted into America's favorite singing cowboy--though he's hard pressed to prove his western skills when the plot situations demand it. Rather condescending in its attitude towards western stars (as non-western movies tended to be in the 1930s, 1940s and 1950s), Cowboy From Brooklyn was another step backward in the (temporarily) fading career of Dick Powell. The only good thing to come out of the film was the song "Ride, Tenderfoot, Ride", which became the leitmotif of many a Warner Bros. cartoon short. ~ Hal Erickson, Rovi