Pamela Duncan Movies

This comedy was inspired by the true story of Cynthia Payne, a former waitress who gained fame as England's best-known (and best-liked) madame. Christine Painter (Julie Walters) is a working-class single mother who sub-leases a few inexpensive flats as a way of bringing in extra money. Christine has no particular interest in selling her body, but when she finds herself in a tight spot financially -- and notices that the prostitutes who rent her apartments are the only ones who consistently pay on time -- she decides to open a brothel. With the help of Shirley (Shirley Stelfox), an experienced prostie, and Morton (Alec McCowen), a former RAF commander with a fondness for women's undergarments, Christine opens a little place where elderly businessmen can indulge their fondness for kinky lingerie and being spanked by younger women. Soon Christine's business is booming and everyone is happy -- until the police pay her a visit. Personal Services was directed by Terry Jones, best known as a member of the Monty Python troupe; the real-life Cynthia Payne served as a technical advisor. ~ Mark Deming, Rovi

One of Elvis Presley's biggest moneymakers, Girls Girls Girls casts ol' swivel-hips as a tuna-boat fisherman working out of Hawaii. Elvis chases after all the wrong girls, while ignoring the girls who genuinely care for him. Here, as Ross Carpenter, Presley has two main love interests: sexy vocalist Robin (Stella Stevens and heiress Laurel (Laurel Goodwin), who pretends to be poor so as not to wound Ross's pride. When rude 'n' crude Wesley Johnson (Jeremy Slate), who owns Ross's boat, makes a play for Laurel, Ross punches him out. He loses his boat, but it hardly matters since he and Laurel have found true love. Songs crucial to the action are the title tune, "Return to Sender," and "Song of the Shrimp." ~ Hal Erickson, Rovi

Tennessee Williams' Broadway play Summer and Smoke (expanded from his one-act piece Eccentricities of a Nightingale) was brought to the screen by adaptors James Poe and Meade Roberts and director Peter Glenville. Geraldine Page repeats her stage role as minister's daughter Alma Winemiller, who lives a spinsterish existence in her WWI-era Mississippi home town. Though her hateful mother (Una Merkel) has nothing but nasty things to say about men, Alma carries a torch for her handsome next-door neighbor and lifelong friend, Dr. John Buchanan (Laurence Harvey). The doctor prefers the companionship of Rosa (Rita Moreno), a "wrong side of the tracks" girl who is as open and freewheeling as Alma is shy and repressed. Desperate for Buchanan's attention, Alma begins behaving with uncharacteristic affection towards him. He misreads her signals and attempts to seduce her. Already on the edge, Alma goes ballistic, literally running out of Buchanan's life. When the doctor throws an engagement party for himself and Rosa, the neurotic Alma tells Buchanan's father (John McIntire) that a wantonly immoral get-together is taking place in the doctor's home--an act of vengeance that has long-range tragic consequences. By film's end, the previously strait-laced Alma, unhinged by previous events, has become as misguidedly passionate as her spiritual sister, A Streetcar Named Desire's Blanche DuBois. Summer and Smoke earned Academy Award nominations for both Geraldine Page and Una Merkel; while Merkel would never win an Oscar, Ms. Page finally collected her statuette for 1985's A Trip to Bountiful. ~ Hal Erickson, Rovi

Legendary shlockmeister Roger Corman and long-time collaborator Charles B. Griffith attempted to cash in on the popular 1950s surge in Bridey Murphy reincarnation mania with this confusing and throughly weird thriller. It begins with researcher Richard Garland hypnotizing streetwalker Pamela Duncan in an attempt to record her past-life experiences as a condemned witch in the Dark Ages. After numerous silly attempts by Garland to save her -- including regressing himself into the same period, where, by remarkable coincidence, he also lived as a soldier -- Duncan decides not to alter the course of history, and she resigns herself to her fate. Despite the spooky ambience, a cast of Corman regulars (including Mel Welles and Allison Hayes), and some clever plot twists -- including one which finds the tables turned on our meddling scientist -- Griffith's static and talky screenplay is so absurdly crammed with half-baked metaphysical musings that it becomes almost impossible to discern the plot. ~ Cavett Binion, Rovi

Gun Battle at Monterey begins where most other westerns would end: with outlaw Turner (Sterling Hayden) double-crossed and shot in the back by his partner Beno (Ted de Corsia). Recovering from his wound, Turner spends the rest of the picture trying to catch up with the duplicitious Reno, so as to exact revenge and claim his share from a bank holdup. Romantic complications spring up from time to time thanks to Maria (Pamela Duncan), the Mexican gal who nursed Turner back to health, and Cleo (Mary Beth Hughes), a sexy dealer in the Monterey casino. Sterling Hayden is at his most taciturn and Ted DeCorsia at his most scurrilous in Gun Battle at Monterey. Their respective fans expected no less. ~ Hal Erickson, Rovi

A group of scientists arrive on a remote Pacific island to investigate what became of the previous team, which was sent out there as observers of American hydrogen bomb tests and disappeared without a trace. They island is uninhabited and devoid even of most animal life, except for a few land crabs. The group's arrival is marred by the death of one of the navy crewmen accompanying them, who falls into the ocean and comes up with his head taken off. Then the navy plane that carried them there is blown out of the sky before it can get airborne, leaving them stranded and unaccounted for. Led by Dale Drewer (Richard Garland) and Dr. Karl Weigand (Leslie E. Bradley), they find the journal of the previous team, but no explanation of what happened to them, only that they'd noticed evidence of strange creatures and inexplicable physical phenomena on the island. Soon the scientists are hearing the voices of members of the previous scientific party, calling to them in the night. Their own radio is sabotaged and something has been probing the area where they're living; finally, the group is lured into the caverns where the real menace is hiding -- gigantic, bloodthirsty mutated land crabs that communicate telepathically and seem to have all of the knowledge of the previous team's members. One by one, all but three of the members -- Brewer, electrical engineer Hank Chapman (Russell Johnson), and scientist Martha Hunter (Pamela Duncan) -- are killed off and their minds and memories absorbed by the mutant crabs, who also have the power to focus infrared radiation into deadly, destructive beams that they use to gradually pulverize large sections of the island. By the end, a single giant crab has run the trio to ground on a remaining parcel of land just a few dozen yards across. ~ Bruce Eder, Rovi

This 1956 episode of the CBS dramatic anthology Screen Directors' Playhouse was historically significant as the first TV appearance by swashbuckling film idol Errol Flynn. Though his swash had long since been unbuckled due to excessive high living, the 47-year-old Flynn still cuts quite a dashing figure in the role of vagabond poet Francois Villon. Aided by a beautiful mademoiselle named Velvet (Pamela Duncan), Villon sets about to foil an assassination scheme targetting the King of France. Longtime Abbott and Costello foil Hillary Brooke costars as "The Countess." Thanks to the diligent archivists at Blackhawk Films, at one time the foremost purveyors of quality product for the 8- and 16-millimeter home movie enthusiasts, "The Sword of Villon" was resurrected from obscurity and restored for public consumption in the mid-1970s. ~ Hal Erickson, Rovi

Dragonfly Squadron is set in 1950 in the months before the beginning of the Korean War. John Hodiak stars as Major Mathew Brady, assigned to the base at Kongju to train South Korean troops for possible combat. These troops are to be used to protect civilians in the event of an evacuation, thus Brady is obliged to run them ragged in order to transform them into a lean, mean fighting machine. Despite the gravity of his job, Brady manages to find time to romance Donna Cottrell (Barbara Britton), the wife of an American doctor (Bruce Bennett). The Casablanca aspects of this triangle are the only forgettable aspects of this taut and timely adventure yarn. ~ Hal Erickson, Rovi

There's no obvious motive when a police officer is killed in a drive-by shooting on the steps of his own house. But after Friday (Jack Webb) and Smith (Ben Alexander) trace the "murder car" to a man named Hymie Flores (Paul Picerni), it becomes obvious that the killer was ex-con Jake Carver (Tony Barrett), who had a personal vendetta against the victm. Ultimately, Carver is arrested for another killing and sentenced to life imprisonment. Still hoping to gather enough evidence to send Carver to the gas chamber, Friday goes undercover as a fellow prisoner. This episode is based on the Dragnet radio broadcast of March 2, 1950. ~ Hal Erickson, Rovi

Monogram's Whip Wilson western series was in its final year of existence when Lawless Cowboys hit the screen. Set in the contemporary West, the film casts Wilson as a Texas Ranger on the trail of a crooked gambling ring. The bad guys are doing their best to fix the results of local rodeo events. With the help of crusading newspaperman Jim Bannon, Wilson corners the crooks and lets them taste the lash of his bullwhip. Fuzzy Knight handles the comedy-relief chores as a disheveled newspaper publisher. Though the Whip Wilson vehicles were seldom any better than adequate, Lawless Cowboys is actually pretty good. ~ Hal Erickson, Rovi