Lindsay Duncan Movies

All that glitters is not Hollywood gold, Scottish actress Lindsay Duncan believes. Although she could easily command million-dollar paychecks for performing in big-budget American films, she prefers acting in new or vintage stage plays and in screen adaptations of classic novels. So she does Shakespeare, Jane Austen, Charles Dickens, Henry Fielding, and Oscar Wilde. But her loyalty to literary giants such as these is not without its rewards: She won the 2002 Olivier Award as best actress for her performance in Noël Coward's Private Lives, a 1988 London Evening Standard Award as best actress for her performance in Tennessee Williams' Cat on a Hot Tin Roof, and a 1987 Tony nomination as leading actress for her performance in Pierre Cholderlos de Laclos' Les Liaisons Dangereuses. However, she is not averse to accepting an occasional fun role in a major Hollywood film. For example, she was the voice of protocol droid TC-14 in Star Wars, Episode 1: The Phantom Menace. For her ability to bring to life characters of every description, whether futuristic robots or here-and-now reprobates, critics agree that she is one of Britain's most talented actresses.
Duncan was born in Edinburgh, Scotland, on November 7, 1950. After studying at London's Central School of Drama, she labored in mostly unheralded theater roles before graduating to television productions in the 1980s. These productions included On Approval (1982), Reilly: The Ace of Spies (1983), Dead Head (1985), and Traffik (1989). In the 1990s, well seasoned and ready for limelight drama, Duncan picked herself a bouquet of choice roles that put her on prestigious London stages, in movie theaters from Liverpool to Los Angeles, and in the living rooms of television viewers throughout the English-speaking world. One well-known production that exhibits her talents is the 1999 TV miniseries Oliver Twist, in which she portrays Elizabeth Leeford, a woman so evil that the devil himself would fear her. Duncan also appears in the 1999 film adaptation of Jane Austen's Mansfield Park in dual roles as the heroine's mother and drug-addicted aunt, in the 1997 TV miniseries A History of Tom Jones: A Foundling as Lady Ballaston, in the 1996 film adaptation of Shakespeare's A Midsummer Night's Dream as Hippolyta and Titania, and in the 1993 TV miniseries A Year in Provence as the wife of author Peter Mayle. Her real-life husband, Hilton McRae, is also an actor. They have one son, born in 1990. ~ Mike Cummings, All Movie Guide
1977  
 
Fifty secret agents and civil servants, all apparently healthy and robust, have died of unknown causes over a two-year period. Steed (Patrick MacNee), Gambit (Gareth Hunt) and Purdey (Gareth Hunt) investigate the health farm where all of the victims had worked out before their untimely demises. Cult-movie favorite Caroline Munro appears as a health-farm employee who may or may not be in on the sinister plot. Clips from previous episodes of The New Avengers) are seen during Steed's drug-induced flashback. ~ Hal Erickson, All Movie Guide

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Starring:
Patrick MacneeGareth Hunt, (more)
1980  
 
This made-for-television British comedy is was adapted from the play by Frederick Lonsdale. Wealthy English widow Maria Wislack (Penelope Keith) decides to take beau Richard for a vacation on a Scottish Island, as a sort of trial marriage before going through with the real thing. While there, Maria and her friend Helen decide to spice things up by swapping their respective partners and the comedy ensues. ~ Bernadette McCallion, All Movie Guide

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1980  
 
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Made for British television by filmmaker Mike Leigh, Grown Ups is a detailed slice-of-life drama about a married, working-class couple in Canterbury, England. The film begins with the young couple, Dick and Mandy, moving to a new, rather small home and becoming neighbors to Mr. Butcher, an abrasive, ill-humored man who they once had as a schoolteacher. This rather awkward living situation soon becomes even more uncomfortable, thanks to the near-constant presence of Mandy's older sister, Gloria. (Gloria is portrayed by Brenda Blethyn, who 17 years later would win recognition and an Oscar nomination for her work in Leigh's Secrets and Lies.) Gloria's eccentricity and desperate, child-like neediness leads her to become increasingly dependent on the young couple, showing up at all hours and rarely leaving. Her behavior grates on the already sour Dick and comes to test Mandy's patience as well. When Mandy's efforts to politely discourage her sister's visits prove fruitless, the extended family is forced into a painful, emotionally charged confrontation. Leigh purposefully alternates the film's more immediate dramatic elements with careful, real-time portraits of daily life, giving equal weight to both traumatic arguments and extended conversations about home decor and vacuum cleaners. ~ Judd Blaise, All Movie Guide

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1983  
 
Two strangers with almost no common ground are stuck travelling across Europe together in this British comedy. Sally (Lindsay Duncan) is an ardent feminist from London who, with the help of two of her closest friends, builds her own car. Sally and her comrades are to attend a conference on women's rights in Germany, and they intend to drive the new vehicle there as a symbolic gesture. However, when the time for the symposium rolls around, her friends are unable to attend, and Sally doesn't care to drive that far on her own. Searching for a travelling companion, at the last minute she settles on Harry (Stephen Rea), whom she's told is a leftist gay man. However, Harry is not the person Sally thought he was; he turns out to be a bullheaded and thoroughly heterosexual football supporter who regards the women's movement as little more than a joke. Will these two make it all the way to Germany without killing each other? ~ Mark Deming, All Movie Guide

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Starring:
Stephen ReaLindsay Duncan, (more)
1987  
R  
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This unadorned biography of playwright Joe Orton (Gary Oldman) charts his bawdy, dangerous relationships. Alfred Molina plays Orton's brutish lover, Kenneth Halliwell, a pathetic figure who becomes horrific and then tragic before the film is over. The hilarity of scenes from such Orton plays as Loot and What the Butler Saw is evenly balanced by the bleakness of the playwright's tormented (and tormenting) off-stage existence, which ended suddenly at age 34 with half a dozen blows to the head from a hammer. Prick Up Your Ears is based on the book by theater critic John Lahr, who is played in the film by Wallace Shawn. ~ Hal Erickson, All Movie Guide

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Starring:
Gary OldmanAlfred Molina, (more)
1989  
 
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This four-hour, six-episode British miniseries, broadcast on Channel 4 in 1989 and in America on PBS's Masterpiece Theatre in 1990, provided the basis for Traffic, Steven Soderbergh's 2000 Oscar winner. Though Soderbergh and screenwriter Stephen Gaghan borrowed much of their plot and structure from the original, Traffik focuses on the European drug trade instead of the American one and utilizes England, Germany, and Pakistan as its major settings. One of the three primary plot strands involves Jack Lithgow (Bill Paterson), a member of the British Parliament, who discovers that his daughter, Caroline (Julia Ormond), is a heroin addict despite the fact that he leads the country's Drug Abuse Committee. In a parallel story line, Helen Rosshalde (Lindsay Duncan), the British wife of German drug smuggler Karl Rosshalde (George Kukura), must take over her husband's illegal operations after an associate turns state's evidence and Karl goes on trial. In the third interwoven segment, and the one that diverges the farthest from the plot of the American film, Pakistani poppy farmer Fazel (Jamal Shah) ingratiates himself to drug overlord Tariq Butt (Talat Hussain) in order to support his family after the Pakistani government, at the insistence of Lithgow and other British officials, cracks down on the subsistence-level farmers who supply the heroin trade with its raw materials. ~ Brian J. Dillard, All Movie Guide

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Starring:
Bill PatersonJulia Ormond, (more)
1989  
 
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British retiree John Thaw and his wife Lindsay Duncan spend a Year in Provence in this TV miniseries. Each episode covers a single season of the couple's experiences in their new home in the south of France. Purchasing a 200-year-old farmhouse, Thaw and Duncan must undergo the usual rigors of restorations and adjustment. They also come to understand the fancies and foibles of their new neighbors, many of whom seem to be refugees from a Rene Clair musical. Most pleasurable of all, the couple is permitted to partake of eating and drinking experiences that they'd never dreamed of in their staid previous existence. A Year in Provence is based on two autobiographical novels by former London businessman Peter Mayle. ~ Hal Erickson, All Movie Guide

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Starring:
John ThawLindsay Duncan, (more)
1989  
R  
This film deftly combines black comedy with sharp political satire. Set in a fictional Eastern European town called Waldheim, a place "where nothing is what it seems," the action is centered around a visiting king, in whom many people are very interested for a variety of reasons. Assassination and lust figure prominently on their minds. ~ Sandra Brennan, All Movie Guide

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Starring:
Camilla SoebergAlfred Molina, (more)
1991  
R  
Set in a 1950s-era American heartland of sprawling wheat fields and lonely old houses, The Reflecting Skin is British director Philip Ridley's fascinating and very strange investigation into the horrors of childhood innocence and fantasy. The film's mixture of gruesome subject matter, morbid sexual perversion, and disarming humor has spawned comparisons to the work of David Lynch, particularly Blue Velvet and the Twin Peaks series. Young Seth Dove (Jeremy Cooper) lives with his mother and father in a ramshackle farmhouse that also serves as the local gas station. After reading one of his father's pulp horror magazines, Seth convinces himself that Dolphin Blue (Lindsay Duncan), the attractive widow who lives nearby, is a vampire. When Seth's friend Eben is found dead (and sexually abused) in the family cistern, Seth is sure that Dolphin is to blame. The authorities, however, point to Seth's father, whose secret homosexuality -- and past affair with a young boy -- is a skeleton in the town's closet. Seth's father refuses to have the affair dragged into public view, and so he burns himself alive at the family gas pump, prompting Seth's older brother Cameron (Viggo Mortensen) to return home from a military tour. Cameron falls for Dolphin, and at the same time he becomes weak and begins losing hair. Seth takes this as a sign that Cameron is being drained of vitality by Dolphin, although it is suggested that his sickness is in fact due to overseeing A-bomb tests while on a ship in the South Pacific. Meanwhile, a roving gang prowls the country roads in a sleek, black Cadillac, and more children are found dead. It is not surprising that writer/director Philip Ridley has also published books for children, since watching The Reflecting Skin is a lot like reading a young adult novel, albeit a horrific one. Presented from a child's strangely warped point-of-view, this film should be appreciated by anyone looking for films far outside the mainstream. ~ Anthony Reed, All Movie Guide

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Starring:
Viggo MortensenLindsay Duncan, (more)
1991  
 
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When prison psychiatrist Bill Chrushank (Jeff Fahey) loses an arm in a car accident, he receives a revolutionary new transplant from an unknown donor, who is later discovered to have been a recently-executed psycho-killer. During his recovery, Bill is tormented by violent nightmares and aggressive new impulses -- and his limb seems to have developed a malevolent will of its own, acting independently and lashing out beyond his control. He eventually discovers that an artist named Remo Lacey (Brad Dourif) -- whose work is influenced by the same nightmares -- is the recipient of the killer's other arm. Before long, the same donor's legs turn up on yet another man, who harbors the same violent mood swings... and the inevitable "reunion" culminates in a violent, gory finale. Written and directed by Eric Red (based on the novel Choice Cuts by Pierre Boileau & Thomas Narcejac), this is a stylish and tightly-paced film (the harrowing car chase is a definite nail-biter), but the ball is sadly dropped by a weak script that discards the twisted potential of its premise (is the donor arm influencing Chrushank's mind, or vice versa?), lapsing instead into standard slasher-think. ~ Cavett Binion, All Movie Guide

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Starring:
Jeff FaheyLindsay Duncan, (more)
1994  
 
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The wife of a kind but uninteresting preacher is scorned by her community for supplementing the family income by taking a job at the local grocery store in this drama starring Lindsay Duncan and based on the book by Joanna Trollope. Anna Bouverie's husband has been passed over for a job promotion, leaving her family financially destitute. Concerned that they will not be able to survive on the humble preacher's meager income, Anna decides to alleviate both the money issue and her personal boredom by accepting a position as a shelf stocker at the local grocery store. Largely mocked by the traditional-minded community for her benign act of independence, Anna soon begins to attract the attention of Cotswald Village's male population. Now, as the men in the small village begin falling in love with the beautiful married woman, Anna finds herself forced to choose between not only two men, but her commitments to her family and her own independence as well. ~ Jason Buchanan, All Movie Guide

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Starring:
Lindsay DuncanStephen Dillane, (more)
1996  
R  
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Three A-list screenwriters -- (Nicholas Pileggi, Bo Goldman, and Paul Schrader) -- contributed to the script of this idealistic political drama. John Pappas (Al Pacino) is the popular, ethical Mayor of New York; Kevin Calhoun (John Cusack) is his even more idealistic and principled deputy. When a detective and mobster kill each other and an innocent six-year-old black child in a shootout, questions arise about what the cop was doing meeting with the gangster in the first place. The Mayor and his staff handle the situation ably, but Calhoun digs deeper and finds troubling evidence that even his seemingly incorruptible boss has not escaped the shadier aspects of political life. The Mafia boss (Tony Franciosa) whose nephew was the dead gangster, along with a Brooklyn political boss (Danny Aiello) with his own agenda, come into the story, becoming part of a series of larger links, secret relationships, and bonds of "honor" between men who, on the surface, would have no reason to be in business with each other. ~ Don Kaye, All Movie Guide

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Starring:
Al PacinoJohn Cusack, (more)
1996  
NR  
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Renowned theatrical director Adrian Noble directed the Royal Shakespeare Company's mid-'90s stage production and helmed this film adaptation of that version. Its 1999 video release was apparently to coincide with Michael Hoffman's higher-profile feature of the same year. The setting is very theatrical in nature, with nearly all of the scenes taking place on a theater stage. The story is also bookmarked by a child (Osheen Jones), who is apparently dreaming all of the events, and also appears frequently in most of the scenes. Hyppolyta/Titania (Lindsey Duncan) and Theseus/Oberon (Alex Jennings) drive the plot with their romantic bickering, which stems from the romantic foursome of Demetrius (Kevin Doyle), Hermia (Monica Dolan), Lysander (Daniel Evans), and Helena (Emily Raymond). Lysander and Hermia are in love, but Hermia is promised to Demetrius by Hermia's father, Egeus. Helena, who is Hermia's best friend, is in love with Demetrius, but Demetrius loathes her. As one would expect, Lysander and Demetrius are very hostile towards one another. Hyppolyta feels strongly for Hermia and Lysander' case and becomes angry with Theseus when he takes Egeus' part in the predicament. Lysander and Hermia flee, Demetrius pursues, and is, in turn, pursued by Helena. The foursome then encounter the fairy kingdom, led by Oberon and Titania. Oberon orders his lackey, Puck (Barry Lynch), to cast a spell on Titania as a form of retribution for an argument the royal pair are currently having. Oberon also commands Puck to place the same spell on Demetrius, whom he has witnessed scorning Helena. However, due to miscommunication, Puck enchants Lysander instead. The scene becomes hectic, with enchantments and miscommunication abounding. At one point, Helena becomes the focus of love from both Demetrius and Lysander, while Hermia assumes the scorned woman role. Meanwhile, Titania has been forced to become infatuated with a mortal named Bottom (Desmond Barrit), whom Puck has enchanted with an ass head. By movie's end, however, all is straightened out. The fairy rulers reconcile and the mortal couples are united in marriage. At the wedding party, Theseus and his minions are entertained by the Pyramus and Thisbe play as performed by the rude mechanicals headed by Bottom. The Pyramus and Thisbe play-within-a-play is traditionally one of the highlights of the piece, but seems to lack some focus in this treatment. As films go, this is standard fare, technically speaking. In relation to other filmed versions of A Midsummer Night's Dream, however, few are more enjoyable. ~ Ryan Shriver, All Movie Guide

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Starring:
Alex JenningsLindsay Duncan, (more)
1998  
PG13  
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Freely adapted from a novel by Jane Austen, this period drama is set in the early 1800s, as a girl named Fanny (Hannah Taylor Gordon) is being raised by loving but desperately poor parents. Wanting a better life for Fanny, they send her away to live with her aunts, high-minded Mrs. Norris (Sheila Gish) and drug-addicted Lady Bertram (Lindsay Duncan), who share an estate called Mansfield Park. Fanny joins the family at Mansfield Park, which includes Lady Bertram's husband Sir Thomas (Harold Pinter), who made his money in slaves and West Indian plantations; Sir Thomas's son Tom (James Purefoy), an alcoholic; Tom's intelligent younger brother Edmund (Jonny Lee Miller); and his two sisters, Julia (Justine Waddell) and Maria (Victoria Hamilton). Fanny soon makes friends with Edmund, though she's shown little respect by the rest of the family. In time, Fanny grows to adulthood (now played by Frances O'Connor) and gains skill and poise as a horsewoman while developing her skills as an author. When the stylish but secretive siblings Henry and Mary Crawford (Alassandro Nivola and Embeth Davidtz) arrive at Mansfield Park, romantic sparks begin to fly; the two sisters fight over Henry, while Mary is soon engaged to wed Edmund -- to the disappointment of Fanny, who has fallen in love with him. ~ Mark Deming, All Movie Guide

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Starring:
Frances O'ConnorJonny Lee Miller, (more)
1999  
PG13  
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A romantic and sentimental comedy set at the turn of the 19th century, An Ideal Husband delves into themes of love, passion, and betrayal among the aristocracy. Sir Robert Chiltern (Jeremy Northam), a brilliant politician and a perfect gentleman, is the ideal husband for the charming Lady Chiltern (Cate Blanchett). They have a widely envied marriage until charming Mrs. Cheveley (Julianne Moore) appears with the intention of revealing a dark secret from Chiltern's past. When his world seems to be falling apart, Chiltern turns to his lifelong friend Lord Arthur Goring (Rupert Everett), the most eligible bachelor in town. Goring soon finds himself caught up in a web of lies, temptations, and secret liaisons. Furthermore, the persistent charms of Sir Robert's sister Mabel (Minnie Driver) are becoming a serious threat to his much-cherished bachelorhood. Using political intrigue and clever wit, An Ideal Husband draws a picture of a society struggling with issues still valid today. ~ Gönül Dönmez-Colin, All Movie Guide

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Starring:
Rupert EverettJulianne Moore, (more)
1999  
 
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This 2000 television adaptation of Charles Dickens' Victorian classic was originally released as a six-hour, three-part miniseries on PBS. Adapted by Alan Bleasdale, this version of Oliver Twist gives viewers a new look at an old story, waiting 90 minutes to even introduce its eponymous hero (played by Sam Smith), and taking pains to establish the background of Oliver's parents, good-hearted Agnes Fleming (Sophia Myles) and all-around coward Edwin Leeford (Tim Dutton). All of the resolutely Dickensian touches are here, from greedy relatives to secret wills, to stolen lockets containing valuable information, and all are ably brought to life by a talented cast that includes Julie Walters as Mrs. Mann, Michael Kitchen as Mr. Brownlow, Lindsay Duncan as Elizabeth Leeford, Marc Warren as Monks, and Robert Lindsay as Fagin. As an added bonus, the miniseries' score, by Paul Pritchard, contains additional music by none other than Elvis Costello. ~ Rebecca Flint Marx, All Movie Guide

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Starring:
Sam SmithDavid Ross, (more)
1999  
 
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This 1999 British film pits idealistic overseers of a London photography collection against a pragmatic American entrepreneur exercising his right to evict them from a mansion he has purchased. The photo collection is one of the world's largest, containing ten million pictures which the staff files, maintains, and rents to various media. From an aesthetic standpoint, the collection -- dating all the way back to the beginning of photography in the 19th century -- is priceless. The key question is what will happen to it, for wealthy American businessman Christopher Anderson (Liam Cunningham) owns not only the building, but also the collection itself. After announcing plans to remodel the mansion into a state-of-the-art business school, he threatens to destroy all but the most valuable photographs because there's no time, according to his rat-race schedule, to find a new repository for them. Feisty curator Marilyn Truman (Lindsay Duncan) and her eccentric assistant, Oswald Bates (Timothy Spall), then hatch plots to thwart his plans. First, they "mislay" a selection of highly valuable photographs. When that stratagem doesn't work, Truman persuades Anderson to look at several stacks of the ordinary, less valuable photographs. These photographs turn out to be extraordinary. One set tells the poignant story of a Jewish family victimized by the holocaust. The images impress Anderson, but he refuses to alter his plans. Then Bates launches an ingenious scheme. Using his incredible "photographic" memory, he selects a few startling photos from among the millions -- photos that have a connection to Anderson's past. These photographs, and the secrets they hold, stun Anderson while demonstrating the variety and vastness of the collection. Will he alter his plans to save the collection? Meanwhile, Bates, believing his scheme has failed, attempts suicide, and the final moments of the film reveal whether Bates and the photos will survive. ~ Mike Cummings, All Movie Guide

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2003  
PG13  
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A woman starts her life over with a new home in a new land in this romantic comedy drama . Frances (Diane Lane) is a writer in her mid-'30s who feels emotionally derailed after her divorce. Unhappy and unable to write, she isn't sure what to do with her life, and her best friend Patti (Sandra Oh) decides she needs some time away from her problems. With that in mind, Patti gives Frances a ticket for a two-week tour of the Tuscany region of Italy; while there, Frances finds a dilapidated old villa. Charmed by the warmth, beauty, and charm of the small town of Cortona, Frances impulsively decides to buy the villa, thinking she can fix it up herself. The home proves to be more of a handyman's special than she imagined, but as she slowly gets the hang of household maintenance, Italian style, Frances develops a new confidence as she makes friends with her neighbors and finds love with a handsome local named Marcello (Raoul Bova). Under the Tuscan Sun is loosely adapted from the memoir by Frances Mayes, who (unlike the leading character of the film) remained happily married during her sojourn in Tuscany. ~ Mark Deming, All Movie Guide

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Starring:
Diane LaneSandra Oh, (more)
2003  
 
When journalist Kenny Brogan (Kevin McKidd) tries to jump start his career by interviewing a doctor who may be involved in an assisted suicide clinic, he doesn't realize that his rise to the top could be halted by dying family members of his own. His mother, May (Lindsay Duncan), reveals she has ovarian cancer, and Brogan could potentially be burdened with the care and feeding of his mentally impaired sibling. Directed by Alison Peebles, Afterlife also features Shirley Henderson, Paula Sage, James Laurenson, Fiona Bell, Julie Austin, and Antony Strachan. ~ Tracie Cooper, All Movie Guide

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Starring:
Lindsay DuncanKevin McKidd, (more)
2005  
 
A fellow veteran, Mascius (Michael Nardone) approaches Vorenus (Kevin McKidd), now a magistrate, about severance for the 13th Legion. They are supposed to be receiving land. Vorenus asks Caesar (Ciarán Hinds) to act. Caesar, unwilling to give the veterans land in Italy, offers land in Pelonia. Told that this won't be acceptable, and eager to keep the former soldiers on his side, Caesar discreetly suggests that Vorenus bribe Mascius to persuade his comrades to accept the offer. Mascius reluctantly agrees. Caesar also invites Vorenus and Niobe (Indira Varma) to a dinner at Atia's (Polly Walker) home. When Vorenus responds nervously, Caesar tells him, "You shall get used to good society." The walls of Rome are filled with graffiti depicting Brutus (Tobias Menzies) murdering Caesar, and Cassius (Guy Henry) tries to convince Brutus to claim his family's legacy of fighting tyranny. Brutus initially refuses to betray his friend, but has second thoughts when Caesar, well aware of whispers and the power of Brutus' family name, suggests that Brutus rule over far-off Macedonia. Pullo (Ray Stevenson), now miserable and friendless, has found work as an assassin, but his lack of discretion gets him arrested for murder. At Atia's dinner, Octavian (Max Pirkis) suggests that Vorenus or Caesar himself do something to save Pullo, but Caesar points out the political implications such action would cause. Octavian acts on his own, sending Timon (Lee Boardman) to find Pullo a lawyer, but at Pullo's public trial, the crowd demands the brazen killer's head, and Pullo is sentenced to death in the arena. ~ Josh Ralske, All Movie Guide

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Starring:
Lorcan CranitchAnna Francolini, (more)

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