Lindsay Duncan

Academy-award-winning actor Jim Broadbent portrays controversial British campaigner Lord Longford in this biopic that details the former government minister and then-House of Lords leader's notorious encounter with infamous Moors Murderer Myra Hindley (Samantha Morton). A lifelong Christian who approaches every person he meets with the goodness and innocence of a child, Frank Packenham (aka Lord Longford) receives a letter from convicted child killer Myra Hindley requesting that he drop by her prison cell for a visit. Despite the vehement disapproval of his wife, Longford casually accepts the invitation and forms an unexpected bond with the woman due in large to their mutual Catholic upbringing. When his established notions about Hindley are challenged during a subsequent visit with her demonically manipulative partner-in-crime Ian Brady (Andy Serkis), the humble social campaigner finds his faith put to the ultimate test as public outcry mounts as a direct result of his meeting with the despised couple. ~ Jason Buchanan, All Movie Guide

The first season of the lush, lavish and frequently lewd and lascivious British historical drama Rome covers the years 52 to 44BCE, beginning with the return of Julius Caesar (Ciaran Hinds) from the Gallic wars and ending with the fateful "Ides of March". Though returning to a hero's welcome, Caesar realizes that he's stepping into a snake pit of deceit and corruption. The Patrician ruling class, worried that Caesar will make himself emperor and abolish the Republic, intend to strip him of his power. His scheming niece Atia (Polly Walker) is already undercutting her uncle by forcing her daughter Octavia (Kerry Condon) to marry Caesar's most influential nemesis, the aging Pompey (Kenneth Cranham). Playing one side against the other to keep Caesar at bay, Pompey proves so effective that Caesar must ask his friend Marc Antony (James Purefoy) to help him vanquish his foes, even if it means all-out civil war. Meanwhile, a pair of humble soldier, the virtuous family man Vorenus (Kevin McKidd) and the hedonistic Pullo (Ray Stevenson), simply try to stay out of everyone's way and survive--but instead find themselves at Ground Zero of virtually every major historical turning point during the series' turbulent eight-year timespan. Pullo in particular spends much of his time squeaking out of one death-trap after another, somehow managing to enrich or aggrandize himself without even trying. His main contribution during Season One consists of taking Atia's callow son Octavian (Max Pirkis) under his wing, teaching the boy the ways of warfare and women. Eventually Octavian will emerge as the greatest threat against the pro-Caesar forces of Antony after Caesar's assassination--and thus the redoubtable Pullo has once more unwittingly altered the course of history. Not only was Rome an international success during its first season on the air, but the series also garnered an Emmy award for its American run on HBO. ~ Hal Erickson, All Movie Guide

A woman starts her life over with a new home in a new land in this romantic comedy drama . Frances (Diane Lane) is a writer in her mid-'30s who feels emotionally derailed after her divorce. Unhappy and unable to write, she isn't sure what to do with her life, and her best friend Patti (Sandra Oh) decides she needs some time away from her problems. With that in mind, Patti gives Frances a ticket for a two-week tour of the Tuscany region of Italy; while there, Frances finds a dilapidated old villa. Charmed by the warmth, beauty, and charm of the small town of Cortona, Frances impulsively decides to buy the villa, thinking she can fix it up herself. The home proves to be more of a handyman's special than she imagined, but as she slowly gets the hang of household maintenance, Italian style, Frances develops a new confidence as she makes friends with her neighbors and finds love with a handsome local named Marcello (Raoul Bova). Under the Tuscan Sun is loosely adapted from the memoir by Frances Mayes, who (unlike the leading character of the film) remained happily married during her sojourn in Tuscany. ~ Mark Deming, All Movie Guide

A romantic and sentimental comedy set at the turn of the 19th century, An Ideal Husband delves into themes of love, passion, and betrayal among the aristocracy. Sir Robert Chiltern (Jeremy Northam), a brilliant politician and a perfect gentleman, is the ideal husband for the charming Lady Chiltern (Cate Blanchett). They have a widely envied marriage until charming Mrs. Cheveley (Julianne Moore) appears with the intention of revealing a dark secret from Chiltern's past. When his world seems to be falling apart, Chiltern turns to his lifelong friend Lord Arthur Goring (Rupert Everett), the most eligible bachelor in town. Goring soon finds himself caught up in a web of lies, temptations, and secret liaisons. Furthermore, the persistent charms of Sir Robert's sister Mabel (Minnie Driver) are becoming a serious threat to his much-cherished bachelorhood. Using political intrigue and clever wit, An Ideal Husband draws a picture of a society struggling with issues still valid today. ~ Gönül Dönmez-Colin, All Movie Guide

This 1999 British film pits idealistic overseers of a London photography collection against a pragmatic American entrepreneur exercising his right to evict them from a mansion he has purchased. The photo collection is one of the world's largest, containing ten million pictures which the staff files, maintains, and rents to various media. From an aesthetic standpoint, the collection -- dating all the way back to the beginning of photography in the 19th century -- is priceless. The key question is what will happen to it, for wealthy American businessman Christopher Anderson (Liam Cunningham) owns not only the building, but also the collection itself. After announcing plans to remodel the mansion into a state-of-the-art business school, he threatens to destroy all but the most valuable photographs because there's no time, according to his rat-race schedule, to find a new repository for them. Feisty curator Marilyn Truman (Lindsay Duncan) and her eccentric assistant, Oswald Bates (Timothy Spall), then hatch plots to thwart his plans. First, they "mislay" a selection of highly valuable photographs. When that stratagem doesn't work, Truman persuades Anderson to look at several stacks of the ordinary, less valuable photographs. These photographs turn out to be extraordinary. One set tells the poignant story of a Jewish family victimized by the holocaust. The images impress Anderson, but he refuses to alter his plans. Then Bates launches an ingenious scheme. Using his incredible "photographic" memory, he selects a few startling photos from among the millions -- photos that have a connection to Anderson's past. These photographs, and the secrets they hold, stun Anderson while demonstrating the variety and vastness of the collection. Will he alter his plans to save the collection? Meanwhile, Bates, believing his scheme has failed, attempts suicide, and the final moments of the film reveal whether Bates and the photos will survive. ~ Mike Cummings, All Movie Guide

Renowned theatrical director Adrian Noble directed the Royal Shakespeare Company's mid-'90s stage production and helmed this film adaptation of that version. Its 1999 video release was apparently to coincide with Michael Hoffman's higher-profile feature of the same year. The setting is very theatrical in nature, with nearly all of the scenes taking place on a theater stage. The story is also bookmarked by a child (Osheen Jones), who is apparently dreaming all of the events, and also appears frequently in most of the scenes. Hyppolyta/Titania (Lindsey Duncan) and Theseus/Oberon (Alex Jennings) drive the plot with their romantic bickering, which stems from the romantic foursome of Demetrius (Kevin Doyle), Hermia (Monica Dolan), Lysander (Daniel Evans), and Helena (Emily Raymond). Lysander and Hermia are in love, but Hermia is promised to Demetrius by Hermia's father, Egeus. Helena, who is Hermia's best friend, is in love with Demetrius, but Demetrius loathes her. As one would expect, Lysander and Demetrius are very hostile towards one another. Hyppolyta feels strongly for Hermia and Lysander' case and becomes angry with Theseus when he takes Egeus' part in the predicament. Lysander and Hermia flee, Demetrius pursues, and is, in turn, pursued by Helena. The foursome then encounter the fairy kingdom, led by Oberon and Titania. Oberon orders his lackey, Puck (Barry Lynch), to cast a spell on Titania as a form of retribution for an argument the royal pair are currently having. Oberon also commands Puck to place the same spell on Demetrius, whom he has witnessed scorning Helena. However, due to miscommunication, Puck enchants Lysander instead. The scene becomes hectic, with enchantments and miscommunication abounding. At one point, Helena becomes the focus of love from both Demetrius and Lysander, while Hermia assumes the scorned woman role. Meanwhile, Titania has been forced to become infatuated with a mortal named Bottom (Desmond Barrit), whom Puck has enchanted with an ass head. By movie's end, however, all is straightened out. The fairy rulers reconcile and the mortal couples are united in marriage. At the wedding party, Theseus and his minions are entertained by the Pyramus and Thisbe play as performed by the rude mechanicals headed by Bottom. The Pyramus and Thisbe play-within-a-play is traditionally one of the highlights of the piece, but seems to lack some focus in this treatment. As films go, this is standard fare, technically speaking. In relation to other filmed versions of A Midsummer Night's Dream, however, few are more enjoyable. ~ Ryan Shriver, All Movie Guide

The wife of a kind but uninteresting preacher is scorned by her community for supplementing the family income by taking a job at the local grocery store in this drama starring Lindsay Duncan and based on the book by Joanna Trollope. Anna Bouverie's husband has been passed over for a job promotion, leaving her family financially destitute. Concerned that they will not be able to survive on the humble preacher's meager income, Anna decides to alleviate both the money issue and her personal boredom by accepting a position as a shelf stocker at the local grocery store. Largely mocked by the traditional-minded community for her benign act of independence, Anna soon begins to attract the attention of Cotswald Village's male population. Now, as the men in the small village begin falling in love with the beautiful married woman, Anna finds herself forced to choose between not only two men, but her commitments to her family and her own independence as well. ~ Jason Buchanan, All Movie Guide

When prison psychiatrist Bill Chrushank (Jeff Fahey) loses an arm in a car accident, he receives a revolutionary new transplant from an unknown donor, who is later discovered to have been a recently-executed psycho-killer. During his recovery, Bill is tormented by violent nightmares and aggressive new impulses -- and his limb seems to have developed a malevolent will of its own, acting independently and lashing out beyond his control. He eventually discovers that an artist named Remo Lacey (Brad Dourif) -- whose work is influenced by the same nightmares -- is the recipient of the killer's other arm. Before long, the same donor's legs turn up on yet another man, who harbors the same violent mood swings... and the inevitable "reunion" culminates in a violent, gory finale. Written and directed by Eric Red (based on the novel Choice Cuts by Pierre Boileau & Thomas Narcejac), this is a stylish and tightly-paced film (the harrowing car chase is a definite nail-biter), but the ball is sadly dropped by a weak script that discards the twisted potential of its premise (is the donor arm influencing Chrushank's mind, or vice versa?), lapsing instead into standard slasher-think. ~ Cavett Binion, All Movie Guide

This film deftly combines black comedy with sharp political satire. Set in a fictional Eastern European town called Waldheim, a place "where nothing is what it seems," the action is centered around a visiting king, in whom many people are very interested for a variety of reasons. Assassination and lust figure prominently on their minds. ~ Sandra Brennan, All Movie Guide

This four-hour, six-episode British miniseries, broadcast on Channel 4 in 1989 and in America on PBS's Masterpiece Theatre in 1990, provided the basis for Traffic, Steven Soderbergh's 2000 Oscar winner. Though Soderbergh and screenwriter Stephen Gaghan borrowed much of their plot and structure from the original, Traffik focuses on the European drug trade instead of the American one and utilizes England, Germany, and Pakistan as its major settings. One of the three primary plot strands involves Jack Lithgow (Bill Paterson), a member of the British Parliament, who discovers that his daughter, Caroline (Julia Ormond), is a heroin addict despite the fact that he leads the country's Drug Abuse Committee. In a parallel story line, Helen Rosshalde (Lindsay Duncan), the British wife of German drug smuggler Karl Rosshalde (George Kukura), must take over her husband's illegal operations after an associate turns state's evidence and Karl goes on trial. In the third interwoven segment, and the one that diverges the farthest from the plot of the American film, Pakistani poppy farmer Fazel (Jamal Shah) ingratiates himself to drug overlord Tariq Butt (Talat Hussain) in order to support his family after the Pakistani government, at the insistence of Lithgow and other British officials, cracks down on the subsistence-level farmers who supply the heroin trade with its raw materials. ~ Brian J. Dillard, All Movie Guide