Archie Duncan Movies

A Dutch and an English soldier team up to prevent the Nazis from capturing a precious Dutch diamond, the world's largest, in this war drama. Also included is a segment detailing how the giant gem was mined and cut. ~ Sandra Brennan, All Movie Guide

George Gordon, aka Lord Byron, the clubfooted 19th-century poet with the uncontrollable libido, is played by Dennis Price in this lavish British chocolate-box epic. From the vantage point of his deathbed, Byron recalls his life and many loves, imagining that he's pleading his case before a celestial court. Joan Greenwood looks like she's just stepped out of a portrait frame as Lady Caroline Lamb (whose own sordid story would also be filmed in due time). Her performance is far more persuasive than that of Dennis Price, who seems less libertine than precocious as Byron. Roundly ridiculed by British film critics in 1949, The Bad Lord Byron has stood the test of time -- not really a classic, but an acceptable rainy-day wallow. ~ Hal Erickson, All Movie Guide

In this costume adventure set in France during the Reign of Terror, a mysterious man known only as the Scarlet Pimpernel rescues noblemen from the guillotine and leads them to safety across the English Channel. Chauvelin (Cyril Cusack) is determined to unmask the Pimpernel and bring him to justice. When evidence begins to suggest that the hero is actually foppish Sir Percey Blakeney (David Niven), Chauvelin blackmails Percey's wife, Marguerite (Margaret Leighton), into cooperating on the threat that he'll expose the criminal activities of her brother Armand (Edmund Audran). However, Marguerite doesn't much care for her husband, hardly believes he could be the heroic Pimpernel, and is startled when she finds out that he truly is the masked vigilante. The Elusive Pimpernel was originally shot in color as a musical, but the musical numbers were cut before the film was released, and the picture's American distributor chose to make only black-and-white prints (though the current home-video release is in color). ~ Mark Deming, All Movie Guide

Three generations of a Scottish clan are chronicled in this melodramatic saga. The film starts with the death of a sickly med student in a Glasgow slum. His fiancee also dies in childbirth. Her brother, who survives, begins raising her baby girl who grows up to have an affair with a lab assistant. Her "father" disapprove and threatens to destroy the wedding. She retaliates by poisoning him and then gets married. She bears a son. Unfortunately she has never recovered from the guilt of her earlier murder and ends up taking her own life. Later her son grows up to discover a vaccine for a fatal disease. ~ Sandra Brennan, All Movie Guide

Better known as The Story of Robin Hood, this colorful costume adventure was the second made-in-Britain production for Hollywood's Walt Disney. Avoiding the familiar episodes covered in previous "Robin Hood" films, this Disney effort still manages to adhere to the basic chronology. Richard Todd stars as the Earl of Huntington, who loses his title and his lands after besting the despotic Sheriff of Nottingham (Peter Finch) at an archery tournament. Reinventing himself as Robin Hood, our hero rounds up other victims of the oppression of the Sheriff and his dictatorial liege Prince John (Hubert Gregg), and thus the "Merry Men" are born. Robbing the rich to give to the poor, Robin manages to elude the villains and to prove his loyalty to John's brother Richard the Lionhearted (Patrick Barr) by raising the money for Richard's ransom. The Queen (Martita Hunt) is to deliver the ransom to Richard's Austrian captors, but Prince John schemes to steal the money and place the blame on Robin Hood. Maid Marian (Joan Rice) gets wind of this plan but is locked in John's dungeon before she can warn Robin and his men. How can virtue triumph with these odds? But triumph it does, as everyone in the audience knew it would. The success of The Story of Robin Hood inspired Disney to produce two additional British films, The Sword and the Rose and Rob Roy, the Highland Rogue. ~ Hal Erickson, All Movie Guide

A notorious Irish rebel poet disguises his true identity while working as a gatekeeper at a Scottish university. He also moonlights as a bookie and things go well until a pretty young relative shows up and spills the beans. Comedy ensues. ~ Sandra Brennan, All Movie Guide

In this drama, a man journeys to the posh British estate of a friend for a weekend soiree. There he learns that the real purpose of the party is to provide the host the opportunity to steal the jewels of his guests. To thwart the plan, the man and the host's adopted step-daughter team up. Unfortunately she winds up getting locked in the room where the jewels were begin stored. The host is attempting to beat a hasty retreat with the jewels but is stopped by an enterprising butler who throws a switch as his boss is attempting to scale the estate fence. The hapless thief is promptly electrocuted. ~ Sandra Brennan, All Movie Guide

This comedy is essentially a prototype of Disney's 1961 film Parent Trap and tells the tale of twin girls, separated after their parents divorce, who meet each other at summer camp and hatch an elaborate scheme to get their parents back together. ~ Sandra Brennan, All Movie Guide

Street Corner was a marginally realistic study of British policewomen. The film takes its female cast through a typical day on the Chelsea beat. In the manner of Dragnet and The Blue Lamp, the skimpy plotline is merely there to string together several anecdotal incidents, illustrating that while a policewoman's lot is not a happy one, neither is it dull. Feminist film fans might point with pride to the fact that Street Corner was written and directed by a woman, Muriel Box. The fact that Box had been working in this capacity in the British film industry for years, while Hollywood had been relegating women to second-class status during the same period of time, is equally worthy of being pointed out. ~ Hal Erickson, All Movie Guide

Trouble in the Glen was one of several felicitous collaborations between Hollywood's Republic Pictures and England's Herbert Wilcox-Anna Neagle productions. Curiously, Ms. Neagle does not appear--just as well, since the film is dominated by Orson Welles. Introducing himself with a typically self-indulgent monologue, the porcine Mr. Welles plays a South American resident who returns to his ancestral home in Scotland to become "Laird of the Glen". He immediately alienates the local populace by closing down the highway that runs through his estate. Hoping to make peace between Welles and the locals is former US air force officer Forrest Tucker, who developed an affection for the community while being stationed there during WWII. Violence threatens to erupt when evicted tinker Victor McLaglen rounds up a gang of toughs to lay siege on Welles' castle. The scenes involving Tucker's polio-crippled daughter (Margaret McCourt) run the risk of sloppy sentiment, but are deftly handled by producer-director Wilcox. Margaret Lockwood costars as Welles' daughter, who adheres to Hollywood formula by falling in love with the handsome Tucker. ~ Hal Erickson, All Movie Guide

This 1950's TV series is based on the legendary Robin Hood of Sherwood Forest and his men, who try to keep Prince John from usurping Richard the Lionhearted's throne while he is off fighting in the Crusades. ~ Tana Hobart, All Movie Guide

After an extensive talent search, producer-director Otto Preminger selected a 17-year-old unknown from Iowa, Jean Seberg, to play Joan of Arc, a role traditionally portrayed by actresses twice to three times Seberg's age. Seberg is cast opposite such venerable pros as Richard Todd (as Dunois), Anton Walbrook (the Bishop of Beauvais), John Gielgud (Earl of Warwick) and Felix Aylmer (The Inquisitor). Cast as the vacillating Dauphin is Richard Widmark. Graham Greene's screenplay refashions the original Shaw text in the form of a flashback. Seberg eventually became an accomplished actress by virtue of her appearances in such nouvelle vague films as Breathless, but it was too late to salvage Saint Joan, which was figuratively burned at the stake by critics and filmgoers alike. ~ Hal Erickson, All Movie Guide