Faye Dunaway Movies
As the co-star of the landmark Bonnie and Clyde, actress Faye Dunaway helped usher in a new golden era in American filmmaking, going on to appear in several of the greatest films of the 1970s. Born January 14, 1941, in Bascom, FL, Dunaway was the daughter of an army officer. She studied theater arts at the University of Boston and later joined the Lincoln Center Repertory Company under the direction of Elia Kazan and Robert Whitehead. Between 1962 and 1967, she appeared in a number of prominent stage productions, including A Man for All Seasons and Arthur Miller's After the Fall, playing a character based on Marilyn Monroe. Dunaway's breakthrough performance came in an off-Broadway production of Hogan's Goat, which resulted in a contract with director Otto Preminger. She made her film debut in his 1967 drama Hurry Sundown, but the two frequently clashed, and she refused to appear in his Skidoo; after a legal battle, Dunaway was allowed to buy out the remainder of her contract, and she then starred in The Happening (1967).Still, Dunaway was virtually unknown when she accepted the role of the notorious gangster Bonnie Parker opposite Warren Beatty in Arthur Penn's 1967 crime saga Bonnie and Clyde. The picture was an unqualified success, one of the most influential films of the era, and she had become a star seemingly overnight, earning a Best Actress Oscar nomination for her sexy performance. Dunaway's next major role cast her with Steve McQueen in 1968's The Thomas Crown Affair, another major hit. However, her next several projects -- Amanti, a romance with Marcello Mastroianni, and the Kazan-directed The Arrangement -- stumbled, and although 1970's Little Big Man was a hit, Puzzle of a Downfall Child (directed by her fiancé, Jerry Schatzberg) was a disaster. Quickly, Dunaway was reduced to projects like the little-seen 1971 thriller La Maison Sous Les Arbres and the Western Doc. When they too failed, she retreated from films, first appearing on-stage in Harold Pinter's Old Times and then starring in the made-for-television The Woman I Love.
After portraying Blanche du Bois in a Los Angeles stage adaptation of A Streetcar Named Desire, Dunaway returned to the cinema in Stanley Kramer's 1973 drama Oklahoma Crude. Subsequent to her appearance in Richard Lester's The Three Musketeers, she made headlines for her marriage to rocker Peter Wolf and was then cast in Roman Polanski's 1974 noir Chinatown. The performance was her best since Bonnie and Clyde, scoring another Academy Award nomination, and the film itself remains a classic. The success of The Towering Inferno later that same year confirmed that Dunaway's star power had returned in full, and she next co-starred with Robert Redford in the well-received thriller Three Days of the Condor. In 1976, Dunaway starred as an ambitious television executive in Sidney Lumet's scathing black comedy Network, and on her third attempt she finally won an Oscar. A British feature, Voyage of the Damned, and a TV-movie, The Disappearance of Aimee, quickly followed, and in 1978 she starred in the much-maligned thriller The Eyes of Laura Mars.
After 1979's The Champ, Dunaway starred with Frank Sinatra in The First Deadly Sin. An over-the-top turn as Joan Crawford in the tell-all biopic Mommie Dearest followed in 1981, as did another biography, the TV feature Evita Peron. Her career was again slumping, a fate which neither the Broadway production of The Curse of an Aching Heart nor another telefilm, 1982's The Country Girl, helped to remedy. After 1984's Supergirl, Dunaway spent much of the decade on the small screen, appearing in a pair of miniseries -- Ellis Island and Christopher Columbus -- and in 1986 appearing as the titular Beverly Hills Madam. The 1987 feature Barfly found a cult audience, but almost without exception, Dunaway's subsequent films went unnoticed; even the 1990 Chinatown sequel The Two Jakes was a failure. In 1993, she starred in a short-lived sitcom, It Had to Be You, and continued to appear in little-seen projects. Dunaway's most prominent roles of the mid-'90s included a supporting turn as the wife of psychiatrist Marlon Brando in 1995's Don Juan DeMarco and as a barmaid/hostage in the directorial debut of actor Kevin Spacey, Albino Alligator (1996). In 1999, Dunaway gave a nod to her screen past with a cameo appearance in the remake of The Thomas Crown Affair. That same year, she took on the more substantial role of Yolande d'Aragon in The Messenger: The Story of Joan of Arc. ~ Jason Ankeny, All Movie Guide
A shutterbug is haunted by psychic visions of the killer who is murdering all of her friends in this hit thriller. Intense and driven, successful photographer Laura Mars (Faye Dunaway) has made a name for herself by juxtaposing sex and violence in her glamorous photos. But at the height of her success -- and just as a media backlash is brewing -- she begins to experience daydreams from the point of view of a serial killer as he relentlessly stalks and murders her associates. Her unbalanced ex-husband (Raul Julia) seems like an obvious suspect, especially when his new girlfriend is murdered and he goes on the lam. But Laura is shocked by the prospect that the killer could be somebody out to discredit her work, which she views as an artistic commentary on the degradation of the modern world. Under the protection of police detective John Neville (Tommy Lee Jones), Laura is unable to save even one of her friends from a violent end. Soon, she finds herself inside the mind of the killer as he marches down a familiar hallway: the one outside her own door. Co-written by Halloween director John Carpenter, Eyes of Laura Mars also features character actors Brad Dourif and René Auberjonois. ~ Brian J. Dillard, All Movie Guide
- Starring:
- Faye Dunaway, Tommy Lee Jones, (more)
- 1976
In 1926, flamboyant evangelist Aimee Semple McPherson disappeared for six weeks. At first feared drowned (she'd been vacationing on a California beach at the time she vanished), Aimee finally showed up, wandering barefoot in the Mexican desert. For the benefit of the press, Aimee related a fantastic story of being kidnapped and held for ransom, a story given "credence" by a ransom note which popped up at her Four Square Gospel headquarters. Aimee's tale was full of holes; as more facts became known, it was apparent (to everyone but "true believers") that Aimee had spent those six weeks on a romantic idyll with Kenneth Ormiston, a married radio technician. This made-for-TV movie takes no sides in the controversy, offering generous space to both theories; still, Aimee does not come off as being particularly saint-like. Faye Dunaway stars as Aimee, Bette Davis co-stars as her domineering mother, and William Jordan is man-in-the-middle Ormiston. Written by John McGreevey, The Disappearance of Aimee was the November 17, 1976, presentation of NBC's Hallmark Hall of Fame. ~ Hal Erickson, All Movie Guide
Often described as "Ship of Fools with a conscience," Voyage of the Damned is based on a true story. In 1939, the Nazis ostentatiously loaded a luxury liner with hundred of Jewish refugees from all walks of life. The ship then tried to drop anchor in Havana, Cuba-only to have its passengers refused entry by the Cuban government, in keeping with its super-stringent immigration policies. This was exactly what the Nazis expected to happen, and indeed wanted to happen. By having the refugees turned away from Havana, the German government could "prove" that the Jews were indeed the most unwanted race on earth, thereby justifying Hitler's extermination policy. The crosssection of humanity on board the ship includes the requisite big-time stars: Faye Dunaway as a monocle-sporting countess and Oscar Werner as Dunaway's society-doctor husband; professor Luther Adler and his wife Wendy Hiller; poverty-stricken Nehemiah Persoff and Maria Schell, who hope to be reunited with their "fallen" daughter Katherine Ross; disbarred attorney Sam Wanamaker and his family (wife Lee Grant, daughter Lynne Frederick); anti-Nazi captain Max Von Sydow; and so on. Representing the Cuban government are president Fernando Rey and bureaucrat Jose Ferrer; other Havana denizens include businessman Orson Welles and minister James Mason. Despite its morbid overtones, Voyage of the Damned ends on a faintly positive note. ~ Hal Erickson, All Movie Guide
- Starring:
- Faye Dunaway, Max von Sydow, (more)
A trenchant satire of "trash TV," Network seems to grow only more relevant with each passing year. Howard Beale (Peter Finch), the dean of newscasters at the United Broadcasting System, is put out to pasture because he "skews old." Network executive Max Schumacher (William Holden), Howard's best friend, is forced to deliver the bad news. Beale can't stomach the idea of losing his 25-year post as anchorman simply because of age, so in his next broadcast he announces to the viewers that he's going to commit suicide on his final program. Network head Frank Hackett (Robert Duvall) is all for kicking Beale out then and there, but when it looks as though the UBS is going to have its greatest ratings ever on the night of Beale's self-destruction, ambitious programming exec Diana Christensen (Faye Dunaway) talks Hackett into treating that fateful final telecast as a special event. Naturally, Beale doesn't go through with it -- but he does begin rambling about the horrible state of the world in general and television in particular. He concludes his tirade by admonishing his viewers to "Go to the window and shout as loud as you can: 'I'm mad as hell and I'm not going to take it anymore!'" With that, Howard Beale becomes the hottest TV personality in America, and Diana becomes the network's fair-haired girl. She draws up plans to treat the nightly news broadcast as garish entertainment (complete with a psychic), all built around the rants of Beale, billed as "The Mad Prophet of the Airwaves." Network won Oscars for Paddy Chayefsky's screenplay as well as for three of four acting categories -- Dunaway for Best Actress, Peter Finch for Best Actor (in the only posthumous Oscar yet awarded), and Beatrice Straight for Best Supporting Actress, in one of the shortest-screen-time performances ever to win an Oscar. ~ Hal Erickson, All Movie Guide
- Starring:
- Faye Dunaway, William Holden, (more)
"His code name is Condor. In the next 24 hours, everyone he trusts will try to kill him." As the ads ominously announced, a low-level spook confronts the unfathomable in Sydney Pollack's 1975 political thriller, adapted from the James Grady novel Six Days of the Condor. CIA researcher Joe Turner (Robert Redford) returns from lunch to find the entire staff of his small New York office assassinated. When he meets his boss (Cliff Robertson) at another location to tell him what happened, someone tries to shoot Turner as well. On the run from the cops and his agency, a desperate Turner resorts to holing up with innocent civilian Kathy (Faye Dunaway), who becomes his only ally. Joe decides to save himself the only way possible: by going to The New York Times. But will it work? One of a cycle of conspiracy films from the 1970s that also included The Parallax View (1974) and Redford's All the President's Men (1976), Three Days of the Condor pits a working Everyman (albeit a CIA everyman) against a far-reaching conspiracy, as it also criticizes the CIA during a period of increasing publicity about federal wrongdoing, from the Pentagon Papers through Watergate and other congressional investigations; the challenge of negotiating New York City, shot on location, becomes one more sign of the forces that Joe must face. With its timely subject matter, taut suspense, and sympathetic Redford hero, Three Days of the Condor became a substantial hit. Balancing the conspiracy cycle's pessimism with a margin of attenuated hope, Three Days of the Condor suggests that one man can still discover the truth, but whether it helps him remains to be seen. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Robert Redford, Faye Dunaway, (more)
- 1975
- PG
This comic interpretation of Alexandre Dumas's classic adventure saga picks up where 1974's The Three Musketeers left off, as D'Artagnan (Michael York), Athos (Oliver Reed), Aramis (Richard Chamberlain), and Porthos (Frank Finlay) scuttle the plans of Lady de Winter (Faye Dunaway) to remove Queen Anne (Geraldine Chaplin) from the seat of power. De Winter is determined to get revenge against the Musketeers, and when she learns that D'Artagnan is infatuated with the lovely Constance (Raquel Welch), she first tries to foil their romance by seducing D'Artagnan herself, and then by persuading Rochefort (Christopher Lee) to kidnap Constance. She then engineers the assassination of the Duke of Buckingham (Simon Ward), a close friend of D'Artagnan; when word of the Duke's death and Constance's imprisonment reaches D'Artagnan and his comrades, the foursome ride off to rescue the fair lady and see that justice is done against de Winter. The Four Musketeers was filmed concurrently with The Three Musketeers; it was originally intended to be one film, but when director Richard Lester realized the movie would be over three and a half hours long, the decision was made to release it as two separate features instead. This led to lawsuits filed by several of the stars, claiming that they were hired under false pretenses and entitled to be paid for making two films rather than one. The actors won their case, but their settlement was significantly less than the salary they hoped to receive. ~ Mark Deming, All Movie Guide
- Starring:
- Oliver Reed, Raquel Welch, (more)
A skyscraper and an all-star cast go up in flames in Irwin Allen's classic disaster movie. To celebrate the construction of the Glass Tower, the world's tallest building, architect Doug Roberts (Paul Newman) and builder James Duncan (William Holden) hold a gala bash on the highest floors. Trouble is, Duncan's son-in-law and electrical subcontractor Roger Simmons (Richard Chamberlain) installed faulty wiring throughout the 138-story behemoth to save money. While the guests -- including Doug's lady friend (Faye Dunaway), a rich widow (Jennifer Jones), a con man (Fred Astaire), and a politico (Robert Vaughn) -- enjoy the party, and a security guard (O.J. Simpson) wonders why his equipment is on the fritz, a burnt-out circuit breaker ignites some garbage on the 85th floor, swiftly turning the high-rise into, well, a towering inferno. With the guests trapped on the 135th floor, it's up to Roberts and Fire Chief O'Hallorhan (Steve McQueen) to find a way to stop the blaze. Though not the first all-star '70s disaster movie (1970's Airport and 1972's The Poseidon Adventure preceded it), The Towering Inferno was the most popular and the most spectacular. In a move that would become more common in late-'90s blockbuster Hollywood, The Towering Inferno's mammoth production was mounted by two studios; screenwriter Stirling Silliphant combined the two novels owned by the studios into one saga. 1970s "shake 'n bake" maestro Allen, with co-director John Guillermin (Allen did the action sequences), tapped into deep fears about the fragility of modern life in the face of extreme natural phenomena, as well as into the envies and insecurities of middle-aged professional men. The Towering Inferno packed theaters and earned eight Oscar nominations, including Best Picture; it won for Cinematography, Editing, and Song. While its heroic, no-nonsense men provided some traditional comfort, The Towering Inferno still might provoke second thoughts about going into a skyscraper. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Steve McQueen, Paul Newman, (more)
"You may think you know what you're dealing with, but believe me, you don't," warns water baron Noah Cross (John Huston), when smooth cop-turned-private eye J.J. "Jake" Gittes (Jack Nicholson) starts nosing around Cross's water diversion scheme. That proves to be the ominous lesson of Chinatown, Roman Polanski's critically lauded 1974 revision of 1940s film noir detective movies. In 1930s Los Angeles, "matrimonial work" specialist Gittes is hired by Evelyn Mulwray (Faye Dunaway) to tail her husband, Water Department engineer Hollis Mulwray (Darrell Zwerling). Gittes photographs him in the company of a young blonde and figures the case is closed, only to discover that the real Mrs. Mulwray had nothing to do with hiring Gittes in the first place. When Hollis turns up dead, Gittes decides to investigate further, encountering a shady old-age home, corrupt bureaucrats, angry orange farmers, and a nostril-slicing thug (Polanski) along the way. By the time he confronts Cross, Evelyn's father and Mulwray's former business partner, Jake thinks he knows everything, but an even more sordid truth awaits him. When circumstances force Jake to return to his old beat in Chinatown, he realizes just how impotent he is against the wealthy, depraved Cross. "Forget it, Jake," his old partner tells him. "It's Chinatown." Reworking the somber underpinnings of detective noir along more pessimistic lines, Polanski and screenwriter Robert Towne convey a '70s-inflected critique of capitalist and bureaucratic malevolence in a carefully detailed period piece harkening back to the genre's roots in the 1930s and '40s. Gittes always has a smart comeback like Humphrey Bogart's Sam Spade and Philip Marlowe, but the corruption Gittes finds is too deep for one man to stop. Other noir revisions, such as Robert Altman's The Long Goodbye (1973) and Arthur Penn's Night Moves (1975), also centered on the detective's inefficacy in an uncertain '70s world, but Chinatown's period sheen renders this dilemma at once contemporary and timeless, pointing to larger implications about the effects of corporate rapaciousness on individuals. Polanski and Towne clashed over Chinatown's ending; Polanski won the fight, but Towne won the Oscar for Best Screenplay. Chinatown was nominated for ten other Oscars, including Picture, Director, Actor, Actress, Cinematography, Art Direction, Costumes, and Score. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Jack Nicholson, Faye Dunaway, (more)
- 1973
- PG
Richard Lester's adaptation of The Three Musketeers was only the latest of many when released in 1974, but it arrived with a spirit all its own, one influenced as much by Lester's '60s work as the Alexandre Dumas classic. Even so, it followed the plot of Dumas' novel fairly closely, its liberties in interpretation taken elsewhere. Coming off the success of Cabaret, Michael York plays D'Artagnan, the provincial, would-be swashbuckler who travels to Paris to make his name. There he encounters the eponymous heroes: cynical Athos (Oliver Reed), dashing Aramis (Richard Chamberlain), and arrogant Porthos (Frank Finlay). The trio introduces him to the world of court intrigue as they work to protect the Queen (Geraldine Chaplin) from the schemes of the villainous Richelieu (Charlton Heston) and his followers, Rochefort (Christopher Lee) and Milady (Faye Dunaway). Lester shot the film in conjunction with its sequel, The Four Musketeers. Originally intended as a single film, the split prompted a lawsuit from the cast demanding payment for both films. ~ Keith Phipps, All Movie Guide
- Starring:
- Oliver Reed, Charlton Heston, (more)
- 1973
- PG
Taciturn Faye Dunaway insists upon drilling for oil in her small, unpromising patch of Oklahoma land. Drifter George C. Scott signs on to work the derrick, but only after Dunaway, who for unspecified reasons hates all men, warns him to stay at arm's length. Jack Palance, the strong-arm representative for a huge oil firm, dearly covets Dunaway's land, and when she refuses to sell he sends his hooligans to beat both her and Scott to bloody pulps. Driven from her land, Dunaway can't expect help from the "bought" courtrooms, so she fights fire with fire: together with Scott and her ne'er do well father John Mills, she takes back the land by force of arms. As they sit guarding the derrick, Dunaway and Scott draw closer, and when Mills is killed by a fall, Dunaway turns to Scott as her one last pillar of strength. Just as Palance and his goons are about to rush the land, the long-awaited gusher comes in. The oil surge lasts just long enough for every oil company within two hundred miles to bid for pumping rights. Once the well runs dry, however, Dunaway and Scott are left standing alone in their grimy field. ~ Hal Erickson, All Movie Guide
- Starring:
- George C. Scott, Faye Dunaway, (more)
- 1971
- R
Most westerns wrap their stories, legends really, with a light clothing of history and period. Any history found in them is usually a mix of legend and fantasy. By way of contrast, in this film, an attempt is made to accurately portray the lives and persons of Doc Holliday, Wyatt Earp, and the now-legendary events that took place in the town of Tombstone. Those looking for fast-paced action will be disappointed in this film, as it deals more in psychological character studies than action. Sheriff Wyatt Earp (Harris Yulin) is shown to be a fairly ordinary politician, and the romance of Doc Holliday (Stacy Keach) and Kate Elder (Faye Dunaway) is highlighted. As it must, however, the film concludes with the well-known gunfight at the O.K. Corral ~ Clarke Fountain, All Movie Guide
- Starring:
- Stacy Keach, Faye Dunaway, (more)
A television production of the highly acclaimed William Alfred play that marked Faye Dunaway's emergence as a force to be reckoned with, Hogan's Goat is a blank verse tragedy set in the Brooklyn Irish-American community of the 1890s. Political skullduggery is at the heart of the plot, which concerns dynamic Matt Stanton (Robert Foxworth), a man who is ruthlessly determined to climb the ladder of success and make sure that he is never again a victim of the poverty into which he was born. As the film opens, Matt is already the leader of the sixth ward in Brooklyn -- but he has his sites set on becoming mayor of the borough. His work is cut out for him, as Ned Quinn (George Rose), the current officeholder, is equally determined to hold on to what he has. Kathleen (Dunaway), Matt's convent-raised wife, tries to dissuade him from his plans. She fears that Stanton's political foes will discover that she and Stanton were married only in a civil ceremony, and that they will be publicly disgraced. Quinn, of course, does just that, but he doesn't stop there. He further reveals that Matt was once the "goat" (i.e. kept man) of one Agnes Hogan. Though Kathleen is torn apart by this, Matt continues on, with dire consequences for them both. Dunaway's performance as Kathleen led to her star-making role in Bonnie and Clyde. Other members of the cast include Rue McClanahan, Philip Bosco, and George Rose. ~ Craig Butler, All Movie Guide
- 1971
This English-language French production, directed by Rene Clement is a psychological/spy thriller, and features an excellent score by Gilbert Becaud. Faye Dunaway is Jill, the wife of a former industrial spy (played by Frank Langella). Her husband's employers are not perfectly reconciled to his retirement, however, even though he is firm in his refusal to rejoin them. As the film proceeds, we discover that Jill is a nervous sort, and the spymasters seek by various means to take advantage of her nervous temperament in order to induce her husband to work for them again. ~ Clarke Fountain, All Movie Guide
- Starring:
- Faye Dunaway, Frank Langella, (more)
Recounting how the West was won through the eyes of a white man raised as a Native American, Arthur Penn's 1970 adaptation of Thomas Berger's satirical novel was a comic yet stinging allegory about the bloody results of American imperialism. As a misguided 20th-century historian listens, 121-year-old Jack Crabb (Dustin Hoffman) narrates the story of being the only white survivor of Custer's Last Stand. White orphan Crabb was adopted by the Cheyenne, renamed "Little Big Man," and raised in the ways of the "Human Beings" by paternal mentor Old Lodge Skins (Chief Dan George), accepting non-conformity and living peacefully with nature. Violently thrust into the white world, Jack meets a righteous preacher (Thayer David) and his wife (Faye Dunaway), tries to be a gunfighter under the tutelage of Wild Bill Hickock (Jeff Corey), and gets married. Returned to the Cheyenne by chance, Jack prefers life as a Human Being. The carnage wreaked by the white man in the Washita massacre and the lethal fallout from the egomania of General George A. Custer (Richard Mulligan) at Little Big Horn, however, show Crabb the horrific implications of Old Lodge Skins' sage observation, "There is an endless supply of White Men, but there has always been a limited number of Human Beings." ~ Lucia Bozzola, All Movie Guide
- Starring:
- Dustin Hoffman, Faye Dunaway, (more)
- 1970
- R
The debut of writer and director Jerry Schatzberg, this cinema verite drama won accolades for the Golden Globe-nominated performance of lead actress Faye Dunaway. Dunaway stars as Lou Andreas Sand, a former fashion model who has retreated to her seaside cottage and is being interviewed by Aaron Reinhardt (Barry Primus), a photographer and filmmaker who helped make her famous and with whom she was once involved. Aaron wants to make a movie about Lou's rise from rags to riches but as Lou recalls it, her seemingly glamorous existence was anything but a Horatio Alger tale. In an addled fog, Lou struggles to recite a shocking litany of casual sex and rape, drug and alcohol abuse, and the anger of her lesbian mentor Paula Galba (Viveca Lindfors) when her romance with wealthy boyfriend Mark (Roy Scheider) nearly led to marriage. Her career deteriorating, Lou even attempted suicide. A former fashion photographer himself, Schatzberg was an apt choice for director of this melodramatic portrait of the industry's ugly underbelly. ~ Karl Williams, All Movie Guide
- Starring:
- Faye Dunaway, Barry Primus, (more)
Kirk Douglas has an extreme case of mid-life crisis in Elia Kazan's turgid melodrama (adapted from his best-selling novel). Douglas plays successful advertising executive Eddie Anderson, who cracks under the strain of the morning rush hour in Los Angeles and plows his sports car into a truck. Landing in a convalescent home, Eddie remains mute to everyone except his boss Finnegan (Charles Drake). In his recovery room, Eddie dreams about co-worker Gwen (Faye Dunaway), a sexy research assistant at his agency. Meanwhile, the psychiatrist Dr. Liebman (Harold Gould) talks to Eddie's wife, Florence (Deborah Kerr), who reveals that at one time Eddie and Gwen had an affair, but they broke it off. Unfortunately, after that escapade, Eddie's interest in sex vanished completely.
Then after the interview with Dr. Liebman, following a terrible nightmare, Eddie breaks out of his self-imposed silence and declares to Florence that he is tired of his unfulfilling life of "arrangements." Eddie returns to work, but the return is marked by Eddie insulting a major client, alienating his co-workers, and then taking off in a private plane in which he flies madly over the skies of L.A. His lawyer Arthur (Hume Cronyn) keeps Eddie from being thrown in jail and also talks Eddie into giving Florence the power of attorney. Eddie proceeds to travel to New York, where he runs into Gwen, who now has a child. Eddie is in New York to visit his senile father, Sam (Richard Boone), but when his family attempts to put Sam in a nursing home, Eddie takes him away with him to their old family estate on Long Island. Eddie calls up Gwen, and she travels to Long Island to resume their affair. Meanwhile, Eddie's loved ones search for Sam, and they are closing in on Eddie's Long Island sanctuary. ~ Paul Brenner, All Movie Guide
Then after the interview with Dr. Liebman, following a terrible nightmare, Eddie breaks out of his self-imposed silence and declares to Florence that he is tired of his unfulfilling life of "arrangements." Eddie returns to work, but the return is marked by Eddie insulting a major client, alienating his co-workers, and then taking off in a private plane in which he flies madly over the skies of L.A. His lawyer Arthur (Hume Cronyn) keeps Eddie from being thrown in jail and also talks Eddie into giving Florence the power of attorney. Eddie proceeds to travel to New York, where he runs into Gwen, who now has a child. Eddie is in New York to visit his senile father, Sam (Richard Boone), but when his family attempts to put Sam in a nursing home, Eddie takes him away with him to their old family estate on Long Island. Eddie calls up Gwen, and she travels to Long Island to resume their affair. Meanwhile, Eddie's loved ones search for Sam, and they are closing in on Eddie's Long Island sanctuary. ~ Paul Brenner, All Movie Guide
- Starring:
- Kirk Douglas, Faye Dunaway, (more)
- 1969
John Frankenheimer directed this tepid World War II comedy set in the Philippines. When four American soldiers -- Lieutenant Morton Krim (Alan Alda), Cook 3rd Class W.J. Oglethorpe (Mickey Rooney), Gunner's Mate Orville Toole (Jack Carter), and Seaman 1st Class Lightfoot Star (Manu Tupou) -- are detached from their ship, they find themselves stranded on an uncharted island. Looking up from the surf, they see the vision of Lieutenant Commander Finchhaven (David Niven), immaculately dressed, standing atop an old gunboat and sipping some whiskey. The Americans set about repairing the gunboat, the H.M.S. Curmudgeon. After it is repaired, they set sail -- with the additions of Finchhaven and Jennifer Winslow (Faye Dunaway), a woman also stranded on the island. Almost immediately, the ship is attacked by the Japanese, but luckily the ship survives. All the while, Finchhaven simply stands on deck and sips his whiskey. It is then revealed that Finchhaven is a ghost, condemned to stay upon this ship for all eternity to redeem the family honor that was lost in 1914 when Finchhaven got drunk before his first battle and disgraced the family name. ~ Paul Brenner, All Movie Guide
- Starring:
- David Niven, Faye Dunaway, (more)
- 1968
Vittorio De Sica directed this sudsy romantic drama, which received punishing reviews on its initial release. Recently-divorced fashion designer Julia (Faye Dunaway) arrives in Venice from the U.S. and meets handsome race car driver Valerio (Marcello Mastroianni) at the airport. While she initially brushes off his advances, she soon has a change of heart and invites him to spend a few days with her at the villa where she'll be staying. After several days divided between lovemaking and sightseeing, a party at Julia's home turns into an orgy, and Valerio decides that he's bitten off more than he can chew and leaves her. However, Valerio soon learns that there's a reason for Julia's reckless abandon -- she is suffering from a terminal illness and has a very short time to live. Faye Dunaway and Marcello Mastroianni were romantically involved at the time Amanti was in production, though little of their personal chemistry appears onscreen. ~ Mark Deming, All Movie Guide
- Starring:
- Faye Dunaway, Marcello Mastroianni, (more)
Thomas Crown (Steve McQueen) is a self-made Boston millionaire who masterminds a bank heist in hopes of leaving it all behind. Tired of being part of the Establishment, he has hopes of pulling off the caper and flying to Rio. Erwin Weaver (Jack Weston) leads the cast of crooks who never actually meet Crown but manage to pull off the robbery without a hitch. Crown deposits 3 million in a Swiss bank account, pays off the crooks, and waits for the insurance company to repay the bank for the loss. Eddy Malone (Paul Burke) is the savvy detective who helps insurance investigator Vicky Anderson (Faye Dunaway) find the mastermind behind the heist. Thomas Crown Affair became one of the first films to employ many split-screen images throughout its running time, as devised by editor Hal Ashby. Michel Legrand's score was nominated for an Academy Award, and the song The Windmills Of Your Mind, written by Legrand with Alan and Marilyn Bergman took home the coveted Oscar. ~ Dan Pavlides, All Movie Guide
- Starring:
- Steve McQueen, Faye Dunaway, (more)
Producer/star Warren Beatty had to convince Warner Bros. to finance this film, which went on to become the studio's second-highest grosser. It also caused major controversy by redefining violence in cinema and casting its criminal protagonists as sympathetic anti-heroes. Based loosely on the true exploits of Clyde Barrow and Bonnie Parker during the 30s, the film begins as Clyde (Beatty) tries to steal the car of Bonnie Parker (Faye Dunaway)'s mother. Bonnie is excited by Clyde's outlaw demeanor, and he further stimulates her by robbing a store in her presence. Clyde steals a car, with Bonnie in tow, and their legendary crime spree begins. The two move from town to town, pulling off small heists, until they join up with Clyde's brother Buck (Gene Hackman), his shrill wife Blanche (Estelle Parsons), and a slow-witted gas station attendant named C.W. Moss (Michael J. Pollard). The new gang robs a bank and Clyde is soon painted in the press as a Depression-era Robin Hood when he allows one bank customer to hold onto his money. Soon the police are on the gang's trail and they are constantly on the run, even kidnapping a Texas Ranger (Denver Pyle) and setting him adrift on a raft, handcuffed, after he spits in Bonnie's face when she kisses him. That same ranger leads a later raid on the gang that leaves Buck dying, Blanche captured, and both Clyde and Bonnie injured. The ever-loyal C.W. takes them to his father's house. C.W.'s father disaproves his son's affiliation with gangsters and enters a plea bargain with the Texas Rangers. A trap is set that ends in one of the bloodiest death scenes in cinematic history. The film made stars out of Beatty and Dunaway, and it also featured the screen debut of Gene Wilder as a mortician briefly captured by the gang. Its portrayal of Bonnie and Clyde as rebels who empathized with the poor working folks of the 1930s struck a chord with the counterculture of the 1960s and helped generate a new, young audience for American movies that carried over into Hollywood's renewal of the 1970s. Its combination of sex and violence with dynamic stars, social relevance, a traditional Hollywood genre, and an appeal to hip young audiences set the pace for many American movies to come. ~ Don Kaye, All Movie Guide
- Starring:
- Warren Beatty, Faye Dunaway, (more)
- 1967
Four neophyte criminals get some unexpected help from their first victim in this caper comedy. A quartet of Miami Beach bohemians -- Sureshot (Michael Parks), Taurus (George Maharis), Herby (Robert Walker Jr.), and Sandy (Faye Dunaway) -- are looking for kicks and some fast money, and they hatch a scheme that they're sure will bring them both. Roc Delmonico (Anthony Quinn) is a well-known local restaurateur believed to be connected with the Mafia; the four beach bums kidnap Roc and hold him for ransom. To the surprise of the first-time kidnappers and the great annoyance of Roc, neither his wife, Monica (Martha Hyer), nor his business partners are willing to pony up 200,000 dollars to set the former gangster free. The angry Delmonico soon joins forces with his kidnappers, and with his background in crime, he advises them on how to make a hostage situation work. Roc's advice is right on the money, and the price for his safety zooms from 200,000 dollars to three million dollars. Roc's new friends are happy about this unexpected windfall, and Delmonico likes the idea of putting the screws to the so-called "friends" who let him down, but actually getting their hands on the money turns out to be far more complicated than any of them expected. The theme song from The Happening proved to be a major hit for Diana Ross & the Supremes -- in fact, a much bigger hit than the movie itself. ~ Mark Deming, All Movie Guide
- Starring:
- Anthony Quinn, George Maharis, (more)
- 1967
Otto Preminger directed this star-studded adaptation of K.B. Gliden's novel about racial prejudice and emotional unrest in the Deep South. Henry Warren (Michael Caine) is a land owner obsessed with buying up all available land in a Georgia farming town. However, two parcels of land have escaped his reach, and he's determined to get them. The Scotts, an African-American family, own one of the lots that Henry is after; the matriarch of the family, Rose (Beah Richards), used to work as a servant for the family of Henry's wife, Julie Ann (Jane Fonda), so Henry sends Julie Ann to talk with her. However, not only doesn't Rose agree to sell, she gets so upset that she dies of a heart attack, and soon her headstrong son Reeve (Robert Hooks) is the owner of the land. Reeve refuses all of Henry's offers to sell out, and he even stands up to a racist lynch mob that tries to ransack his farm; when Henry attempts to prove that Reeve holds no legal deed to the property, Vivian Thurlow (Diahann Carroll), the town's black schoolmarm, is able to provide the documentation that the Scotts do indeed own their land. Meanwhile, Henry is also trying to buy some property farmed by Rod McDowell (John Phillip Law) and his wife Lou (Faye Dunnaway), a poor white couple who are Henry's cousins. The McDowell farm adjoins that owned by the Scotts, so Reeve and Rod agree to join forces against Henry, which leads to violent reprisals against them. While set in Georgia, Hurry Sundown was actually shot on location in Louisiana; it was the first film shot in the South with an integrated cast and crew, leading the producers to demand protection from State Troopers after members of the company received death threats. ~ Mark Deming, All Movie Guide
- Starring:
- Michael Caine, Jane Fonda, (more)
