Deanna Dunagan Movies

The low-budget ensemble comedy drama Dimension, directed for under 100,000 dollars by Matthew Scott Harris, follows what happens to a number of Chicago citizens after they are granted the opportunity to change any part of their body, but only by three inches. ~ Perry Seibert, All Movie Guide

Weighed down by her late husband's debts, widow Beth Macauley (Jessica Lange) is compelled to sell her home and move to a less costly locale. She relocates in Baltimore with her resentful sons Chris (Chris O'Donnell) and Matt (Charlie Korsmo) and takes a job at a ramshackle gourmet food store managed by Lisa Coleman (Kathy Bates). Men Don't Leave offers in Beth an extremely vulnerable, easily discouraged person who can't seem to get a grip on her reduced circumstances. Even so, she and her sons eventually pull themselves together, despite many side trips with Wrong Lovers and False Friends. Some of the film's best moments involve Joan Cusack, playing a mixed-up nurse with whom Chris falls in love. Representing the comeback of director Paul Brickman after a seven-year gap, Men Don't Leave is a slightly more upbeat American version of the French film La Vie Continue. ~ Hal Erickson, All Movie Guide

Distinguished by a sharp, witty dialogue between its two cop protagonists, Ray and Danny (Gregory Hines and Billy Crystal), this entertaining crime drama is well worth a visit. Ray and Danny are nearly blown away by super bad guy Julio (Jimmy Smits), and their boss is peeved at them as usual. So the two are given a holiday from their beat in Chicago and travel to the sunny shores of Key West. They like it enough to retire from police work and open a business there. But when the duo returns to the Windy City, Julio is about to pull off a big drug deal and retirement may not be such a good idea. ~ Eleanor Mannikka, All Movie Guide

Mary Trimble wrote this TV adaptation of Ray Bradbury's short story. Brian Svrusis, a 12-year-old growing up in an small American town in the 1940s, comes to idolize mysterious stranger Fred Gwynne. Claiming that he's Charles Dickens, Gwynne holds Svrusis in thrall by revealing details of his "work in progress" Tale of Two Cities. The boy's fascination with Gwynne seriously erodes his relationship with his more pragmatic best friend. Any Friend of Nicholas Nickelby is a Friend of Mine was first telecast February 9, 1982, on PBS's American Playhouse. ~ Hal Erickson, All Movie Guide

In this fast-paced, often complex murder mystery, a psychiatrist's patient and later his secretary are killed, yet the police seem unable to come up with any answers so the doc takes matters into his own hands. Roger Moore is Dr. Judd Stevens, a rather meek Chicago psychiatrist whose patient is killed while wearing a jacket borrowed from Stevens. After Stevens' secretary is brutally slain, Lieutenant McGreavy (Rod Steiger) is certain that Stevens is guilty and is ready to prove it, but when his vendetta gets too obvious, he is taken off the case. That leaves his partner Angeli (Elliott Gould), a much more sympathetic cop, to continue on with the investigation. Even then, the killings continue, so Stevens gives up on the police and goes for help to a wacky P.I. (Art Carney) who lives surrounded by clocks and at first seems like a hopeless nitwit. As Stevens continues in his pursuit of the killers, life is complicated by a Mafia bride who seeks his professional help and clues that lead increasingly to the Mafia and cops on the take. The acting may be a bit uneven, and Moore might have fared better if allowed a little Bond action, but the movie is engaging enough to maintain interest throughout. ~ Eleanor Mannikka, All Movie Guide