John Duke Movies

The reactor at the Broadridge experimental nuclear station runs out of control when two unstable elements accidentally come into contact. As Dr. Marshall (George Macready), the station director, struggles to understand what is happening, deadly radiation pours out of the reactor furnace, killing the men trying to control it and replacing them inside their anti-radiation suits with creatures made of pure electromagnetic energy. Marshall is the sole survivor among the scientists and seems incapable of coping with the danger, overwhelmed by his fear of radiation and the seemingly inevitable chain reaction boiling up in the furnace. With help from his wife, Laurel (Signe Hasso), he finds the courage that he needs and deduces what is happening -- the combination of heavy elements bombarded with cosmic radiation has ripped open an inter-dimensional hole, through which these "particle creatures" are entering, and they are trying to widen the opening. The only chance to stop them is to initiate a fusion reaction that could seal the inter-dimensional hole and cut the creatures off from their energy source, destroying them. But does Marshall have the time or strength, in the minutes left to them, to prepare a jury-rigged hydrogen bomb? ~ Bruce Eder, All Movie Guide

Though the producers of The Untouchables had promised that their fourth season would have less violence and more humanity than in previous years, that season's opening episode was hardly in the "kinder, gentler" category. No sooner had the episode gotten under way than a likeable lug named Hap Levinson, dressed in a Santa Claus costume and handing out presents on Christmas Eve, is gunned down in full view of several wide-eyed orphans (one of whom is played by an unbilled, pre-"Eddie Munster" Butch Patrick). Why would anyone kill a nice guy like Hap, whose only connection to the Underworld appeared to be the fact that he managed a nightclub owned by mobster Mike Volney (Murvyn Vye)? As the story progresses, Elliot Ness learns the awful truth about good ol' Hap, and he intends to use what he knows to put Volney out of business for keeps. ~ Hal Erickson, All Movie Guide

The Untouchables launches its second season with one of the series' most celebrated episodes. Elizabeth Montgomery earned an Emmy nomination for her bravura performance as Rusty Heller, a scheming chorus girl who has a personal vendetta against the mobsters who've done her dirt all her life. Using every feminine wile at her disposal, Rusty hopes to use an upcoming gang war between two bootlegging operations to her own advantage by cozying up to the leaders of both operations. Meanwhile, Elliot Ness (Robert Stack) hopes to appeal to Rusty's last vestige of decency to enlist her aid in bringing the criminals to justice. Paul Picerni joins the regular cast in the role of "Untouchable" Lee Hobson. Fans of Bewitched will particularly enjoy the now-famous scene in which Elizabeth Montgomery makes passionate love to David White, long before the two actors were cast respectively as Samantha Stevens and Larry Tate. ~ Hal Erickson, All Movie Guide

One of a handful of Elvis Presley vehicles for United Artists release, Follow That Dream is a leisurely comedy/musical with a homey appeal that will delight even non-Presley fans. Based on Richard Powell's novel Pioneer Go Home, the film casts Elvis as Toby Kwimper, the most responsible member of an itinerant rural family comprised of Pop Kwimper (Arthur O'Connell) and nubile cousin Holly Jones (Anne Helm). Claiming "squatter's rights," the Kwimpers set up housekeeping, much to the dismay of local gamblers Carmine (Jack Kruschen) and Nick (Simon Oakland). In an attempt to force the family off their land, social worker Alicia Claypool (Joanna Moore) tries to prove that Toby is "degenerate," but succeeds only in making a fool of herself. Beyond a handful of pleasant songs, the film's highlights include Elvis' unwitting breakup of the local gambling casino, and the climactic trial scene featuring Roland Winters as a dyspeptic but basically likeable judge. ~ Hal Erickson, All Movie Guide

In this sequel to "The Underground Court", Nero Rankin (Will Kuluva) has installed himself as chairman of the Syndicate, replacing the estimable Judge Foley. When Elliot Ness (Robert Stack) manages to convince Rankin's secretary Sylvia Orchins (Jean Carson) that her boss will be killed unless she cooperates with the Feds, Rankin quickly disposes of the hapless girl and gives Ness a "message" by sparking a bloodbath in which innocent bystanders are mowed down in the streets. Ironically, this turns the public against Ness rather than Nero--making it all the more crucial to end Rankin's reign of terror before Chicago becomes one huge slaughterhouse. ~ Hal Erickson, All Movie Guide

Based on real incidents in the life and death of Lt. Joseph Petrosino (Ernest Borgnine) of the New York police force, this tale set between 1906-1909 details the history of the lieutenant's fight to prove Sicilian Mafia involvement in crimes in his city. Lt. Petrosino has a series of dangerous close calls as he distinguishes himself by saving singer Enrico Caruso from a Mafia bomb outside the Metropolitan Opera, and by also saving the father of Adelina (Zohra Lampert) the woman he loves. Several other exploits eventually lead to Petrosino's trip to Sicily to nail evidence for the Mafia's activities in New York, and for a final meeting with destiny. This represented the last screen credit of scenarist Bertram Millhauser, who died in 1958; he had received his penultimate credit nine years before that, on the 1949 Tokyo Joe. ~ Eleanor Mannikka, All Movie Guide

Only one of three films directed by screenwriter Charles Lederer, known for movies as disparate as The Thing (1951) and Gentlemen Prefer Blondes (1953), this crime comedy-drama-musical obviously defies categorization. Mixing James Cagney as a gangster out to control a big union, with musical numbers and cute songs is about like mixing onions and vanilla pudding. Jake MacIllaney (Cagney) wants to be elected president of Longshoreman's union 26 and, being a top mob boss, is used to getting his way. He is not past almost any stunt or method of coercion to get votes. Dan Cabot (Roger Smith) is Jake's lawyer, and after Jake meets Cabot's wife Linda (Shirley Jones), he sets his sights on conquering her affections. Disregard the husband, he can be taken care of. Setting this to music introduces some entertaining songs (I'm Sorry -- I Want a Ferrari) but the seriousness of the mobster's immorality and power is hard to reconcile with a perky tune about not stealing the small stuff. ~ Eleanor Mannikka, All Movie Guide