Babak Karimi Movies
With Quiet Chaos (Caos Calmo), acclaimed Italian helmer Nanni Moretti steps away from his standard directorial role to essay the lead and co-author the script in a gentle psychological drama directed by Antonello Grimaldi. Moretti stars as Pietro, a film executive whose life takes an irreversible and devastating turn one fateful morning. During a trip to the beach with his brother, Pietro's path intersects with that of a woman, Eleonora (Isabella Ferrari), who is drowning in the ocean; horrified, Pietro rushes in to save her. He subsequently returns home only to discover that his wife, Lara, just died in a nasty falling accident; devastated to the core, this nascent widower must make the necessary psychological accommodations to adjust to life as a single parent, with sole responsibility for raising his ten-year-old daughter, Claudia (Blu Yoshimi). Almost instinctively, as a reaction to Lara's death, Pietro opts to sit and wait for his daughter to finish school each day (in a park across from the school), in lieu of abandoning her to his own priorities and commitments. This means that the fellow's colleagues in the film industry must, by necessity, come to do business with him in the park. Through it all, Pietro remains silently dumbfounded that the tragedy itself hasn't shaken him more, that the grief (the "quiet chaos" of the title) is subtly agonizing instead of grossly traumatizing and debilitating. Nevertheless, he ultimately begins to approach a full realization and acceptance of his loss, and gains an enhanced awareness of himself and others from the potentially crippling events thrust into his path. Valeria Golino (Rain Man) co-stars; Roman Polanski appears in a cameo as one of Pietro's industry colleagues. ~ Nathan Southern, All Movie Guide
- Starring:
- Nanni Moretti, Valeria Golino, (more)
Documentarian Nader Takmil Homayoun delivers a plenary eulogy to Persian cinema - its fullest to date - with Iran: Une Révolution cinématographique. Over the course of 98 minutes, Homayoun follows the evolution and shifting stylistic currents of Iranian film over the course of 70+ years, as those changes parallel the country's mercurial political history. The picture thus features a dazzling array of clips from Iranian documentaries and feature films, intercut with interview footage that offers insights from the country's most esteemed directors and film historians, including Fereydoun Goleh, Bahman Ghobadi, Amir Naderi and Dariush Mehrjuï. Homayoun begins in 1933, with the country's first sound film, the mischievous and ironic parable Haji Agha, the Cinema Actor. He then moves forward in time, through the prevalence of escapism, the rise of social realism, the 1970s Iranian New Wave and a more recent poetic approach to cinema, typified by Saless's A Simple Event. Homayoun also reveals the political prescience of specific titles, such as Journey of the Stone, which predicted the 1979 Iranian revolution, and he sheds light on the irony that the government's somewhat tyrannical laws forbidding the importation of American cinema had a positive side effect: they forced Iran to develop an entire culture of indigenous filmmaking. ~ Nathan Southern, All Movie Guide
While a number of filmmakers and sociologists have weighed in on the growing popularity of plastic surgery among young people in America and what this says about the self-image of teens, what few people know is that more nose jobs are performed in Iran each year than in any other country in the world -- between sixty and seventy thousand annually. A large and growing percentage of young people in Iran, hoping to adopt a more "western" appearance, have their noses made smaller through rhinoplasty, even young Moslem women who hide most of their faces with traditional scarves. Filmmaker Mehrdad Oskouei explores this phenomenon in his documentary Damagh Be Sakbe Irani (aka Nose Iranian Style), in which he interviews a number of teens who have either had the operation or are considering it, the parents to give their blessings to this practice (and their money to the plastic surgeon), and trends in Middle Eastern culture which may be contributing to this wave of new noses. ~ Mark Deming, All Movie Guide
A child born under religious persecution grows into a man who questions the foundations of faith in director Pasquale Scimeca's thought-provoking, faith-based drama. The year is 1492 and Castilian queen Isabel has ordered all Jews and Muslims out of Spain. When a boy named Joshua (Leonardo Cesare Abude) is born into the religious strife and is predicted by elder Don Issac (Toni Bertorelli) to be the new Messiah, Issac joins his exiled people in order to ensure safe passage for the boy. As the boy grows into a young man and follows his family to Naples, his questions about Jesus garner a wide variety of responses from his fellow Jewish and Muslim travelers. When the safe haven of Naples turns inhospitable and Joshua's family is forced to move on to Sicily, his subsequent fascination with Catholic rituals raises the ire of the local clergy. ~ Jason Buchanan, All Movie Guide
- Starring:
- Veronica Guarrasi, Ignazio Ernandes, (more)
Directed by Babak Payami, Sokaate Beine Do Feks (The Silence Between Two Thoughts) takes place in an exotic desert village where an executioner (Kamal Naroui) is ordered not to shoot a virgin female (Maryam Moghaddam) on the grounds that she would go to Paradise if killed in her "pure" state. His leader commands the executioner to marry the girl, sleep with her, and kill her once the deed is done. Besieged by doubt, he doesn't touch the prisoner after she takes up residence in his house. Meanwhile, the power hungry Hajui sends his goons off to murder a religious figure, inciting a riot from the villagers. ~ Tracie Cooper, All Movie Guide
- Starring:
- Kamal Naroui, Maryam Moghaddam, (more)
One man's fight against organized crime proves to have devastating consequences for himself and his loved ones in this drama from Italy. As a young man, Placido Rizzotto (Marcello Mazzarella) saw his father imprisoned by police for a crime he didn't commit, and as a teenager he had to contend with the brutal excesses of Mussolini's soldiers while fighting in World War II. These events have left Placido with little taste for petty tyranny and with a desire to promote social justice. Upon his return home from the war, Placido becomes increasingly aware that organized crime has taken hold of his village, and he becomes angry and frustrated as he sees Mafia leaders controlling local politics and taking whatever land or property they want. Placido helps to form a trade union as a challenge to the Mafia's authority, and attempts to organize the villagers into a collective to grow crops in the fields taken by gangsters from the people. Lia (Gioia Spaziani), Placido's girlfriend, admires his bravery, but doesn't believe he's aware of the danger he's put himself in as she urges him to stop his crusade against the crime families. Placido, however, becomes all too aware of how badly Lo Sciancato (Vincenzo Albanese), a local crime kingpin, wants to hurt him when he sends a handful of his goons to brutally beat and gang-rape Lia. Placido Rizzotto was based on a true story and features newsreel footage of some of the real-life figures who appear as characters in this film. ~ Mark Deming, All Movie Guide
- Starring:
- Marcelo Mazzarella, Carmelo Di Mazzarelli, (more)
This Italian documentary is comprised of six interviews with some of Italy's best directors including Dino Risi, Ettore Scola, Sergio Citti, the brothers Taviani, Mario Monicelli, and Francesco Rosi. Each of the distinguished directors is interviewed by an up-and-coming young director. The resulting interplay between the old and new guard provides fascinating insight into the state of modern Italian cinema. ~ Sandra Brennan, All Movie Guide













