Eddie Applegate Movies

Nathaniel Hawthorne's The Scarlet Letter is re-imagined as a contemporary high school comedy in this tale of a scheming student who plots to give her popularity a boost by painting herself the easiest lay in school. Like most high school kids, Olive Penderghast (Emma Stone) just wants to be popular. So much so than when her best friend, Rhiannon (Aly Michalka), asks Olive how her weekend went, the bored teen decides to whip up a spicy white lie just to make things interesting. But that minor exaggeration begins to take on a life of its own when it reaches the ears of motor-mouth gossip Jesus freak Marianne (Amanda Bynes), and in no time the entire student body is abuzz over unassuming Olive's unrepentant weekend of debauchery. Of course not a word of it is true, but that doesn't stop everyone in school from talking, and an amused Olive from deciding to go with the flow. Playing the role of the hussy to the hilt, the girl who used to be invisible begins dressing provocatively and turning heads in the hallways. The students aren't the only ones taking notice, either; Olive's English teacher, Mr. Griffith (Thomas Haden Church), is concerned that the kind of attention she's receiving isn't healthy for a developing girl, and his wife (Lisa Kudrow), the school guidance counselor, is in full agreement. The only people who seem remotely interested in the truth are Olive's trusting and open-minded parents (Stanley Tucci and Patricia Clarkson). As Olive takes note of the parallels between her own situation and the plight of the Scarlet Letter heroine Hester Prynne, she realizes that she may be able to manipulate her newfound notoriety to give fellow classmate Brandon's (Dan Byrd) popularity a much-needed shot in the arm. Olive never thought her little game could possibly have any negative effect on anyone but herself, but when loose lips start sinking ships all around her, she realizes that it's high time for the truth to come out. ~ Jason Buchanan, Rovi

Thirty-three years after the demise of The Patty Duke Show, you'll be glad to know that Patty Lane is still seeing the sights a girl can see from Brooklyn Heights, and that her identical cousin Cathy still prefers the minuet and crepe suzette, judging from the evidence presented in this made-for-TV movie. Patty Duke once again plays both Patty and Cathy; these days, Patty is a drama teacher at her old high school, and while she's still sees her old boyfriend Richard (Eddie Applegate), they got married after high school and have since divorced; they have a grown son and a granddaughter. Cathy, on the other hand, is a widow with a teenage son, currently living in Scotland. When the two cousins meet again at a family reunion, they join forces to do battle with Patty's arch-enemy Sue Ellen (Cindy Williams), who plans to buy Brooklyn Heights High School, tear it down and put in a strip mall. Also reprising their roles from the original TV series are William Schallert and Jean Byron as Patty's parents. ~ Mark Deming, Rovi

This light romantic comedy finds a young widow with three young boys investigated by the Navy. Amy Martin (Shirley Jones) has a curious child who inadvertently sends out a distress signal in Morse code by the blinds on his upstairs bedroom window. Commander Weedon (Gig Young) and crew observe the signal from their ship and investigate. The commander falls for the young mother and proposes marriage. Amy is reluctant to have her family live out of a suitcase and initially declines. Gramps (Edgar Buchanan) tries to bring her on board to sail the sea of love with the commander, but it's the youngest son Alex (Billy Mumy) who flies high an hits the mark as Cupid. Alex sets sail with some helium balloons and floats out over the ocean. The commander must save the boy and return him to his mother, creating another opportunity for his mother to be captured by the romantic suitor. Red Buttons and Carolyn Jones also find romance in this feature directed by George Sidney. ~ Dan Pavlides, Rovi

One of the most ambitious productions ever undertaken during the era of "live" television, this adaptation of Walter Lord's best-seller A Night to Remember successfully conveys the full scope and horror of the sinking of the superliner Titanic on April 14, 1912. Utilizing seven cameras, 31 different sets and over 100 actors, director George Roy Hill (Butch Cassidy and the Sundance Kid, The Sting), meticulously recreates the last three hours of the Titanic from the moment it struck an iceberg in the North Atlantic to its final descent beneath the waves, carrying some 1500 souls to a watery grave. Like Lord's book, John Whedon's adaptation emphasizes the element of fate in the tragedy, noting the hundred-and-one ways in which the disaster could have been averted, and also offers brief, poignant character vignettes, illustrating individual moments of courage and cowardice. Although there is plenty of dialogue, the dominant voice in the proceedings is narrator Claude Rains, who dispassionately dispenses the chronology of the disaster, minute by minute, as the viewer watches them unfold. Featured in the enormous cast is a pre-Avengers Patrick Macnee as Thomas Andrews, benighted designer of the Titanic. This version of A Night to Remember was originally telecast as an episode of the NBC anthology Kraft Television Theater; it was subsequently restaged for British viewers by the BBC, and was ultimately adapted as a theatrical feature in 1958 (long, long before either Kate Winslet or Leonardo DiCaprio were even born). ~ Hal Erickson, Rovi