Gerry Duggan Movies

Two people trying to leave ugly memories behind them find life and love anew in Australia in this made-for-television adaptation of the novel by Nevil Shute. Carl Zlinter (Michael York) was a doctor who was drafted into the German Army during World War II and forced to serve the Axis war effort. After the fall of the Third Reich, Carl becomes a displaced person and in time emigrated to Australia, where he tries to build a new life for himself and forget his horrific past. Jennifer Morton (Sigrid Thornton), meanwhile, is a woman from Great Britain who has her own grim memories of the toll the war took upon her nation, and has decided to visit Australia in search of sunshine and fresh scenery. Carl and Jennifer meet, and they soon fall in love, but it becomes obvious that they must reconcile their very different pasts if they are to make a future together. Originally produced for Australian television, The Far Country first aired as a two-part miniseries. ~ Mark Deming, All Movie Guide

Both actress Judy Davis and director Gillian Armstrong made a big splash on the international scene with this charming Australian film that examines late 19th century Australian society from the perspective of a headstrong woman who refuses to follow convention. The film charts the developing self-awareness of Sybylla Melvyn (Judy Davis) as she grows from an insecure tomboy to a self-assured woman. Sybylla wants to be a writer and stuns her family and friends by her insistence on following her dream. Despite the objections of her family acquaintances, she rejects the marriage proposal from the rich Harry Beecham (Sam Neill) to continue going her own way, in spite of the odds stacked against her in a repressive Victorian environment. ~ Paul Brenner, All Movie Guide

In this drama, an aging dancer observes the life of a star-struck younger woman. The older one sees herself in the girl and tries to help her avoid making the same mistakes. Unfortunately, the headstrong young woman refuses to listen and like the elder, finds herself entangled in a destructive situation from which there is no escape. ~ Sandra Brennan, All Movie Guide

Fred Schepsi wrote and directed this tense melodrama which takes place at a Roman Catholic boarding school. The film deals with the charged emotional tensions of a group of pubescent boys, who find their sexual urges stifled by the school's oppressive atmosphere. Depicting the chaste lifestyle of the religious functionaries, the burgeoning sexual desires of the young men are bottled up until they are ready to explode. ~ Paul Brenner, All Movie Guide

Ned Kelly (Mick Jagger) is the legendary outlaw of the Australian outback sought by authorities for stealing horses. At age 20, Ned has already served a three-year prison term at hard labor. When Ned's mother (Clarissa Kaye) is arrested and jailed on a bogus murder charge, Ned offers to surrender in exchange for his mother's freedom. When the authorities refuse, the Kelly brothers go on a robbing rampage. Cornered by the law in a saloon, Ned's brothers commit suicide rather than be taken alive. Shel Silverstein wrote the music performed by Waylon Jennings, Jagger and Glen Tomasetti. Australian folk songs are also included in this story taken from a popular 19th-century ballad. ~ Dan Pavlides, All Movie Guide

Wealthy wastrel James Fox hires insouciant cockney Dirk Bogarde as a valet. No sooner has he donned his working clothes than Bogarde begins exercising a subtle but insidious control over his master. Suggesting that the house could use a little fixing up, Bogarde convinces Fox to spend a whopping amount of money on it. But this is just a warm-up session for Bogarde, who by mid-film is calling all the shots in the Fox household, all the while pretending to keep his place. Fox's fiance Wendy Craig sees through Bogarde's game. Bogarde then brings his own lady friend Sarah Miles into the house. At Bogarde's insistence, Miles seduces Fox, thereby loosening Craig's hold on the confused young man. And so it goes. The homosexual subtext of The Servant disturbed some of the more hidebound critics of 1963; Harold Pinter based his cryptic screenplay on a novel by Robin Maugham. ~ Hal Erickson, All Movie Guide

Considered ultra-mature film fare in 1962, The L-Shaped Room stars Leslie Caron as a unmarried, pregnant French girl. Arranging for an abortion (illegal at that time), she takes up residence in a ramshackle British boarding house where most of the other residents are also outcasts of society. Many of the character types were new to films of the era, but have since become cliches: the understanding young black, the lesbian actress, the prostitutes without golden hearts. There is also a Christopher Isherwood type writer (Tom Bell) who observes the passing parade and writes a book on the subject. Director Bryan Forbes brings his usual muted sensibilities to the project, resulting in a work that downplays the sensational aspects and emphasizes characterization. Surprisingly, while The L-Shaped Room was considered too "hot" for several corporate-owned American movie houses, it was an early arrival on 1960s TV, where it frequently ran uncut. ~ Hal Erickson, All Movie Guide

Director Fred Zinnemann was riding a crest in the '50s with movies like High Noon, From Here to Eternity, Oklahoma, and his success continues in this western-style drama set in Australia in the 1920s. Ida Carmody (Deborah Kerr) is married to Paddy (Robert Mitchum), a sheep drover whose nomadic existence makes him blissfully content. Neither Ida nor their son Sean share his love for roaming, in fact, Ida convinces her husband to take on a job as a sheep-shearer so they can finally have enough to get a mortgage on a farm. At first Paddy agrees but obviously does not know his own mind because in no time at all, he rebels -- though that is not the end of it. Peter Ustinov is also featured as Vanneker, a bachelor who comes to stay with the family, and Glynis Johns plays a hotelkeeper out to change Vanneker's non-marital status. ~ Eleanor Mannikka, All Movie Guide