Jacques Dufilho Movies

Saadia is an MGM-ized version of the Francis D'Autheville novel Echeck au Destin. Produced, directed and written by the always fascinating Albert Lewin (The Moon and Sixpence, Picture of Dorian Gray), the film stars Cornel Wilde as Si Lahssen, the progressive ruler of the Moroccan province of Anahout. Henrik (Mel Ferrer), Anahout's chief physician, rescues a beautiful dancing girl named Saadia (Rita Gam) on the operating table. In doing so, he is in direct violation of local sorceress Fatima (Wanda Rotha). The sorceress vows to destroy Henrik -- and by extension, Saadia, whom he loves, and Si Lahssen, whom she loves. The film isn't entirely successful, but deserves an A for effort. ~ Hal Erickson, All Movie Guide

Better known as The Hunchback of Notre Dame, this opulent French production is the second talkie version of Victor Hugo's famous novel. Buried under mounds of latex, Anthony Quinn does his best as the deformed bellringer Quasimodo, though he comes off more as a punchdrunk ex-pug than a literal interpretation of Hugo's tragic protagonist. Somewhat more effective within the film's framework is Gina Lollobrigida as gypsy dancing girl Esmerelda, whose friendship with Quasimodo motivates the story. As in previous adaptations of the Hugo novel, the villain Frolio (Alain Cluny), originally a priest, is given a less-controversial station in life: in this case, he is an alchemist rather than a man of the cloth. Otherwise, Notre Dame de Paris is one of the more faithful renditions of the original novel, even unto retaining Hugo's unhappy ending. When first released in the U.S. by Allied Artists, the film was titled Hunchback of Paris, to avoid a copyright conflict with RKO's 1939 adaptation of Hunchback of Notre Dame. ~ Hal Erickson, All Movie Guide

In this tragedy, a matador is deeply shaken by the death of a good friend who was gored in the ring and decides to retire. He then moves to a ranch to begin raising fighting bulls. His attempts at peace are disrupted by a nagging girlfriend who wants her lover to keep on being a national hero. Finally he returns to the ring only to get gored to death. ~ Sandra Brennan, All Movie Guide

One of the several types of "New Wave" cinema emerging from France at this time, Le Travail C'est La Liberte does not make a very big splash. The story, meant to be amusing, involves three prison inmates who because of their good behavior are given the responsibility -- under strict police supervision -- of collecting garbage for the city. The regular collectors are on strike. The policemen supervisors are not all that strict, and what the convicts really want to do is get in together with their girlfriends. So for a good part of the 85-minute running time, their various attempts to find their lovers are chronicled with a minimum comic veneer. ~ Eleanor Mannikka, All Movie Guide

The lighthearted comedy Zazie Dans Le Metro, an early directorial effort from Louis Malle, stars Catherine Demongeot as a 12-year-old girl named Zazie. Zazie is forced to travel to Paris when her mother wants to rendezvous with her lover. Zazie is left in the care of Uncle Gabriel (Philippe Noiret), an eccentric transvestite. Both with him, and on her own, Zazie meets a variety of unusual city dwellers, and gets into a series of misadventures that reach their greatest level of wackiness during a café food fight. The film is based on a novel by the distinguished French author Raymond Queneau. ~ Perry Seibert, All Movie Guide

In this gentle anti-war comedy, a class of French schoolboys divides into two factions who begin to battle each other, with the victors claiming the buttons off the clothes of the vanquished. One day, some of the boys pull a strategic coup by running into battle naked, therefore leaving their enemies nothing to steal. However, after this stunning victory, one of their number turns traitor to the other side, helping them plot a secret attack that leaves the recent champions in defeat. The informer is eventually found out and punished for his crimes, so he takes the matter to a higher authority and tells his parents he's been beaten up by bullies. Soon Mom and Dad are making trouble for their son's schoolmates, with the culprits facing a stay in juvenile hall. La Guerre des Boutons was written and directed by Yves Robert, who had a distinguished career both in front of and behind the camera in the French cinema. ~ Mark Deming, All Movie Guide

While there is an element of science fiction to this political satire about Latin American dictatorships, that element is primarily used to promote the storyline and the message, and not as a value in itself. In a make-believe Spanish-speaking country of the Americas, a dictator (Zbigniew Cybulski) rules with the usual degree of corruption but as it turns out, his wife is the one who gives most of the orders. Two story strands are then woven together: a scientist has invented a way to replicate objects and, lo and behold, he discovers he can make a robotic duplicate of the dictator's wife. Meanwhile, an ardent, left-leaning revolutionary who happens to be a dead ringer for the dictator ends up taking over the tyrant's role when he is assassinated. So one has a robotic wife and a fake dictator now running a country which is none the wiser. ~ Eleanor Mannikka, All Movie Guide

Director Jacques Baratier's Sweet and Sour is an independently produced project with a surprising amount of European movie-industry input. Guy Bedos, a Brando wannabe, plays one of several young French cineastes who take to the streets to make improvisational movies. The "cinema verite" quality of the film is somewhat undercut by the presence of major stars: Anna Karina, Simone Signoret, Jean-Paul Belmondo, Monica Vitti, Claude Brasseur, and many others. After several "spontaneous" vignettes -- a street tennis game, a striptease lesson, a West Side Story style gang rumble -- Guy Bedos announces he will go to Hollywood to film the life of Voltaire. ~ Hal Erickson, All Movie Guide