Keith Fulton Movies

Brothers of the Head was adapted from Brian Aldiss' novel by screenwriter Tony Grisoni, and marks the narrative feature debut of Keith Fulton and Louis Pepe (Lost in La Mancha), who have structured Aldiss' story as a mock documentary. Twins Luke and Harry Treadaway star, respectively, as conjoined twins Barry and Tom Howe, joined at the torso. They were essentially purchased from their family as teens in the 1970s by a sleazy showbiz impresario, Zak Bedderwick (Howard Attfield), who planned to turn them into rock stars. Manager Nick (Sean Harris) kept the volatile Barry in line, sometimes violently, while musician Paul (Bryan Dick) taught the introspective Tom how to play the guitar, and helped the brothers write their songs. A documentary filmmaker, Eddie (Tom Bower), was hired to record the process. Their first live performance was a near disaster, as the rowdy pub crowd didn't welcome the sight of the two young men coming on-stage with their arms around each other, but Barry, the charismatically angry frontman, shocked the crowd by exposing the joint between them as he ripped into a snarling performance of their first single, "Two-Way Romeo," and the legend of their group, the Bang Bang, was born. As the proto-punk group's fame grew, Laura (Tania Emery), a young journalist, came to write an article about them, and quickly developed a romantic relationship with Tom, causing friction between the brothers. The film features interviews with some of the characters in the present day, and clips from an imagined unfinished Ken Russell film about the twins, starring Jonathan Pryce and Jane Horrocks. The music of the Bang Bang, performed by cast members and the band Crackout, was written and produced by Clive Langer. Brothers of the Head was shown at the 2006 Tribeca Film Festival. ~ Josh Ralske, All Movie Guide

For years, one of filmmaker Terry Gilliam's great dreams was to make a screen adaptation of Miguel de Cervantes Saavedra's classic tale Don Quixote, and in 2000 it looked as if his dream was to become a reality. In collaboration with Tony Grisoni, Gilliam had written a script called The Man Who Killed Don Quixote, in which a 20th century advertising man accidentally travels back in time and is mistaken by Don Quixote for his faithful companion, Sancho Panza. After ten years of shopping the project to American studios with no success, Gilliam and his producers had secured financing for the film from a consortium of European sources, and Johnny Depp had been cast as the time-tripping adman, with the venerable French actor Jean Rochefort as Don Quixote. However, as the production moved closer to its start date, more and more things began to go wrong -- contracts went unsigned, key cast and crew members had not yet arrived, and the carefully prepared budget seemed stressed to the breaking point. Nevertheless, Gilliam soldiered on, but after a mere six days of shooting, during which Spanish Air Force jets ruined several takes, flash floods destroyed several sets, and Gilliam struggled to keep his dream afloat, Rochefort suffered a severe back injury. The film's financiers decided to cash in their chips and pulled the plug in order to cash in on their insurance, though Gilliam struggled for months afterward to find a way to put the production back on track. Documentary filmmakers Keith Fulton and Louis Pepe had been invited by Gilliam to make a film about the production of The Man Who Killed Don Quixote, and after shooting 80 hours of footage of the chaotic pre-production process as well as the aborted shooting schedule, they instead created Lost In La Mancha, a look at the "un-making" of the film, which along with the story of the project's brief rise and messy collapse, featured a look at several completed scenes from the film, as well as animated versions of the film's storyboards which offered a glimpse of the look and scale of the film Gilliam was attempting to create. ~ Mark Deming, All Movie Guide