Carl Duering Movies

Based on a novel by Gerald Seymour, the two-part British miniseries starred John Thaw as Joshua Mantle, a solicitor's clerk pressed into duty by British intelligence. It is Joshua's job to find out why otherwise level-headed Intelligence officer Tracy Barnes (Zara Turner) suddenly, and without warning, attacked East German politician Dieter Krause (Hartmut Becker). Unfortunately, Joshua's superior officer Giles Fleming (Colin Baker) ambivalently balks at providing information vital to the investigation. Ultimately, Joshua teams up with Tracy herself to solve a mystery involving the dreaded East German secret police organization Stasi, a ten-year-old murder, and a far-reaching diplomatic coverup. The Waiting Time was originally telecast on October 28 and November 4, 1999. ~ Hal Erickson, All Movie Guide

In this drama, a young wife leaves her German home to discover the identity of her mysterious late mother who married a Jewish German during WW II. Her mother was French, and soon after she married her aristocratic husband, Hitler came to power, causing the couple to flee to Argentina. Later he abandons the woman. Much of the complex tale is told via flashback, and in learning about her mother's past, the daughter begins to experience an emerging sense of identity and the knowledge of what she must do to avoid the same mistakes her mother made. ~ Sandra Brennan, All Movie Guide

Usually misattributed to the horror genre, this challenging and highly unusual drama stars Isabelle Adjani as a young woman who forsakes her husband (Sam Neill) and her lover (Heinz Bennent) for a bizarre, tentacled creature that she keeps in a run-down Berlin apartment. In the beginning, her husband knows nothing about the monster and sincerely believes that his wife is insane. He has her tailed by private detectives, whom she kills and feeds to the creature. Still unaware of what has happened, the husband contends with the reserved and inadvertently seductive presence of his wife's look-alike (also played by Adjani), a schoolteacher who frequently comes to tutor his son while his wife is away. Though tempted by her quiet goodness and beauty, he is still passionately in love with his wife and even after he finds out about the murders, he stays by her side and helps her conceal her crimes. Filmed amidst the oppressive backdrop of the Berlin Wall by the expatriate Polish director Andrzej Zulawski (who was unable to work in his homeland after too many clashes with the authorities), the picture is so relentlessly intense and so deliberately esoteric, that most viewers would find it too hard to connect with. Still its symbolism, its unbridled and flashy directorial style, and the tour de force performance by Isabelle Adjani earned this unique tale a cult following in Europe. The version originally released in the U.S. had 45 minutes chopped out; in this form, it is barely comprehensible and looks like a cheap, gory feast. ~ Yuri German, All Movie Guide

Often described as "Ship of Fools with a conscience," Voyage of the Damned is based on a true story. In 1939, the Nazis ostentatiously loaded a luxury liner with hundred of Jewish refugees from all walks of life. The ship then tried to drop anchor in Havana, Cuba-only to have its passengers refused entry by the Cuban government, in keeping with its super-stringent immigration policies. This was exactly what the Nazis expected to happen, and indeed wanted to happen. By having the refugees turned away from Havana, the German government could "prove" that the Jews were indeed the most unwanted race on earth, thereby justifying Hitler's extermination policy. The crosssection of humanity on board the ship includes the requisite big-time stars: Faye Dunaway as a monocle-sporting countess and Oscar Werner as Dunaway's society-doctor husband; professor Luther Adler and his wife Wendy Hiller; poverty-stricken Nehemiah Persoff and Maria Schell, who hope to be reunited with their "fallen" daughter Katherine Ross; disbarred attorney Sam Wanamaker and his family (wife Lee Grant, daughter Lynne Frederick); anti-Nazi captain Max Von Sydow; and so on. Representing the Cuban government are president Fernando Rey and bureaucrat Jose Ferrer; other Havana denizens include businessman Orson Welles and minister James Mason. Despite its morbid overtones, Voyage of the Damned ends on a faintly positive note. ~ Hal Erickson, All Movie Guide

Stanley Kubrick dissects the nature of violence in this darkly ironic, near-future satire, adapted from Anthony Burgess's novel, complete with "Nadsat" slang. Classical music-loving proto-punk Alex (Malcolm McDowell) and his "Droogs" spend their nights getting high at the Korova Milkbar before embarking on "a little of the old ultraviolence," such as terrorizing a writer, Mr. Alexander (Patrick Magee), and gang raping his wife (who later dies as a result). After Alex is jailed for bludgeoning the Cat Lady (Miriam Karlin) to death with one of her phallic sculptures, Alex submits to the Ludovico behavior modification technique to earn his freedom; he's conditioned to abhor violence through watching gory movies, and even his adored Beethoven is turned against him. Returned to the world defenseless, Alex becomes the victim of his prior victims, with Mr. Alexander using Beethoven's Ninth to inflict the greatest pain of all. When society sees what the state has done to Alex, however, the politically expedient move is made. Casting a coldly pessimistic view on the then-future of the late '70s-early '80s, Kubrick and production designer John Barry created a world of high-tech cultural decay, mixing old details like bowler hats with bizarrely alienating "new" environments like the Milkbar. Alex's violence is horrific, yet it is an aesthetically calculated fact of his existence; his charisma makes the icily clinical Ludovico treatment seem more negatively abusive than positively therapeutic. Alex may be a sadist, but the state's autocratic control is another violent act, rather than a solution. Released in late 1971 (within weeks of Sam Peckinpah's brutally violent Straw Dogs), the film sparked considerable controversy in the U.S. with its X-rated violence; after copycat crimes in England, Kubrick withdrew the film from British distribution until after his death. Opinion was divided on the meaning of Kubrick's detached view of this shocking future, but, whether the discord drew the curious or Kubrick's scathing diagnosis spoke to the chaotic cultural moment, A Clockwork Orange became a hit. On the heels of New York Film Critics Circle awards as Best Film, Best Director, and Best Screenplay, Kubrick received Oscar nominations in all three categories. ~ Lucia Bozzola, All Movie Guide

Singer Robert Goulet had already spent a season (1966-67) as a TV secret agent on Blue Light when he signed for the theatrical espionager Underground. Goulet plays an American spy who is disgraced during World War II for divulging the names of his fellow agents while under torture. To redeem himself, he joins a French resistance group called the Maquis and parachutes behind enemy lines. His mission is to kidnap a Nazi general and spirit him back to France. Arthur H. Nadel, director of Underground, is most-closely associated with the non-human endeavors of the Filmation cartoon studios. ~ Hal Erickson, All Movie Guide

An expert in ancient hieroglyphics unexpectedly finds himself involved in a web of international intrigue in this chic, enjoyably tongue-in-cheek espionage adventure. Gregory Peck stars as David Pollock, an American professor whose predictable academic routine is overturned when he is hired to help translate a mysterious message written in an obscure ancient text. The real trouble begins, however, when everyone from a wealthy oil magnate to a foreign government to brutal criminals starts to chase Pollock, desperate to discover the nature of the deciphered message. Along for the ride is Yasmin Azir (Sophia Loren), the gorgeous lover of Pollock's employers, whose loyalties are questionable, to say the least. The tangled narrative proves less important than the film's stylish surface, from the colorful London locations to the Henry Mancini score. Certain touches date the film, like a brief foray into psychedelia, but the modish visuals are generally an appropriate match to the insouciant tone. Not taking itself seriously enough to be truly thrilling, Arabesque nevertheless stands as a witty, well-made example of a particular breed of airy, intentionally superficial comic adventure. ~ Judd Blaise, All Movie Guide

Placed in command of France's Chateau de la Marre district in 1944, sadistic Nazi general Guenther Hautmann (Andrew Morell) prepares to ship all of the locals to work camps. First, however, he perversely throws the unfortunates a lavish party in a luxurious chateau, the site of a similar celebration held in 1723 by a despotic landowner. Hautmann even goes to great lengths to recreate the original party, down to the tiniest detail. But the guests who show up for the festivities are definitely not on the General's invitation list. This is one of several One Step Beyond episodes filmed in England. ~ Hal Erickson, All Movie Guide

A frozen body is discovered in a shipment of beef -- and it's all the handiwork of a neo-Nazi group called the Phoenix. Assigned to infiltrate the organization, Keel discovers that one of its members has perfected a method of cryogenics. Alas, his true identity is revealed, whereupon Keel is scheduled for the next "freezing session." Though videotaped on September 7, 1961, "Dead of Winter" would not be telecast until December 9, 1961; the episode was written by Eric Paice. ~ Hal Erickson, All Movie Guide

When a movie star dies mysteriously, insurance investigator Jeff Keenan (Rod Cameron) is put on the case. It seems that the dead man was attending a private psychiatric clinic on the Riviera. Keenan learns that one of the staff doctors has been tinkering with an experimental "dream machine," designed to soothe his more disturbed patients. But Paul Zakon (Peter Illing), the ex-Nazi owner of the clinic, has been using the machine for brainwashing purposes. There's really no "monster" to speak of, but there's plenty of Frankenstein-style electric bolts and sparks in the climactic melee. Charles Eric Mayne adapted the gimmicky screenplay from his own novel. ~ Hal Erickson, All Movie Guide

The British Seven Thunders was released in the US as Beasts of Marseilles. Set in 1943, the film stars Stephen Boyd and Tony Wright as escaped POWs Dave and Jim. Hiding out in Marseilles, the two protagonists battle over the affections of local gamine Lise (Anna Gaylor). When they find the time, Dave and Jim plan an elaborate breakout for the other POWs sequestered in the French port city. After an engaging opening, the film relies upon serial-like thrills and hairbreadth escapes to keep the audience awake. Stealing the show from the nominal stars are those grand old British troupers James Robertson Justice and Kathleen Harrison. ~ Hal Erickson, All Movie Guide

In this crime drama, Scotland Yard teams up with Interpol to find out who put stolen funds into a private bank account in Rio. They assign their best detective to the case. The investigator is led to a coffee storehouse where he discovers the corpse of a worker and the rest of the purloined loot. The detective and the owner of the storehouse have a big fight and the owner's girlfriend tries to run-over the agent with her car. Instead the car runs into a hill of beans, swerves out of control, and runs the villainous owner over instead. ~ Sandra Brennan, All Movie Guide

Based on a true story, The Divided Heart is an effective, high-gloss British soap opera. Cornell Borchers stars as Inga, a young German woman who disappears and is presumed killed during WW2. Inga's infant son is placed in an orphanage; years later, the boy is adopted by childless couple Sonja (Yvonne Mitchell) and Franz (Armin Dahmen). The adoptive parents' future happiness is shattered when Inga returns, insisting that the child be returned to her. The film is scrupulously fair to both Inga and Sonja, giving generous screen time to the wartime horrors experienced by the former and the eminent parental suitability of the latter. Of the supporting cast, Alexander Knox stands out as the judge presiding over the climactic custody battle. ~ Hal Erickson, All Movie Guide