Robert Dudley Movies

Claudette Colbert and Ray Milland, stars of the 1940 hit Arise, My Love, were immediately reteamed for Skylark. Adapted from the play by Samson Rafaelson, the film stars Colbert as the wife of a neglectful businessman Milland (her role had been played on Broadway by Gertrude Lawrence). Brian Aherne is a handsome bachelor who hopes to win Colbert away from her husband. At first enjoying her vacation from marriage, Colbert finds she can't keep up with Aherne's peripatetic lifestyle, and returns to Milland. Skylark's comic highlight is a slapstick sequence in which Colbert tries to prepare lunch in a yacht during a storm. The scene was shot in a single take, an accomplishment in which the actress took justifiable pride. ~ Hal Erickson, All Movie Guide

(Preston Sturges) wrote and directed this classic romantic comedy starring Henry Fonda and Barbara Stanwyck, who are involved in a scintillating battle of the sexes, as Sturges points up the terrors of sexual passion and the unattainability of the romantic ideal. Henry Fonda plays Charles Pike, the heir to the Pike Ale fortune ("The Ale That Won for Yale"). An ophiologist (a snake expert), he just spent a year "up the Amazon" looking for rare snakes with his cynical and protective guardian/valet Muggsy (William Demarest). He arrives to board the S.S. Southern Queen bound for New York, and immediately becomes the main order of business for a collection of single women looking to nab the eligible bachelor. Amongst those watching Charles board are a trio of con men and cardsharps -- Colonel Handsome Harry Harrington (Charles Coburn), his partner Gerald (Melville Cooper), and the Colonel's daughter Jean (Barbara Stanwyck). All three see Charles as a pushover and at dinner, while all the women are ogling Charles, Jean wins the day by sticking out her foot and tripping him. Complaining to Charles that he should watch where he is going, she gets him to escort her to her cabin so that she can replace her broken heel. Charles is sexually attracted to Jean, but when Charles is about to make a pass at her, she pulls back, telling him, "You ought to be put in a cage." Back in the dining room, Charles is introduced to the Colonel and the three play cards, Charles winning $500 from the Colonel and $100 from Jean. But Charles is merely being set-up for the next game when the Colonel will come in for the kill. Back at Jean's cabin, Charles and Jean sit close and something happens she hadn't planned -- she becomes attracted to Charles too. The next morning, Muggsy warns Charles that the Colonel and Jean are cardsharks, but Charles won't hear of it. Meanwhile, the Colonel is looking forward to fleecing Charles, but Jean doesn't want any part of it. Jean participates in the card game between Charles and the Colonel, making sure than the Colonel doesn't cheat. But while Jean waits on deck for Charles after the game, the Colonel plays Charles a game of double-or-nothing, with Charles losing $32,000. Jean, angry with her father, makes the Colonel tears up Charles' check. The next morning, Muggsy proves to Charles the three are con artists. Devastated, Charles shows Jean the photograph, claiming he knew she was a criminal the morning after he met her. Jean is determined to get even with Charles ("I hate that mug!"). Docking in New York, the Colonel reveals he merely palmed the $32,000 check. But that's not enough revenge for Jean. Impersonating an aristocratic English woman, Lady Eve Sidwich, Jean has herself introduced to Charles. Planning to make Charles to fall in love with her again, she intends to break his heart like he broke her own. As she explains, "I've got some unfinished business with him -- I need him like the axe needs the turkey." ~ Paul Brenner, All Movie Guide

When the Daltons Rode is the much-embellished tale of that celebrated outlaw family, the Daltons. Broderick Crawford, Brian Donlevy, Stu Erwin and Frank Albertson play the gunslinging brothers, with Mary Gordon on hand as Ma Dalton. In the tradition of the 1939 western Jesse James, the film whitewashes the Daltons, showing them being forced into committing their crimes by duplicitous railroad interests. There's plenty of comic banter and byplay until about twenty minutes from the end; then the film becomes a nonstop marathon of action, halted only by the Daltons' fateful (and for the most part fatal) bank robbery in Coffeyville, Kansas. Randolph Scott is the nominal hero, a lawyer who befriends the boys and tries to dissuade them from their life of crime. When the Daltons Rode ends with all four brothers dead as doornails--even though the script was based on the autobiography of the surviving Dalton! ~ Hal Erickson, All Movie Guide

This fine adaptation of Nathaniel Hawthorne's classic tale about a cursed family opens with a title card that reveals how the Pyncheon family stole, cheated, lied, and murdered their way to wealth. But within the hearts of the family's bloodline lay fear of the curse of Matthew Maule, a man they crossed many years earlier. Jumping to the year 1828, upstart judge Jaffrey Pyncheon (George Sanders) is called to his family's beloved seven-gabled house where he is told by his father (Gilbert Emery) and brother Clifford (Vincent Price) that the home is to be sold in order to pay their debts. A bitter, loathsome man who deeply believes in Maule's curse -- and the legend that gold is hidden in the house -- Jaffrey takes the opportunity of his father's death to accuse the innocent Clifford of murdering their patriarch. Clifford is sentenced to life in prison, but in a bizarre quirk of legal fate, the house is left in the care of Clifford's lively fiancée Hepzibah (Margaret Lindsay), who immediately boots out the hateful Jaffrey. The passage of 20 years leaves the house in shambles and Hepzibah a bitter spinster. The arrival of two people -- Hepzibah's pretty young cousin Phoebe (Nan Grey) and a mysterious boarder named Matthew Holgrave (Dick Foran) -- spark Hepzibah into opening the old house as a business. Clifford is finally released from prison and returns home for a touching reunion, but after a serious a strange reports about him leak out, Jaffrey plots to have his brother committed. However, Clifford has some plans for his evil brother and a plan to end the family's curse. ~ Patrick Legare, All Movie Guide

Ace the Wonder Dog, RKO's Rin Tin Tin-wannabe, plays Picardy Max, a mongrel dog adopted by Dan Preston (James Ellison) when both are thrown in jail for vagrancy. Dan's legal problems are quickly done away with but his pretty boarder, Shirley Haddon (Helen Wood), is increasingly troubled by Dan's obsessive competitiveness with fellow dog owner Robert Mabrey (Robert Kent). In fact, the young man's grudge against the entire Mabrey family threatens to ruin his burgeoning relationship with Shirley but everything works out fine when Picardy helps locate a kidnapped Marian Mabrey (June Clayworth). Almost a Gentleman was the second of three programmers starring Ace the Wonder Dog and produced by RKO 1938-1940. Ace also worked for Republic Pictures and was featured in the 1943 serial The Phantom. ~ Hans J. Wollstein, All Movie Guide

Gene Autry and veteran Western director Jospeh Kane team up for this lightweight effort. Gene (Gene Autry) is the foreman of a ranch which has just been put under new ownership, though he soon has his doubts about his new boss -- Sandra Knight (Polly Rowles), a pretty young woman with a college degree in animal husbandry but little practical experience of life on the range. When Sandra decides to raise sheep instead of cattle, it doesn't settle with the neighboring ranchers, and Gene is forced to make peace with both factions. As usual, Springtime In The Rockies features a handful of songs from Autry, with Jimmy LeFuer and his Saddle Pals providing accompaniment. ~ Mark Deming, All Movie Guide

Clearly inspired by the success of Goldwyn's Barbary Coast, Warner Bros.' The Frisco Kid stars James Cagney as turn-of-the-century opportunist Bat Morgan. Heading to the gold fields of California, Bat is almost shanghaied in San Francisco but manages not only to escape his would-be captors but also to kill the infamous crime lord Shanghai Duck (Fred Kohler Sr.). The grateful citizens enable Bat to rise to wealth and power on the Barbary Coast. But he's less lucky in love, and it is his seemingly hopeless fascination with Nob Hill debutante Jean Barrat (Margaret Lindsay) that may well bring about Bat's downfall. The film is a festival of cliches, occasionally enlivened by barroom brawls and rowdy musical numbers. Featured as extras in Frisco Kid were several stars and directors of the silent era, a "generous" gesture made by Warner Bros. partly to stave off the inevitability of unionized actors. ~ Hal Erickson, All Movie Guide

Eight year old Paddy O'Day (Jane Withers) arrives at Ellis Island after a long sea voyage from Ireland, to be with her mother. But her mother is nowhere to be found when the ship docks, and the authorities are notified that Mrs. O'Day has died, only a few days ago -- the little girl will have to be sent back. Paddy has only been told that her mother is ill, and manages to sneak out off the island. After encountering a group of street urchins who try to make trouble for her -- and proving that she's got what it takes to take care of herself -- she makes her way to the large mansion on Long Island where her mother works, and learns the truth. The home is owned by Roy Ford (Pinky Tomlin), a studious upper-class bird fancier who has been browbeaten into life as an eccentric collector of stuffed birds by his two overbearing aunts (Vera Lewis, Louise Carter) -- their intention is to notify the authorities if Paddy shows up. But the servants, led by kindly maid Jane Darwell and initially unwilling butler Russell Simpson, decide to hide the child in the house while the aunts are away. Paddy chances to meet Roy, who takes a liking to her and decides to try and help her as well -- and when Paddy's very pretty shipboard friend Tamara Petrovich (Rita Cansino) shows up, along with her restauranteur cousin Mischa (George Givot), he starts to really come out of his shell. Mischa and Tamara will hide the little girl, and Mischa -- with help from a beverage new to Roy, called vodka -- convinces the young millionaire that there is a future in investing in his establishment. Roy likes the loosening up effect that vodka has on him, and also likes even more being around Tamara, and he soon becomes a new man -- not only a partner in the business, but a performer in the stage show that Mischa works up for his now-expanded restaurant/night club, which includes Paddy along with Tamara. But Roy's aunts have returned home, and are as appalled by their nephew's new, joyful approach to life as they are by his apparent infatuation with an immigrant girl and her family. They hire an investigator (Clarence H. Wilson) to try to prove that Roy is mentally incompetent, and he soon discovers that the little Irish waif working in the act is in the United States illegally, a fact that, once reported to the authorities, will get not only get Paddy deported by Tamara as well. ~ Bruce Eder, All Movie Guide

Glamorous Jean Harlow had her first big starring role in this standard story of an innocent small town young woman corrupted by big city life. Harlow plays Cassie Barnes, who is bored with her life and jumps at the chance to move to New York City to join her old friend Gladys Kane (Mae Clarke). She gets an apartment with Gladys' friend Dot (Marie Prevost), whose life is not so glamorous -- she addresses envelopes to make money. Cassie quits her first job after her boss hits on her then becomes a model in the department store where Gladys works. There she falls for a philandering tycoon named Jerry Dexter (Walter Byron). Cassie eventually discovers that he is married. Jerry tries to claim that he's going to divorce his wife, but Cassie doubts it and dumps him. Gladys is the mistress of another married man, Arthur Phelps (Jameson Thomas), who keeps her happy with a well-furnished Park Avenue apartment. ~ Michael Betzold, All Movie Guide

A primitive early talkie from Pathé, this crime drama starred relative newcomers Robert Armstrong and Carole Lombard, the latter still spelling her first name Carol. They play husband and wife, she threatening divorce unless he devotes more of his time to their marriage. In reality, Armstrong is an undercover detective busy investigating a dope ring lead by Reno (Sam Hardy), a crook with friends in high places. When Armstrong gets too close to the truth, Reno has him framed in the murder of corrupt newspaper publisher Addison (Charles Sellon). A Dictaphone recording Addison was making when he was murdered ultimately exonerates Banks, who can now return to his forgiving wife. Both Robert Armstrong and Carole Lombard would see their careers soar in the 1930s, he as the nominal star of King Kong (1933), she as one of Hollywood's best light comediennes. In fact, director Gregory La Cava and Lombard would collaborate again on My Man Godfrey (1936), one of the era's best screwball comedies and a far cry from the pedestrian Big News. ~ Hans J. Wollstein, All Movie Guide

Ostensibly based on an "original story" by Arthur Hoerl, Shanghai Rose would seem to have been derived from the then-popular courtroom drama The Trial of Mary Dugan. Dignified Irene Rich is sorely miscast as the title character, the proprietress of a gin mill which doubles as a bordello. A murder occurs, and Rich is put on trial for her life. A series of flashbacks "reconstruct" the crime from several different points of view -- and as the story progresses, it becomes less and less obvious that Rich is the guilty party. Written off as "distasteful" by the film critics of the period, Shanghai Rose was hardly a landmark of the silent cinema. ~ Hal Erickson, All Movie Guide

James Cruze was the producer-director of The Night Flyer, while Cecil B. DeMille served in an executive-producer capacity. DeMille contractee William Boyd stars as Jimmy Bradley, a two-fisted locomotive fireman. Jimmy is engaged to Kate Murphy (Jobyna Ralston), but she breaks it off when our hero gets plastered at his bachelor party. Kate gravitates to Bat Mullins (Philo McCullough), a mail train engineer and Jimmy's longtime rival. When Mullins' engine suffers a breakdown, Jimmy forgets his differences with the man and gets the mail through. In so doing, he lands an important government contract and simultaneously redeems himself in Kate's eyes. ~ Hal Erickson, All Movie Guide

Though his glory days as a matinee idol were well behind him in 1926, Francis X. Bushman cut quite a dashing figure in the romantic drama The Marriage Clause. Bushman is cast as Broadway impresario Barry Townsend, who takes it upon himself to make a star out of aspiring actress Sylvia Jordan (Billie Dove). Rival producer Max Ravenal (Warner Oland) spirits Sylvia away from Townsend, signing her to a three-year contract. But there's a hitch: the contract has a "marriage clause," prohibiting Sylvia from getting married during those three years. Feeling somewhat betrayed (especially since he's fallen in love with the girl), Townsend retires from show business, whereupon Sylvia falls into a personal and professional slump, culminating in her on-stage collapse during opening night of her biggest show. Ultimately, of course, Townsend and Sylvia are reunited, and the no-marriage clause is instantly nullified. The Marriage Clause represented a cinematic comeback for pioneering woman director Lois Weber, whose own career ironically went on the skids after her divorce from actor-director Phillips Smalley. ~ Hal Erickson, All Movie Guide