John Evans Movies

The gifted Michael Madsen (Crime Story, Reservoir Dogs, Donnie Brasco) stars in the low-budget, direct-to-video exploitationer UKM: Ultimate Killing Machine. The film concerns Waylon and Buddy, two friends who enlist in the armed forces but wind up in a top-secret experimental medical facility. They fall prey to a mad doctor intent on transforming their bodies into the "Ultimate Killing Machines" of the title. The boys then band together to stop the scientist's unbridled insanity and destroy the other creations in his laboratory. David Mitchell directs, from a script by Tyler Levine and Tim McGregor. ~ Nathan Southern, All Movie Guide

Director Barry Levinson follows up the low-budget An Everlasting Piece (2000) with another comedy, this one of the homegrown variety from former Twin Peaks (1990) TV series writer Harley Peyton. Bruce Willis stars as suave bank robber Joe, who has escaped from prison with his hypochondriac buddy Terry (Billy Bob Thornton). Together, the two men have devised a clever scheme to take a bank officer hostage the night before a heist, then simply escort the executive to work early the next morning when they clean out the vault. Their ingenious methods have led to the men becoming media darlings dubbed "the Sleepover Bandits," but all Joe and Terry want is to make a nice pile of money before crossing the Mexican border to a life of freedom and legitimacy. Their quest gets more complicated when Terry is struck by a car driven by Kate Wheeler (Cate Blanchett), a bored housewife who's then forced to join their crime spree. Soon both Joe and Terry are in love with Kate and she with them, realizing that the two friends put together pretty much equal the perfect man. Bandits co-stars Troy Garity, son of actress Jane Fonda. ~ Karl Williams, All Movie Guide

An Iranian woman is sent to the US so she will not be caught up in the upcoming war and there eventually finds herself forced to work as an au pair for a divorced woman's child in San Francisco. This drama chronicles her life in the states after she learns that she has become a pawn in a custody battle. Soraya came to become a nanny after her live-in relationship with her American boy friend goes bust. Because she has no green card, the au pair job was all she could take. She is hired by the ex-husband of Ellen to take care of their son Alex and to keep an eye on Ellen, who may be agoraphobic. Alex is also unusually quiet. Not realizing that Ted is using her for his own gain, Soraya dutifully reports back to him. Meanwhile, she and Ellen eventually become real friends and unfortunately, it is only after it is too late that Soraya learns the truth about Ted's motives. ~ Sandra Brennan, All Movie Guide

This actioner involves Nazi soldiers hijacking a train carrying England's prime minister. ~ Kristie Hassen, All Movie Guide

The made-for-TV Lena: My 100 Children was based on the life of Lena Kuchler-Silberman, here portrayed by Linda Lavin. During World War II, Lena, a Polish Jew, posed as a Catholic to escape the Nazi death camp. At war's end, the guilt-ridden Lena vows to atone for the millions who were exterminated in the "Final Solution." She dedicates herself to the physical and emotional healing of 100 Jewish refugee children, fighting communist red tape to feed and clothe her charges, and then leading them all into a brighter future in Palestine. Written for television by Yabo Yablonsky and location-filmed in Hungary, Lena: My 100 Children premiered on November 23, 1987, not long after the death of the real Lena Kuchler-Silberman. ~ Hal Erickson, All Movie Guide

A star-studded cast portrays political movers and shakers in this drama about politics and the media. Richard Gere is Pete St. John, a gilt-edged "image" advisor to the likes of powerful and often crooked politicians -- including a South American candidate for the top office in his country and, reluctantly, a conservative industrialist named Jerome Cade (J.T. Walsh). Cade is after a Senate seat vacated by Sam Hastings (E.G. Marshall), a liberal politician who fits in with the views that Pete once upheld. When things start to go wrong, it looks like Cade's gruff advisor Arnold Billings (Denzel Washington) might hold one of the keys to Pete's discovery of the truth about Cade -- and may be the reason why Hastings is leaving his job. ~ Eleanor Mannikka, All Movie Guide

Created by Canadian actor Gordon Pinsent as a potential TV vehicle for himself, A Gift to Last first aired as a one-off CBC special in 1976. Narrated by Melvyn Douglas, the program chronicled the lives and times of the Sturgess family, who lived in Tamarack, Ontario, at the turn of the century. On January 22, 1978, the weekly, one-hour series proper was launched. Covering the period between 1899 to 1905, A Gift to Last was told from the viewpoint of young Clement Sturgess (Mark Polley), whose widowed mother Clara (Janet Amos) did her best to raise Clement and his sister Jane (Kate Parr) in a fatherless household (Clement's father Harrison, a key character in the 1976 special, was killed off in the first episode). Aiding Clara was her mother-in-law Lizzy (Ruth Springfield) and her late husband's two brothers: James (Gerard Parkes), a mild-mannered businessman, and Edgar (Gordon Pinsent), a bombastic, globe-trotting sergeant in the Royal Canadian Regiment. Clement idolized his Uncle Edgar, even though the boastful career soldier had a habit of getting involved in shady and sometimes downright dishonest financial transactions, and despite the fact that virtually all of Edgar's grandiose dreams were doomed to spectacular failure. As the series progressed, Clara Sturgess was squired by grocer John Trevalyen (John Evans), whom she eventually married and with whom she had a child; James Sturgess entered politics, and was elected town mayor; and Edgar ended up wedding the Sturgess family maid, Sheila, in an award-winning episode. By the time the 21st and final hour-long episode rolled around, Clara had passed away and Edgar had settled down with the local militia. Sometimes described as the Canadian counterpart to The Waltons (though it was much, much more than that), A Gift to Last was syndicated internationally with great financial success; still, a "rediscovery" of the series in the United States is long overdue. ~ Hal Erickson, All Movie Guide

In this modern parable of middle-American values, a nine-year-old boy leaves behind the family farm for a few very instructive days in New York. A disagreement with his father sends Brill (Richard Bray) hitching to New York City to seek his fortune. After arriving in Manhattan, he falls in with a young gang of shoe-shine boys and paper carriers who are "managed" by Rick (Jaime Charlamagne), a teenage punk who "protects" them in exchange for half their earnings. With the help of his new friend Paco (Roberto Marsach), a Puerto Rican boy about his own age, Brill gets a job selling papers. The next day Brill wins most of Rick's money in a crap game and he takes Paco out for a night on the town. When Rick's gang beats up Brill for winning the money, Suzy (Lee Grant), a prostitute, takes him home to care for him. The next morning, Suzy buys Brill new clothes and takes him on a tour of the city. He sees Suzy picked up by the police and decides to return home, purchasing a bicycle for the trip. Rick's gang spots him and gives chase, but Paco intercepts them, allowing Brill to escape. On the highway home, a truck wrecks the bike, and Brill stays the night at an elderly African-American couple's house. Upon returning home the next day, he presents his father with the remainder of his "fortune."

Pie in the Sky was Allen Baron's second attempt at directing and screenwriting. His 1961 Blast of Silence received good reviews, but never gained popularity in the United States. Pie in the Sky is a better film, painting a realistic yet heartwarming picture of a young boy's adventures. Richard Bray gives a commendable performance as the wayward youth, despite his non-professional status as an actor. The film was criticized for choppy narration in 1964, giving a "too European" feel, although modern audiences would likely be more accepting. Donald Malkame's cinematography is one of the film's strongest points. It is clear, crisp, and shot entirely on location -- including 42nd Avenue through hidden camera, and the exciting bicycle chase through upper Manhattan. ~ Lucinda Ramsey, All Movie Guide