Jesse Lasky, Jr. Movies

Crime and Passion is a mediocre comedy-drama, about an investment counselor who doesn't handle his investments wisely. Andre (Omar Sharif) is in trouble with Rolf (Bernhard Wicki) because of Rolf's losses based on Andre's advice. Andre and his lover Susan (Karen Black) devise a scheme to have Susan marry Rolf in order to save Andre and possibly make some money. The plot is weak and the direction by Ivan Passer is lackluster, but Omar Sharif gives a fine performance in the central role. The film is also aided by a nice score by Vangelis. ~ Linda Rasmussen, Rovi

Vince Carden (Telly Savalas) is the violent Apache-hating landowner obsessed with driving the Indians from the region in this action-packed western. Cavalry troops are sent in to try and bring peace to the troubled area. Vince soon discovers the government plans to donate land for an Indian reservation, causing him to redouble his murderous efforts against the tribe. He and his thugs rob a stagecoach and make it look like an Indian attack. Vince's brother Paul (George Maharis) returns and the brothers resume a long-standing battle over a deceased former flame. As the Indians lay to waste the Forge River settlement, the two brothers face each other in a showdown where only one will ride away. ~ Dan Pavlides, Rovi

In this high-seas adventure set in the 1600s, a British sea captain must go undercover, join a pirate band, and capture the notorious Captain Henry Morgan. But Morgan is on to the ruse and is well prepared when the sea captain makes his move. As the two engage in mortal combat, they are knocked unconscious and dragged to the governor of Tortuga who prepares to hang them both as pirates. Fortunately, a stowaway aboard the pirate vessel steps forward and reveals the hero's true identity and saves him. Morgan is not so lucky. ~ Sandra Brennan, Rovi

Robert Stack stars in this sea-faring historical epic as John Paul Jones, the first great hero of the American Navy. While originally a loyal soldier of the King's army, Jones in time becomes a fervent supporter of the American Revolutionaries, and he volunteers to lead the colonists' ragtag fleet to impressive victories against the British Navy; during a battle against the British ship Serapis, Jones utters the deathless words "I have not yet begun to fight." While his brave and intelligent leadership helps win America its freedom, his appeals to Benjamin Franklin (Charles Coburn) and the other leaders of Congress to strengthen the United States Navy fall on deaf ears; Jones is eventually branded a troublemaker, and in time, he is ordered to Russia, where he is to help guide the fleet of Catherine The Great (Bette Davis). Jones leads the Russian Navy to stunning victories in the Black Sea, reestablishing his reputation as one of the great military minds of his day. John Paul Jones also features a rousing score by the great film composer Max Steiner. ~ Mark Deming, Rovi

If Hot Blood is remembered at all today, it is for its ludicrous advertising blurb "Jane Russell shakes her tambourines and drives Cornel Wilde!" Set in the gypsy community of contemporary Los Angeles, the film stars Wilde as aspiring dancer Stephen Torino, who is tricked by his brother Marco Luther Adler into an arranged marriage with tempestuous Annie Caldash Jane Russell. Annie is willing to give the union a go, but Torino wants none of it. Several risque complications and lively musical numbers later, Torino changes his mind. Nicholas Ray imbues Hot Blood with the same erotic/neurotic energy he brought to such earlier cult favorites as Johnny Guitar and Rebel without a Cause, but the magic just isn't there this time. ~ Hal Erickson, Rovi

Refreshingly, the tropical melodrama Pearl of the South Pacific never takes itself too seriously. Virginia Mayo heads the cast as a phony missionary, in cahoots with crooks Dennis Morgan and David Farrar. The trio intend to make off with a fortune in black pearls, which rests in an underwater shrine guarded by a huge octopus. On the verge of accomplishing the heist, the threesome are attacked by the local natives, who by now have glommed onto Virginia's duplicity. Only two of the three schemers survive the attack, but those two intend to turn over a new leaf once they return to civilization. The lovely legs of leading lady Virginia Mayo are given generous screen time throughout most the proceedings, allowing the viewer to ignore the frequently imbecilic dialogue. ~ Hal Erickson, Rovi

Hell and High Water brings an intriguing Cold War slant to a standard submarine melodrama. Richard Widmark plays a soldier-of-fortune sub commander who agrees to sell his services to noted atomic scientist Victor Francen and his assistant (and daughter) Bella Darvi. Francen intends to prove that the Communists intend to launch a nuclear attack on Korea from an Arctic island, then blame the attack on the United States. Widmark frankly doesn't give a fig about politics, but he is won over by the sincerity of Francen and his idealistic cohorts, and by the beauty of Ms. Darvi. Before the Reds' evil intentions can be thwarted, however, Widmark must face down a Communist Chinese submarine loaded with highly volatile atomic weaponry. The special effects are very impressive, especially for a mid-1950s 20th Century-Fox production. ~ Hal Erickson, Rovi

Captain George Slocum (John Hodiak) and First Lieutenant Jerry Barker (Todd Karns) are longtime friends, assigned to the same US Army outfit in Korea during 1950, training South Korean army pilots in flying L5 observation planes. The L5's are slow-moving propeller aircraft, made mostly of wood and fabric and seemingly out-of-place in modern warfare -- but they're absolutely essential to military maneuvers and gunnery, even in the post-World War II era. George is sent to Japan just before Jerry's younger brother Pete (John Derek), also a pilot and a newly-minted second lieutenant, is due to arrive there. Pete is bold and brash, with his plane and his women, far beyond his early twenty-something age -- this gets him nowhere, either with hard-boiled nurse Audrey Totter or the brass, and he quickly reveals himself a to be a hot-headed screw-up who cannot follow orders or obey regulations. Slocum would like to take Pete under his wing, but the younger pilot isn't getting the message, and a day later North Korea invades its neighbor to the south and both men are ordered into combat. Their arrival at Kimpo Air Base -- where Jerry is stationed -- is a true baptism-of-fire, the field littered with bodies and wrecked aircraft and under attack by insurgents with automatic weapons. The wounded Jerry is killed before they can get him to safety, and only Slocum's cool head saves him and Pete, or their planes, which allows them to spirit two VIP passengers to safety -- and Pete nearly manages to turn that into a disaster as well. Slocum recognizes the emergency before them and wants everything done by the book, but Pete can't let go of the idea of revenge, and soon rigs his slow-moving low-altitude L5 plane with a bazooka, with which he plans to hit any targets of opportunity that come up on his observation flights. For his trouble he loses his plane and comes close to getting captured. Pete would be treading dangerously close to a court martial, but for the fact that their CO (Rex Reason) is desperately short of pilots. It takes a North Korean attack on their headquarters and its aftermath to get Pete to literally straighten up and fly right. ~ Bruce Eder, Rovi

After Columbia's 1951 biopic Valentino laid an egg, leading man Anthony Dexter was persona non grata at the studio. Still, Columbia couldn't very well pay Dexter his weekly salary for doing nothing, and that's why The Brigand was born. Dexter does his best in the dual role of King Lorenzo, monarch of a mythical Latino country, and adventurer Carlos DeLargo. When Lorenzo is seriously wounded in an assassination attempt, DeLargo is coerced into posing as the ailing King. Scheming would-be usurper Prince Ramon (Anthony Quinn), sensing that something's fishy, plots to do in both the King and his look-alike. Meanwhile, DeLargo discovers the fringe benefits of royal life as he woos the King's betrothed Princess Teresa (Jody Lawrance) and Lorenzo's mistress Countess Flora (Gale Robbins). The story is supposedly based on an Alexandre Dumas novel, though it more closely resembles Prisoner of Zenda. It is fun to watch Anthony Quinn, clearly contemptuous of his role, pulling all sorts of thespic tricks to add variety to the proceedings: during one dungeon scene, Quinn delivers all his lines with a cigar clenched firmly between his teeth! ~ Hal Erickson, Rovi

Never Trust a Gambler proves the veracity of its title by offering up a particularly unsavory specimen in the form of Steve Garry (Dane Clark). Vowing that he's sworn off gambling, Steve is taken back by his loving ex-spouse Virginia Merrill (Cathy O'Donnell). In fact, Steve is merely using Virginia as a shield, to avoid testifying as a witness in a San Francisco murder trial. It seems that he's the murderer, and as such is obliged to kill again to cover his tracks. Poor, deluded Virginia doesn't catch on to her former husband's perfidy until it's nearly too late. Never Trust a Gambler is well-stocked with reliable supporting players, including Tom Drake, Jeff Corey, Myrna Dell and especially Rhys Williams. ~ Hal Erickson, Rovi

Maria Montez made her final screen appearance in the Italian-American co-production Thief of Venice. Montez is cast as Tina, an 8th-century Venetian tavern keeper, caught in the crossfire during the Italian city-state's war with Turkey. Aligning herself with naval officer Alfiere Lorenzo Contarini (Paul Christian), Tina does her best to prevent a Turkish takeover of Venice. First, however, she must neutralize the chief villain, scheming Scarpa the Inquisitor (Massimo Serato). Production values are quite impressive, even though the script (by Hollywood's Jesse Lasky Jr. and England's Michael Pertwee) is nothing special. Maria Montez died in 1951, a full year before the American release of Thief of Venice. ~ Hal Erickson, Rovi

Cecil B. DeMille's first postwar production, the $5 million Technicolor historical spectacular Unconquered lacks only the kitchen sink. The story begins in England in the 1760s, as Abigail Martha Hale (Paulette Goddard), unjustly accused of a crime against the Crown, is sentenced by the Lord Chief Justice (C. Aubrey Smith) to 14 years' forced servitude in North America. Carted off to the auction block, Abigail is highly coveted by slavemaster Martin Garth (Howard da Silva), but the highest bidder turns out to be Virginia militiaman Captain Christopher Holden (Gary Cooper). Having been jilted by his aristocratic fiancee Diana (Virginia Grey), Holden harbors no romantic feelings for Abigail, but he's determined not to let her fall into Garth's grimy clutches. The patriotic Holden also knows that Garth, who is married to the daughter (Katherine de Mille) of Indian chief Pontiac (Robert Warwick), has been trading firearms to the Ottawas. The treacherous Garth later participates in the "Pontiac Conspiracy," an allegiance of 18 Indian nations forsworn to wipe out every colonist on the East Coast. To put Holden out of the way, Garth arranges for him to be court-martialed and sentenced to death on a trumped-up desertion charge. But Abigail, partly in repayment for her rescue from Seneca chief Guyasuta (Boris Karloff) and partly because she's fallen in love with Holden, helps him escape, just in time to save a nearby military fort from an Indian massacre -- a feat accomplished by a subterfuge straight out of Beau Geste, which also starred Gary Cooper! As historically suspect as any Cecil B. DeMille epic, Unconquered is still marvelous escapist entertainment, especially during the time-honored bathtub scene involving a bare-shouldered Paulette Goddard (who spends most of the film in either a state of dishabille or bondage, or both!) Once again, however, Mr. "Spare No Expense" DeMille cuts corners by filming most of his major exterior scenes within the artificial confines of the Paramount sound stages. ~ Hal Erickson, Rovi

Having done just fine at the box office with 1942's Apache Trail, MGM turned out another "pocket" western, The Omaha Trail. The story boils down to a battle of wits and sixguns between hero Pat Candel (James Craig) and villain Pipestone Ross (Dean Jagger). The latter is a wagon-train entrepreneur who doesn't want the railroad to encroach upon his territory, and he backs up this resolve with hired hooligans. Comedy relief Chill Wills sings two songs (one of them written by director Eddie Buzzell, a former musical-comedy star), while Pamela Blake is the antiseptic heroine. Unschooled in the making of budget westerns, MGM seemed uncertain whether to take Omaha Trail seriously or to play it tongue-in-cheek. ~ Hal Erickson, Rovi