Robert Benton Movies
Director and screenwriter Robert Benton may not have achieved the legendary mainstream status associated with his peers Scorsese and Coppola, but this idiosyncratic filmmaker and screenwriter has had more than his share of major successes on the silver screen. Benton's best-known film as a director is Kramer vs. Kramer, the 1979 winner of five Academy Awards, including Best Direction and Best Screenplay. He has also achieved considerable fame for his screenwriting partnership with David Newman; together they have written such big-screen favorites as Bonnie and Clyde (1967) and What's up Doc? (1972). By himself, Benton wrote Bad Company; in 1978 he co-wrote Superman with Mario Puzo.A native of Waxahachie, TX, where he was born September 29, 1932, Benton began his career in 1956, when he was hired by Esquire magazine in New York. There he met David Newman, who would become his writing partner. The two collaborated for ten years before writing Bonnie and Clyde, a film that was rejected by 20 directors before it was turned into a movie classic by director Arthur Penn and earned Benton his first Oscar nomination. Benton made his directorial debut with Bad Company, but the 1972 crime Western was not a commercial success. He then directed the moderately well-received detective spoof The Late Show (1977), which starred Lily Tomlin and Art Carney.
After the great critical and commercial success of Kramer vs. Kramer, a seminal child custody drama starring Dustin Hoffman and Meryl Streep, Benton spent much of the '80s directing a series of well-made but small-scale films such as 1982's Hitchcockian thriller Still of the Night. In 1984, he again scored big with the autobiographical Places of the Heart, which was based on his great-grandmother's struggles in Depression-era Texas. The film won an Oscar for lead actress Sally Field and was also nominated for best screenplay. Benton didn't have another great critical triumph until ten years later, when he directed the Paul Newman drama Nobody's Fool. The film won a number of awards for Newman, who gave one of his best performances in years. Newman and Benton again collaborated four years later on the suspense thriller Twilight, which also starred Susan Sarandon and Gene Hackman. ~ Sandra Brennan, Rovi
- 2009
The Human Stain director Robert Benton focuses his lens on the social circuit in Gibbsville, PA, with this adaptation of John O'Hara's novel concerning a glamorous couple who are the envy of their community until the once-respected husband sets down a harrowing path of self-destruction. ~ Jason Buchanan, All Movie Guide
This biographical thriller charts the notorious rise of southern England's most famous gangsters-- Tony Tucker, Patrick Tate, and Craig Rolfe. The trio of drug suppliers and career criminals were found in 1995, blasted to death by a shot gun in a Range Rover in Essex. A stronghold of fear and violence that allowed them to maintain a large, drug fuelled empire perhaps led to their untimely deaths. ~ Rovi
A group of friends living in suburban Oregon come into contact with a sensual free spirit named Chloe (Alexa Davalos), who changes their outlook on life in the most unexpected of ways in this ensemble drama adapted from the acclaimed novel by author Charles Baxter. As college professor and writer Harry Stevenson (Morgan Freeman) sits quietly in the coffee shop of his tight-knit Oregon community, the local residents all around him all become swept up in the magical mischief of love. Coffee shop owner Bradley (Greg Kinnear) has a bad habit of looking for love in all the wrong places, and his relationship with wife Kathryn (Selma Blair) is a prime example of that penchant. Meanwhile, frazzled real estate agent Diana (Radha Mitchell) becomes ensnared in a taboo affair with a married man (Billy Burke), lovely newcomer Chloe attempts the formidable task of romancing troubled soul Oscar (Toby Hemingway), and Harry's own wife, Esther (Jane Alexander), affectionately tries to get through to her husband as he wrestles with the pain of losing a loved one. Fred Ward, Alexa Davalos, Stana Katic, Toby Hemingway, and Erika Maroszán star in a whimsical tale of intersecting lives inspired by Shakespeare's Midsummer Night's Dream, and directed by Robert Benton (Nobody's Fool, The Human Stain). ~ Jason Buchanan, Rovi
- Starring:
- Morgan Freeman, Greg Kinnear, (more)
Two men on the run from the mob end up negotiating more than their share of obstacles along the way in this comedy drama from director Harold Ramis. Vic Cavanaugh (Billy Bob Thornton) and Charlie Arglist (John Cusack) are a pair of friends who work for Bill Gerard (Randy Quaid), a mobster with his finger in a number of illegal businesses. Vic runs a pornography distribution outfit for Bill, while Charlie is a lawyer who keeps Bill and his partners out of jail, and between them, Vic and Charlie have stolen over two million dollars in cash from Bill. On Christmas Eve, Vic and Charlie plan to make off with their money and escape Bill's clutches once and for all, but while Vic stays cool and collected, an increasingly nervous Charlie stops off at a topless bar to fortify his courage with a few drinks, and ends up causing a scene with Renata (Connie Nielsen), a dancer he's long had his eye on. It doesn't take long for word about Charlie to get back to Bill, who sends an enforcer out to track him down, but while Charlie tries to make tracks, he ends up having to look after his friend Pete (Oliver Platt), who is much more drunk than Charlie and even more inclined to make a nuisance of himself. The Ice Harvest was adapted from the novel by Scott Philips. ~ Mark Deming, Rovi
- Starring:
- John Cusack, Billy Bob Thornton, (more)
For his first film since 1998's Twilight, acclaimed director Robert Benton helmed this tense drama written by Fatal Attraction co-scribe Nicholas Meyer and based on the novel of the same name by Philip Roth. Set in the late '90s at the height of the Clinton sex-scandal, The Human Stain stars Anthony Hopkins as Coleman Silk, a respected professor at a New England college who suddenly finds his life unraveling after a comment he makes about some African-American students is misinterpreted as a racial slur. As the scandal heats up, Nathan Zuckerman (Gary Sinise), a writer researching a biography of Silk, begins to dig deeper and deeper into Silk's life. Eventually, matters are made worse when an affair with a young married janitor named Faunia Farley (Nicole Kidman) is exposed. But amid the controversy, Silk must struggle to keep his greatest secret, a secret he's held for the majority of his life, from becoming public. Ed Harris, who previously worked with Benton in 1984's Places in the Heart, also stars. ~ Matthew Tobey, Rovi
- Starring:
- Anthony Hopkins, Nicole Kidman, (more)
The Nobody's Fool (1994) team of Paul Newman, director Robert Benton, and scripter Richard Russo reassembled for this L.A. detective drama, beginning with a Puerto Vallarta prologue showing private eye Harry Ross (Newman) accidentally shot by 17-year-old Mel Ames (Reese Witherspoon) during his efforts to get her to return home. Two years later, the broke and divorced Ross lives in a garage apartment on the estate of Mel's parents, his movie-star friends Jack and Catherine Ames (Gene Hackman and Susan Sarandon). The cancer-ridden Jack is not unaware that Harry is attracted to Catherine. Delivering a package for Jack, Harry encounters elderly Lester Ivar (M. Emmet Walsh), who shoots at Harry and then dies. Harry's curiosity is provoked when he discovers that Ivar was an investigator checking into the disappearance of Catherine's first husband, written off 20 years earlier as an unsolved case, but now reactivated as Harry's sleuth-work leads him on a trail of past crimes and cover-ups. The Ames residence is actually the former Cedric Gibbons-Delores Del Rio home, and a never-completed Frank Lloyd Wright house near Malibu served as the Ames' ranchhouse. ~ Bhob Stewart, Rovi
- Starring:
- Paul Newman, Susan Sarandon, (more)
Paul Newman earned an Oscar nomination (and won citations from the New York Film Critics Circle and the Berlin International Film Festival) for his performance in this well-drawn comedy-drama. Sully (Newman) is a 60-year-old man who emotionally seems to have never quite emerged from adolescence; scraping by on part-time work in construction, Sully has built a life around avoiding responsibility. He hasn't spoken with his ex-wife (Elizabeth Wilson) in years, he lives in a rooming house owned by his eighth-grade teacher Mrs. Beryl (Jessica Tandy), his best friend is a mildly retarded handyman, Rub (Pruitt Taylor Vince), and he has a crush on Toby (Melanie Griffith), who is half his age and married to Carl (Bruce Willis), who sometimes gives him work. One day, Sully nearly runs into his son Peter (Dylan Walsh) and discovers that he has a grandson he never knew about; for the first time, Sully finds himself thinking that he ought to start behaving like a grown-up -- or at least get to know his family before it's too late. Nobody's Fool also features Gene Saks as Sully's lawyer Wirf, and Philip Seymour Hoffman as the overly-enthusiastic Officer Raymer. ~ Mark Deming, Rovi
- Starring:
- Paul Newman, Jessica Tandy, (more)
In this film version of E. L. Doctorow's Billy Bathgate, Loren Dean plays the title character, a street-smart kid who inveigles his way into the confidence of 1930s gangster Dutch Schultz (Dustin Hoffman). Billy is ordered to look after Schultz' new moll, Drew Preston (Nicole Kidman), while Dutch fends off tax evasion charges and such up-and-coming rivals as Lucky Luciano (Stanley Tucci). Even though they know they're playing with dynamite, Billy and Drew fall in love. In attempting to escape Schultz' wrath, Billy succeeds only in putting himself in the thick of a gun battle between his boss and Luciano. When "Charley Lucky" emerges triumphant, Billy is forced once again to rely on his wits to escape being sent to the bottom of the briny in a cement overcoat. Bruce Willis shows up in an extended cameo as Dutch Schultz' former business associate. Billy Bathgate was adapted for the screen by British playwright Tom Stoppard. ~ Hal Erickson, Rovi
- Starring:
- Dustin Hoffman, Nicole Kidman, (more)
Yes, there are commies under the bed. But are there Nazis there too? Emily Crane (Kelly McGillis) is a modestly successful Life photo editor living in 1950s New York, until she is called before the Senate Un-American Activities Committee to testify about her "communist" associations. When she refuses to divulge the names of friends in her civil liberties group, she loses her employment and her friends. In desperation, she takes a job reading books for Miss Venable, a somewhat crotchety lady (Jessica Tandy) who lives in a quiet residential neighborhood. Then, while taking a break in Miss Venable's back yard, Emily overhears something from the house behind that compels her to investigate and leads her eventually to conclude that it is the headquarters of a group smuggling in ex-Nazi scientists for some mysterious purpose. Meanwhile, she is being harassed by two FBI men, on behalf of the Senate Committee, as well as by a sinister, McCarthyite, Senate investigator named Salwen (Mandy Patinkin). One of the FBI men, Cochran (Jeff Daniels), takes a liking to Emily and humors her by agreeing to investigate her suspicions. This quiet mystery is a nostalgia piece. It's '50s backgrounds are authentic and the plot device -- an innocent becoming entangled in an unbelievable conspiracy -- is closer to one of Hitchcock's masterpieces of that period (e.g., North by Northwest) than to Reservoir Dogs or Speed. The people seem to be from a simpler time, too, when the distinction between good and evil was clearer. Emily shines with idealistic integrity and the naive Cochran is so honest that he finds it impossible to deceive the target of his investigation. There is even a terrifying, "acrophobe's nightmare" scene played out in a dome high above Grand Central Station. For those tired of endless shoot-em-ups and car chases, this is the mystery to choose. ~ Michael P. Rogers, Rovi
- Starring:
- Kelly McGillis, Jeff Daniels, (more)
A woman trying to keep a momentary indiscretion quiet finds herself in more trouble than she ever imagined in this comedy written and directed by Robert Benton. Nadine Hightower (Kim Basinger), who is significantly more beautiful than intelligent, is fast-talked into posing for some cheesecake pictures by sleazy photographer Raymond Escobar (Jerry Stiller). When Nadine learns that Escobar plans to use the pictures for a set of racy playing cards, Nadine decides to steal the photos back, and she enlists the help of her soon-to-be-former husband Vernon (Jeff Bridges), who is already engaged to the winner of a local beauty pageant. In the midst of the robbery, intruders shoot and kill Escobar in the next room; Nadine and Vernon grab an envelope marked "Nadine" and make tracks. But the envelope doesn't contain any photos; instead, there are plans for a road to be built in town that reveal dirty dealings by local politicians, and now Nadine and Vernon are on the run from both Escobar's killers and land baron Buford Pope (Rip Torn). Popular country and western group Sweethearts of the Rodeo perform several tunes for the film's soundtrack. ~ Mark Deming, Rovi
- Starring:
- Jeff Bridges, Kim Basinger, (more)
Of the three "mortgage on the farm" films of 1984 (Country and The River were the other two), Places in the Heart is the only one set during the Depression. After her husband is killed, Sally Field is forced to take over the debt-ridden Texas family farm herself. Though slightly embittered by the fact that a black man was responsible for her husband's death, Field accepts the help of another African-American, Danny Glover. She is also given aid and comfort by her blind boarder, John Malkovich. Despite almost insurmountable odds, Field manages to bring in the cotton crop and to hold her farm and family together. Throughout the film, director Robert Benton stresses the importance of solidarity in facing down disaster, underlining this point with a remarkable surrealistic finale, in which the "live" members of the cast are seen singing a hymn with the characters who have "died" in the course of the film. Places in the Heart won Sally Field her second Academy Award. ~ Hal Erickson, Rovi
- Starring:
- Sally Field, Lindsay Crouse, (more)
- 1982
- PG
In Still of the Night, a mystery thriller written and directed by Robert Benton, a psychiatrist falls in love with a woman who is suspected of the murder of one of his patients. Dr. Sam Rice (Roy Scheider) is treating a married museum curator. When the man is killed, Sam is visited by his dead patient's mistress and co-worker Brooke Reynolds (Meryl Streep) who wants him to return a watch -- that was left at her home -- to the patient's wife. Sam is immediately attracted to the cool, aloof Brooke, who has been discussed during numerous therapy sessions. When he hears about the mysterious death of Brook's father, and he himself is stalked by a woman who resembles Brook, he begins to both desire and fear her. Despite its rather leisurely pace, and some dream sequences which distract from the suspense, Still of the Night is an effective thriller despite a contrived surprise ending when the killer is revealed. Scheider is believable as the doctor in love, but Streep is rather strained in a role that demands a sexual allure and eroticism which she seems uncomfortable portraying. Benton's cinematography is moody and frightening, particularly when Scheider is followed through Central Park. Despite its flaws, Still of the Night should please fans of psychological thrillers. ~ Linda Rasmussen, Rovi
- Starring:
- Roy Scheider, Meryl Streep, (more)
Robert Benton's Oscar-winning adaptation of Avery Corman's bestseller takes on contemporary problems of divorce and shifting gender roles, as a jilted husband learns how to be a nurturing father. Manhattan housewife Joanna Kramer (Meryl Streep) walks out on her workaholic ad man husband Ted (Dustin Hoffman), leaving their young son Billy (Justin Henry) in Ted's less than capable hands. Through trial and error, Ted learns how to take care of Billy, devoting more energy to his family than to his work, and finally losing his high-powered job because of his new priorities. When Joanna returns with her own lucrative job and the intent to take custody of Billy, Ted finds employment that won't interfere with his paternal duties. Even though he proves that he can do it all, Joanna still wins in court. Joanna, however, rethinks her desires when she finally grasps how close father and son have become. Addressing the male side of the self-actualization question, previously explored from the female perspective in such 1970s movies as An Unmarried Woman (1978), Alice Doesn't Live Here Anymore (1974), and The Turning Point (1977), Kramer focuses on Ted's evolution from absent parent to ideal father, as he learns to balance domestic and professional lives in the shifting late-1970s social landscape. Joanna's attempt to achieve the same, however, gets buried; only Streep's sensitive performance prevents Joanna from seeming an unsympathetic harridan. Critics praised the film's realistic depiction of Ted's travails, as well as the three lead actors' work; and audiences, perhaps facing the same questions of divorce and self-realization, turned it into a box-office smash. It went on to win five Oscars, including Best Picture, Best Actor, and Best Supporting Actress. ~ Lucia Bozzola, Rovi
- Starring:
- Dustin Hoffman, Meryl Streep, (more)
Richard Donner's big-budget blockbuster Superman: The Movie is an immensely entertaining recounting of the origin of the famous comic book character. Opening on Krypton (where Marlon Brando plays Superman's father), the film follows the Man of Steel (Christopher Reeve) as he's sent to Earth where he develops his alter-ego Clark Kent and is raised by a Midwestern family. In no time, the movie has run through his teenage years, and Clark gets a job at the Daily Planet, where he is a news reporter. It's there that he falls in love with Lois Lane (Margot Kidder), who is already in love with Superman. But the love story is quickly sidetracked once the villainous Lex Luthor (Gene Hackman) launches a diabolical plan to conquer the world and kill Superman. Superman: The Movie is filled with action, special effects and a surprising amount of humor. ~ Stephen Thomas Erlewine, Rovi
- Starring:
- Marlon Brando, Gene Hackman, (more)
Even though he barely makes enough money to cover his expenses and finds divorce cases (his bread and butter) unsavory, aging detective Ira Wells (Art Carney) is determined to stay active and to retain some amount of self-respect. When his partner Harry Regan (Howard Duff) is killed while on assignment, Ira agrees to take on his current case, although he can't see how it has anything to do with his friend's murder, which he is anxious to solve. In order to survive, by solving the case of his client's missing cat, and solving the murder of his friend, Ira winds up accepting a lot of help from his client Margo (Lily Tomlin). By the end of the film, it looks like an offbeat romance, or perhaps a new business partnership, is blooming. ~ Clarke Fountain, Rovi
- Starring:
- Art Carney, Lily Tomlin, (more)
Set during the Civil War, Bad Company stars Barry Brown as a Northern boy, Drew Dixon, who heads West to avoid getting drafted. He falls under the spell of Jake Rumsey (Jeff Bridges), an easygoing young con artist. Drew joins Jake's gang of boy bandits, who live by their wits and try to avoid confrontation with adult criminals like Big Joe (David Huddleston). It is Drew who must eventually save Jake from hanging, even though he realizes that his intervention could lead to his own execution. ~ Hal Erickson, Rovi
With Howard Hawks's Bringing Up Baby (1938) as his blueprint, Peter Bogdanovich resurrected and payed homage to 1930s screwball comedy in What's Up, Doc? (1972). When wacky co-ed Judy Maxwell (Barbra Streisand, in the Katharine Hepburn part) spies nebbishy musicologist Howard Bannister (Ryan O'Neal in bespectacled Cary Grant mode) in a San Francisco hotel lobby, she decides that Howard and his precious igneous rocks are right up her alley. Too bad Howard already has a fiancée, the propriety-fixated Eunice (Madeline Kahn in her film debut). Using all her arcane knowledge from brief stays at numerous colleges, Judy tries to charm her way to a $20,000 grant for Howard, and Howard himself, at a banquet with grantor Frederick Larrabee (Austin Pendleton). Things get even more complicated the next day when Judy's underwear-filled overnight bag gets mixed up with Howard's rock bag, which gets mixed up with Mrs. Van Hoskins' bag of jewels, which gets mixed up with Mr. Smith's bag of top secret government papers. All sides converge at Larrabee's mod townhouse and the chase begins. Retaining Hawks' machine-gun pace (as well as the sly pop culture referentiality of Billy Wilder), Bogdanovich and writers Buck Henry, David Newman, and Robert Benton updated the opposites-attract screwball convention for contemporary times. O'Neal gently parodied not only Grant but also his own Love Story (1970) preppy, while Kahn represents stiff-wigged 1950s manners as opposed to Streisand's long-haired, pants-wearing free spirit. The happy ending, in which Cole Porter-belting youth wins out over old manners, found favor with audiences, as What's Up, Doc? became one of the most popular films of 1972, and the second hit in a row for Bogdanovich after 1971's The Last Picture Show. ~ Lucia Bozzola, Rovi
- Starring:
- Barbra Streisand, Ryan O'Neal, (more)
A production of Oh! Calcutta!, the late-'60s off-Broadway play that received infamy as the first nude musical, is captured here. The film is a record of the play rather than a cinematic adaptation, leaving its staging, revue-like structure, and frankly sexual content intact. ~ Judd Blaise, Rovi
An offbeat 1970s black-comic Western with an all-star cast, this Joseph L. Mankiewicz film is set in 1883 in Arizona. Paris Pitman, Jr. (Kirk Douglas) is the leader of a band of outlaws that steals $500,000 from a wealthy businessman named Lomax (Arthur O'Connell). The other gang members die in a shootout, but Pitman escapes and hides the loot in women's underwear and drops it into a snake pit. After Lomax recognizes Pitman in a brothel, he is arrested by Sheriff Woodward Lopeman (Henry Fonda). At the territorial prison, Pitman bribes Warden Le Goff (Martin Gabel), offering him a share of the hidden money if he lets him escape. But before the scheme is carried through, the warden is killed by a prisoner. Lopeman becomes the new warden, and he is bent on ridding the prison of corruption. Pitman convinces Lopeman that he will cooperate with the reforms, then he uses the new freedoms given to him to plan an elaborate escape with several other men. The escape is to take place during an inspection by the governor. The screenwriting team for this film was Robert Benton and David Newman, who had penned the brilliant Bonnie and Clyde. ~ Michael Betzold, Rovi
- Starring:
- Kirk Douglas, Henry Fonda, (more)
Producer/star Warren Beatty had to convince Warner Bros. to finance this film, which went on to become the studio's second-highest grosser. It also caused major controversy by redefining violence in cinema and casting its criminal protagonists as sympathetic anti-heroes. Based loosely on the true exploits of Clyde Barrow and Bonnie Parker during the 30s, the film begins as Clyde (Beatty) tries to steal the car of Bonnie Parker (Faye Dunaway)'s mother. Bonnie is excited by Clyde's outlaw demeanor, and he further stimulates her by robbing a store in her presence. Clyde steals a car, with Bonnie in tow, and their legendary crime spree begins. The two move from town to town, pulling off small heists, until they join up with Clyde's brother Buck (Gene Hackman), his shrill wife Blanche (Estelle Parsons), and a slow-witted gas station attendant named C.W. Moss (Michael J. Pollard). The new gang robs a bank and Clyde is soon painted in the press as a Depression-era Robin Hood when he allows one bank customer to hold onto his money. Soon the police are on the gang's trail and they are constantly on the run, even kidnapping a Texas Ranger (Denver Pyle) and setting him adrift on a raft, handcuffed, after he spits in Bonnie's face when she kisses him. That same ranger leads a later raid on the gang that leaves Buck dying, Blanche captured, and both Clyde and Bonnie injured. The ever-loyal C.W. takes them to his father's house. C.W.'s father disaproves his son's affiliation with gangsters and enters a plea bargain with the Texas Rangers. A trap is set that ends in one of the bloodiest death scenes in cinematic history. The film made stars out of Beatty and Dunaway, and it also featured the screen debut of Gene Wilder as a mortician briefly captured by the gang. Its portrayal of Bonnie and Clyde as rebels who empathized with the poor working folks of the 1930s struck a chord with the counterculture of the 1960s and helped generate a new, young audience for American movies that carried over into Hollywood's renewal of the 1970s. Its combination of sex and violence with dynamic stars, social relevance, a traditional Hollywood genre, and an appeal to hip young audiences set the pace for many American movies to come. ~ Don Kaye, Rovi
- Starring:
- Warren Beatty, Faye Dunaway, (more)
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