Julie Harris Movies
A renowned theater actress, Julie Harris also augmented her reputation with strong performances in a number of film and TV roles, despite her aversion to the Hollywood "glamour star" trip. Born to a well-to-do Grosse Pointe, Michigan, family, Harris opted to pursue acting at Yale Drama School rather than make her society debut at age 19. She landed her first Broadway part one year later. Harris' career was truly launched at age 25, however, by her star-making performance as troubled pre-teen tomboy Frankie in Carson McCullers' play The Member of the Wedding in 1950. Reprising her role in the film adaptation of The Member of the Wedding (1952), Harris scored an Oscar nomination for Best Actress in her first major film appearance. Though she did not win, she did win the first of five Tony Awards in 1952 for her Broadway turn as Berlin cabaret singer Sally Bowles in I Am a Camera. Along with the well-received film version of I Am a Camera in 1955, Harris starred in perhaps her best-known film that same year: Elia Kazan's East of Eden. As initially-coquettish Abra, Harris became a sensitive yet sensible romantic lead opposite an anguished James Dean in his legendary debut. With this trio of films, Harris became part of the 1950s cinematic turn toward performative "realism" exemplified by Method actor icons Dean and Marlon Brando (despite her own impatience with the Method after an Actors Studio stint).Harris continued to avoid typecasting by playing a number of different roles in TV, theater, and movie productions throughout the subsequent decades. On film, Harris showed her considerable range as a kindly social worker in the film version of Rod Serling's teleplay Requiem for a Heavyweight (1962), one of the highly disturbed human guinea pigs in the original (and far superior) version of The Haunting (1963), a frustrated nightclub chanteuse in the Paul Newman p.i. vehicle Harper (1966), and a troubled wife in Reflections in a Golden Eye (1967). On stage, Harris' specialty became playing famous women throughout history, including Tony-award winning performances as Joan of Ark in The Lark (1956), Mary Todd Lincoln in The Last of Mrs. Lincoln (1973) (adapted for TV in 1976), and Emily Dickinson in The Belle of Amherst (1977).
After surviving a bout with cancer in 1981, Harris achieved considerable fame with a new audience by playing Lilimae Clements on the TV nighttime serial Knot's Landing from 1981 to 1988. After she left the show, Harris returned to films, after nearly a decade, as Sigourney Weaver's friend in Gorillas in the Mist (1988). Harris kept busy throughout the 1990s with supporting roles in several films, including Housesitter (1992) and the George A. Romero/Stephen King chiller The Dark Half (1993), as well as starring roles onstage and in TV films, including Ellen Foster (1997). Awarded the National Medal of the Arts in 1994 to go with her Tonys and Emmys, Harris noted in 1990s interviews that her passion for her craft had not always meshed with her personal life. Harris has been married three times and has one son. ~ Lucia Bozzola, All Movie Guide
- 1947
In this comedy, a scatter-brained professor nearly starts a riot when he writes a book claiming that women like to be treated roughly. A paper publishes snippets from the book and later the professor, feeling he was misquoted, begins suing for libel. The paper then sends out a female reporter to dredge up some dirt on the sexist academic. Not only does she do her job and prevent the suit, she and the professor end up falling in love. ~ Sandra Brennan, All Movie Guide
- Starring:
- Ray Milland, Teresa Wright, (more)
- 1950
The first volume of this series features "Marty" and "A Wind from the South," two live television dramas from the 1950s. ~ Iotis Erlewine, All Movie Guide
- 1952
25-year-old Julie Harris convincingly recreates her Broadway role of 12-year-old tomboy Frankie Addams in the 1952 screen version of Carson McCullers' play. Feeling rejected when her older brother goes off on his honeymoon without inviting her along, Frankie runs away from her middle-class southern home. She endures several other adolescent traumas, not least of which is the sudden death of her bespectacled young cousin John Henry (Brandon De Wilde). With the help of warmhearted housekeeper Berenice Sadie Brown (Ethel Waters), Frankie eventually makes an awkward transition to young womanhood. One of several Stanley Kramer productions released by Columbia in the early 1950s, The Member of the Wedding wisely used several of the original Broadway cast members. Co-starring as a drunken soldier who tries to take advantage of the vulnerable Frankie is former child actor Dick Moore, making his last screen appearance. The Member of the Wedding was remade for television in 1983 (and unofficially "reworked" into the 1991 sleeper My Girl). ~ Hal Erickson, All Movie Guide
- Starring:
- Julie Harris, Ethel Waters, (more)
This truncated screen version of John Steinbeck's best-seller was the first starring vehicle for explosive 1950s screen personality James Dean, who plays Cal Trask, the "bad" son of taciturn Salinas valley lettuce farmer Adam Trask (Raymond Massey). Although he means well, Cal can't stay out of trouble, nor is he able to match the esteem in which his father holds his "good" brother Aron (Richard Davalos). Only Aron's girlfriend Abra (Julie Harris) and kindly old sheriff Sam Burl Ives) can see the essential goodness in the troublesome Cal.
When Adam invests in a chancy and wholly unsuccessful method of shipping his crops east, his wealth plummets. In an effort to save the business, Cal obtains money from his estranged mother (the proprietor of a whorehouse) and invests it in a risky new bean crop. The gamble pays off (thanks in no small part to the war), but Adam refuses to take the money from Cal, and the resultant quarrel causes Adam to have a stroke. Released the same year as Rebel Without a Cause, East of Eden provided Dean with his first Oscar nomination, for Best Actor. ~ Hal Erickson, All Movie Guide
When Adam invests in a chancy and wholly unsuccessful method of shipping his crops east, his wealth plummets. In an effort to save the business, Cal obtains money from his estranged mother (the proprietor of a whorehouse) and invests it in a risky new bean crop. The gamble pays off (thanks in no small part to the war), but Adam refuses to take the money from Cal, and the resultant quarrel causes Adam to have a stroke. Released the same year as Rebel Without a Cause, East of Eden provided Dean with his first Oscar nomination, for Best Actor. ~ Hal Erickson, All Movie Guide
- Starring:
- Julie Harris, James Dean, (more)
- 1955
Julie Harris repeats her stage portrayal of the irrepressible Sally Bowles in John Van Druten's I Am a Camera. Set in pre-Hitler Berlin, the film details the curious, chaste relationship between Sally, an entertainer at a bawdy nightclub, and fledgling writer Christopher Isherwood (Lawrence Harvey). Shelley Winters co-stars as Natalia Landauer, whose impending marriage to a wealthy young Jewish man is imperiled by the anti-Semitism which envelops Berlin as the Nazis gain political power. If all this sounds familiar to you, it is because I Am a Camera is the non-musical precursor to the Broadway musical hit Cabaret. Both properties were based on Christopher Isherwood's Berlin Stories. Those familiar with the film version of Cabaret will notice that certain plot elements have been watered down in Camera. Examples: Isherwood's homosexuality is left unmentioned, save for Lawrence Harvey's opaque opening comment that he is "a confirmed bachelor;" and Sally Bowles' third-act abortion is changed into a false-alarm pregnancy. Also, Julie Harris' dynamic but rather overbaked interpretation of Sally is not nearly as memorable as Liza Minelli's Oscar-winning interpretation of the character in Cabaret. Still, I Am a Camera is well directed and deftly adapted for the screen (by John Collier); and even taking into consideration Ms. Harris' hamminess, she remains one of the most fascinating stage personalities of the mid-20th century. ~ Hal Erickson, All Movie Guide
- Starring:
- Julie Harris, Laurence Harvey, (more)
- 1958
One of the few Irish-made films of the 1950s to get an American release, The Poacher's Daughter stars Broadway actress Julie Harris, supported by members of the Abbey Players. Harris portrays an Irish colleen who sets her cap for Tim Seely, a young roisterer who's inherited a farm. Seely is a stranger to responsibility, and proves it by selling off his valuable sheep to buy a motorcycle. Thanks to the intervention of Harris's poacher father (Harry Brogan), Seely is dragged back to town and coerced into marriage at gunpoint. This is a comedy, mind you. Originally titled Sally's Irish Rogue, The Poacher's Daughter was based on George Shiels' stage play The New Gossoon. ~ Hal Erickson, All Movie Guide
- Starring:
- Julie Harris, Tim Seely, (more)
- 1958
In comfortable dotage, baronet Humphery Tavistock (Laurence Harvey) recalls a lifetime of romantic entanglements to his wide-eyed son-in-law. Tavistock has come to the conclusion that women are a riddle wrapped in a mystery surrounded by an enigma, and his reminiscences bear this out. Among the baronet's many amours are a suffragette, a harem girl, the wife of a diplomat who "demands satisfaction", an American heiress, a bohemian artist and an army nurse. After all this, Tavistock finds lasting happiness with the first women he ever loved. The female cast of The Truth About Women features the illustrious likes of Julie Harris, Diane Cilento, Mai Zetterling and Eva Gabor, so it's little wonder that the hero has so many vivid memories to fall back on. ~ Hal Erickson, All Movie Guide
- Starring:
- Laurence Harvey, Julie Harris, (more)
- 1959
A Doll's House is a 90-minute TV adaptation of the 1879 play by Henrik Ibsen. Julie Harris stars as Nora Helmer, the dutiful wife of Torvald Helmer (Christopher Plummer). Though Torvald loves his wife, he considers her a child and a possession. What he doesn't know is that, years earlier, Nora saved his life by borrowing money when he was seriously ill. Now Nils Krogstad (Hume Cronyn) the man who lent Nora the necessary funds, has returned, expecting a special sort of restitution. Torvald's reaction to the crisis transforms Nora from a "doll-wife" into an emancipated woman no longer dependent upon the largess of the men in her life. Richard Thomas, future star of The Waltons, is cast herein as Ivor, the Helmers' young son. Adapted for television by James Costigan, A Doll's House was originally telecast November 15, 1959, on NBC's Hallmark Hall of Fame; the program was originally shown in color, though existing kinescopes are in black-and-white. ~ Hal Erickson, All Movie Guide
- 1961
This biopic chronicles the reign of England's Queen Victoria from her ascension to the throne in 1837 to her Diamond Jubilee. ~ Sandra Brennan, All Movie Guide
One of the most memorable sports dramas because of its strong character development, Requiem for a Heavyweight is carried by Anthony Quinn as the washed-up boxer Mountain Rivera, and Jackie Gleason as his sleazy manager, Maish Rennick. In the opening scenes, Cassius Clay -- before he became Muhammad Ali -- knocks out Rivera in a stunning fight sequence. Rivera's career is over, and although his trainer Army (Mickey Rooney) and a social worker (Julie Harris) encourage him with vain hopes for an alternate career, the boxer's courage is stronger than his addled senses, a serious barrier to getting any job. Then Rivera's manager Rennick breaks down and tells him he has lost a gambling bet against the fighter and needs him to bail him out -- by becoming a wrestler. The question is, will Rivera take this humiliating path just to save his unethical manager, or will he stick to his scruples and reject the idea? ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Anthony Quinn, Jackie Gleason, (more)
One of the most highly regarded haunted house films ever produced, Robert Wise's The Haunting (based on Shirley Jackson's novel The Haunting of Hill House) weaves the dark tale of a questionably sane young woman and a sinister house which holds a terrifying past. Invited to join anthropologist Dr. Markway (Richard Johnson), ESP expert Theodora (Claire Bloom), and probable heir to the estate Luke Sanderson (Russ Tamblyn) in order to dispel the near mythical tales that surround the house, unstable Eleanor Vance (Julie Harris) agrees to spend a few nights in the house following the death of her mother. As they slowly begin to discover, the horrific and seemingly unbelievable tales may hold more truth than the skeptical guests might have previously expected. With a seemingly unstoppable supernatural force lurking in every shadow, the probability of anyone escaping the evil clutch of the cursed mansion seems increasingly remote. ~ Jason Buchanan, All Movie Guide
- Starring:
- Julie Harris, Claire Bloom, (more)
- 1965
The story of revolutionary Victorian nurse Florence Nightingale is told in this drama. ~ Sandra Brennan, All Movie Guide
Screenwriter William Goldman has claimed that Paul Newman agreed to do Harper, the film that established the grateful writer's career, only because he was working unhappily on Lady L. (1965) in Europe, and was looking for something as unlike that film as possible. He stars as Lew Harper, a hip L.A. private dick whose business has gotten so bad that he's re-using his coffee grounds. At the suggestion of his friend, attorney Albert Graves (Arthur Hill), the detective takes on the investigation of the disappearance of the wealthy husband of waspish cripple Elaine Sampson (Lauren Bacall). After finding a photograph of former actress Fay Estabrook (Shelley Winters), Harper locates the alcoholic actress in a bar, plies her with booze, and takes her home to search her apartment while she's unconscious. There he takes a call which leads him to another bar to meet Betty Fraley (Julie Harris), a singer with a heroin problem. To curtail his inquisitive behavior, some large and unpleasant gentleman beat him up outside the saloon. Hoping for sympathy from his soon to be ex-wife (Janet Leigh), who has just filed divorce papers, the weary detective is much more successful than he has any right to expect. ~ Michael Costello, All Movie Guide
- Starring:
- Paul Newman, Lauren Bacall, (more)
- 1966
This cult favorite began as Francis Ford Coppola's UCLA thesis, ending up with a professional cast and nationwide release. Teen Peter Kastner undergoes his coming-of-age rites when, urged on by dad Rip Torn, he strikes out on own and moves to NYC. Every person Kastner meets is an eccentric's eccentric, from landlady Julie Harris to cop Dolph Sweet. Kastner's new friend Tony Bill, who works at the New York Public Library and accumulates pornography on side, introduces the boy to sex and drugs. Our hero truly matriculates to manhood after his heart is broken by disco dancer Elizabeth Hartman; he settles instead for Karen Black, still enough of an unknown quantity in 1966 to play against type as "the right girl". Adapted from a novel by David Benedictus, Big Boy is afflicted with usual youthful film-class fervor, crammed full of showoffish cinematic tricks that Coppola would eventually outgrow. But one can't deny that this seminal production is both heartfelt and energetic. To improve the film's saleability, distributors Seven Arts tacked on a music score by the Lovin' Spoonful, hardly necessary but very enjoyable appendange. ~ Hal Erickson, All Movie Guide
- Starring:
- Elizabeth Hartman, Geraldine Page, (more)
- 1967
This dreary story of the latent desires of the sexually repressed and psychologically tormented is taken from the 1944 novel by Carson McCullers. Major Penderton (Marlon Brando) is a hard-driving Army officer married to Leonora (Elizabeth Taylor). The impotent Penderton hides his latent homosexuality under his strict military discipline, while Leonora is having an affair with Lt. Colonel Langdon (Brian Keith), who is married to the troubled Allison (Julie Harris), who slices off her own nipples after a disappointing pregnancy. Private Williams (Robert Forster) is a young recruit who likes to ride naked on horseback. The Major is driven to insane jealousy when he discovers Williams would rather be with Leonora than with him. The idea is good, but the story plays like a sort of discarded (Tennessee Williams) play. ~ Dan Pavlides, All Movie Guide
- Starring:
- Elizabeth Taylor, Marlon Brando, (more)
- 1968
Hammer recut and repackaged two installments of their popular television series Journey to the Unknown (one of the earliest projects of longtime Hammer director Roy Ward Baker) for this theatrical release. The first tale involves a guest at an unusual masquerade party at which he is given an unflattering look at his past misdeeds; the second installment stars The Haunting's Julie Harris as a rich woman pursued by a slimy, gold-digging potential suitor who meets his comeuppance thanks to an ancient Indian spirit. Though rather staid in comparison to Baker's flamboyant anthology work for Amicus, this is nevertheless a moody and stylish pair of tales, if not fully representative of the series' finer moments. ~ Cavett Binion, All Movie Guide
- 1968
Feeling responsible for the death of his oldest son, Josh Carter (Steve Ihnat) has become an abusive alcoholic. As a result, he has alienated himself from his wife, Sarah (Julie Harris), and surviving children Timmy (Johnnie Whitaker) and Sally (Michele Tobin). When Hoss Cartwright tries to help the Carter family, Sarah falls in love with him. First broadcast on April 14, 1968, "A Dream to Dream" was written by Bonanza star Michael Landon, who later reworked his script as "Someone Please Love Me," a 1979 episode of his own series Little House on the Prairie. ~ Hal Erickson, All Movie Guide
- Starring:
- Lorne Greene, Michael Landon, (more)
- 1968
The Bobby Currier Story is a 90-minute episode from the TV series Name of the Game. The titular Currier (Brandon de Wilde) is a young, small-town perennial loser. He kidnaps Tisha Sterling, daughter of local sheriff Steve Forrest, and goes on a Charles Starkweather-style murder spree. Dan Farrell (Robert Stack), senior editor of Crime magazine, tries to unearth the circumstances that turned the hapless Currier into a murderer. The Bobby Currier Story was first broadcast February 21, 1969. ~ Hal Erickson, All Movie Guide
- 1968
A pair of crooks conspire to rob the ticket booth at the Los Angeles Coliseum during a Rams game. Before they can perform the heist, the two must find precisely the right henchmen to join them. Each potential gang member must undergo a rigorous test of skill. Thanks to care and precise planning, the caper comes off smoothly and afterward the gang leader (Jim Brown) hides the money in the apartment of his ex-wife (Diahann Carroll). She only agrees to keep the money on the provision that he reform so they can get back together. Unfortunately, the wife's lust-crazed landlord (James Whitmore) busts into her house the next day and tries to rape her. During the struggle he kills her and then takes the loot. Later a crooked cop (Gene Hackman) investigates. Meanwhile, when the gang members learn that the loot is missing, they suspect a double-cross and engage in a huge battle. The cop finds the money and at first keeps it for himself. The head crook eventually figures out that the cop has it and so goes to him to make a little deal. ~ Sandra Brennan, All Movie Guide
- Starring:
- Jim Brown, Diahann Carroll, (more)
- 1970
Parents worry about their daughter when she freaks out on drugs and is hospitalized. Arthur (Eli Wallach) and Gerri (Julie Harris) face the reality when Maxie (Deborah Winters) must remain at the facility or return home. Della (Rue McClanahan) is Arthur's straight shooting secretary and mistress who offers an objective opinion of the situation. Dr. Salazar (Nehemiah Persoff) is the concerned physician treating Maxie. David (Hal Holbrook) and Tina (Cloris Leachman) are the neighbors whose son Sandy (Don Scardino) turns out to be a juvenile drug dealer. The story was taken from an award winning 1968 television special but fails to live up to the promise of the initial production. ~ Dan Pavlides, All Movie Guide
- Starring:
- Eli Wallach, Deborah Winters, (more)
- 1970
House on Greenapple Road was an off-length TV movie (135 minutes instead of the usual 100), first telecast on The ABC Sunday Night Movie on January 11, 1970. Christopher George heads a stellar cast as Lt. Dan August, probing a homicide case in suburbia. The accused, a meek clerk (Tim O'Connor), had plenty of motive to kill his faithless wife (Janet Leigh). Only there's no weapon...and no corpse. After a series of revelatory flashbacks, August deduces that there may be a lot more people and issues involved than a missing housewife. Audience response to House on Greenapple Road was positive enough to spin off into a Dan August TV series. But Christopher George was too busy to be involved, so the role of August went to a fellow who wasn't working all that often; a guy named Burt Reynolds, or something like that. ~ Hal Erickson, All Movie Guide
Director Curtis Harrington (The Killing Kind) teams with screenwriter Henry Farrell (Hush...Hush, Sweet Charlotte) for this quietly disturbing tale of a man driven to psychosomatic blindness by a horrific family tragedy. Unable to cope with the fact that he has been blamed for the fire that killed his father and disfigured his sister (Julie Harris), psychologically unsound Allan (Anthony Perkins) is committed to a mental institution. Some time later, Allan is deemed fit for release and sent to live at his sister's house. But Allan's sister is far from happy to have her brother back home, and begins to sadistically toy with his fragile psyche to the point that he starts hearing disembodied voices and sensing an ominous presence. Could it be that Allan's father is actually reaching out for revenge from beyond the grave, or have Allan's sister's continued attempts to wear at her ailing brother's fragile psyche finally had the intended results. ~ Jason Buchanan, All Movie Guide
