Julie Harris

A year after his wife's death and nearly a decade since his last visit home, successful New York lawyer Spencer Krane (Michael Houston King) returns home to care for his ailing grandmother in director Reza S. Badiyi's character-driven family drama. Jo McMillan (Julie Harris) has suffered a massive stroke, and now her grandson Spencer has returned home to care for the woman who raised him. As Spencer reconnects with such important people from his childhood as his grandmother's lifelong friend Maude (Ruby Dee) and his childhood sweetheart Sarah Marshall (Tessie Santiago), he gradually begins to realize just how far he has strayed from the values that he had been taught as a young boy. Spencer has experienced a fair share of tragedy over the years, and now as he arrives in the old Florida town of Sanford he may finally find the peace that allows him to come to terms with the past, and look toward the future with a newfound sense of hope. ~ Jason Buchanan, All Movie Guide

Directed by Rick McKay, who traveled across five continents during the documentary's production, Broadway: The Golden Age is both a celebration of current Broadway stars and a tribute to Broadway legends past. Through a plethora of interviews and vast amounts of archival footage, McKay presents a variety of factoids, anecdotes, and memories from over 100 Broadway actors, writers, and directors. The careers of Laurette Taylor, Kim Hunter, Jessica Tandy, and Marlon Brando are all animatedly retold, as is some of the Broadway "lore of olde," such as Angela Lansbury's struggle to land a role in Mame and the shocked reaction to West Side Story on its opening night. In addition to footage and discussion regarding highly successful Broadway stars, a variety of actors recount their experiences and struggles in finding even a small amount of critical recognition. The cast includes Shirley MacLaine, Bea Arthur, Edie Adams, Alec Baldwin, and Kaye Ballard, and many others. ~ Tracie Cooper, All Movie Guide

Here's something you don't see every day: A romantic comedy about chemotherapy. Kate Nelligan stars as Kathryn McClain, a judge undergoing treatment for cancer. In the midst of this crisis, Kathryn somehow finds time to hold down her job full time, and to renew her love for her long-estranged former husband Tom Ainsworth (Ron Silver). The question eventually boils down to this: Even if Kathryn survives, will her relationship with Tom be as fortunate? Best line: "Don't be so dramatic! You aren't dead yet! Produced for the Lifetime cable channel, Love Is Strange first aired on February 8, 1999. ~ Hal Erickson, All Movie Guide

Edward Herrmann narrates this portrait of architect Frank Lloyd Wright, as directed by renowned documentary filmmaker Ken Burns (Lewis & Clark.) The film is an assemblage of photos, film clips, TV appearances (including a 1957 The Mike Wallace Interview), home movies, and more recent footage. Interviews include Wright biographer Brendan Gill. Shown at the 1998 Sundance Film Festival. ~ Bhob Stewart, All Movie Guide

Two couples share an evening of bad karma in this domestic drama. Matt (Saul Rubinek) is a musicologist who has devised a computer program that can spontaneously compose music; however, one of the first pieces it comes up with features a prominent quote from "A Mighty Fortress Is Our God." His girlfriend Kim (Caroleen Feeney) is a computer expert with a nasty sense of humor; Matt thinks she may have fudged his program just to make him look silly. Nancy (Bonnie Bedelia) is a distinguished college professor who has been granted tenure at Harvard. Her husband Wes (David Strathairn) has a fragile ego, and it hasn't been soothed by his recent denial of tenure at the less prestigious institution where he teaches. Nancy and Wes have invited Matt and Kim over for dinner; Nancy and Matt were once lovers, which puts Wes on edge at the outset, and Kim seems to find him an amusing target for her sarcastic sense of humor. Wes finally begins to lose his grip when he discovers that a $50 bill is missing and is convinced that Kim has pocketed it. Kim denies it, but even after the bill turns up, Wes is convinced that she -- or someone -- has it in for him. Bad Manners screenwriter David Gilman adapted this material from his play Ghost in the Machine. ~ Mark Deming, All Movie Guide

Based on the novel Farmer by Jim Harrison, this drama concerns Joseph Svenden (Dennis Hopper), a one-time farmer in his late forties who took up teaching when he permanently injured his leg in an accident. Joseph's life is orderly, precise, and rather dull. He teaches with as much enthusiasm as he can muster, lives in the farmhouse where he grew up, and has been engaged for the last six years to Rosealee Henson (Amy Irving). Rosealee is the widow of his best friend, and, for a variety of reasons, both she and Joseph are reluctant to set a date (she devotes much of her time to caring for her ailing mother). One day Joseph is met in his barn by Catherine Wheeler (Amy Locane), a new student in his senior class. Catherine attempts to seduce Joseph, who dutifully refuses, only to request a second chance a few moments later, which Catherine eagerly grants him. This unexpected event brings out a newly adventurous side in Joseph, though he suddenly has a new set of complications to go along with it; he discovers that his school is closing, and Catherine's parents are predictably angry when they find out about their daughter's liaison. ~ Mark Deming, All Movie Guide

In this made-for-television domestic drama, a young adolescent girl is shocked to discover that the woman she calls "Mother" may not be related to her at all. ~ Sandra Brennan, All Movie Guide

This much-ballyhooed TV miniseries sequel to Gone with the Wind finds former Agent 007 Timothy Dalton reprising the tough-to-fill shoes of Clark Gable's Rhett Butler, and former Val Kilmer spouse Joanne Whalley-Kilmer beating out thousands of hopefuls to play what was once Vivien Leigh's Scarlett O'Hara role. Loosely based on Alexandra Ripley's sequel novel, the film finds our heroine traversing the country to win back Rhett but inadvertently becoming pregnant with Rhett's baby and absconding to Ireland to raise the tyke. There, she becomes indoctrinated into a royal clan. ~ Michael Hastings, All Movie Guide

In this romantic comedy from director Frank Oz, Steve Martin plays Boston architect Newton Davis, an impulsive dreamer who builds a bucolic dream home for his girlfriend (Dana Delany) as a means of proposing to her -- only she turns him down. Three months later, the depressed Davis meets a waitress who calls herself Gwen (Goldie Hawn), though pretending to be Hungarian proves to be only the first of her many deceptions. Davis has a one-night stand with Gwen during which he tells her the sad story of the house, which remains unoccupied just outside the city in his hometown of Dobbs Mills, because he can't bear to sell it. Following what seems to be a familiar path for this con artist, Gwen locates the house, figuring she can take up residence without anyone noticing. During a trip to the local grocery, she ends up telling the proprietor she's Davis' wife while trying to charge her purchases to his account. When she offers the same story to a local furniture dealer (Donald Moffat), unaware he's Davis' father, it triggers a string of fabrications in which the shocked Davis unwittingly becomes a co-conspirator. Seeing an opportunity of his own, Davis allows Gwen to stay in the house and agrees to go along with her story in hopes of winning back his jealous ex. Of course, this also necessitates outlandish lie upon outlandish lie, leaving the whole enterprise forever on the verge of collapse. ~ Derek Armstrong, All Movie Guide

Ken Burns' epic series begins with the causes of the Civil War in 1861 and ends with the war's aftermath in 1865. A combination of photographs, interviews, and narration create a sweeping historical documentary. Commentary and anecdotes by historian Shelby Foote add another level of authority to the film while providing the viewer insight into distant events and personalities. While Burns covers the major battles and personalities, he also emphasizes the plight of African-Americans and the common soldier. Each of the nine segments concentrates on a particular part of the war, allowing the viewer to isolate episodes of interest. For instance, episode five, The Universe of Battle, follows General Robert E. Lee into Pennsylvania for the devastating battle of Gettysburg. Social events are also given coverage. Each episode opens with a list of events simultaneously taking place around the world, while a more detailed treatment is provided for domestic affairs. Accounts of the draft riots in the North and famine in the South help to place the war within a larger social context. At the end of the nine episodes, Burns' ambitious series has offered a complete account of the causes of the war, the personalities of the generals and politicians who directed it, and the domestic and foreign events that shaped the war's outcome. ~ Ronnie D. Lankford, Jr., All Movie Guide

This documentary, narrated by Julie Harris, surveys the many roles of women in American culture. From the home place to the work place, women have left their distinctive collective touch. The program uses archival film footage and photographs to capture women at work in the film industry, factories during the war years, in the arts and sciences, business, the professions, and athletics. Personal recollections and interviews with scholars round out this tribute to a woman's place in America. ~ Rose of Sharon Winter, All Movie Guide

Afraid to spend the Christmas holiday alone, an aging widower decides to hire himself a spouse to spend the vacation with him in his lovely mountain retreat and finds true romance in this heartwarming made-for-cable television drama that is based on a story by Helen Norris. ~ Sandra Brennan, All Movie Guide

Gorillas in the Mist is based on the autobiographical 1983 book by naturalist Dian Fossey. Before the book could be brought before the cameras, Fossey had been mysteriously killed; her death provides a logical, if somewhat ghoulish climax to the film. A Kentucky girl, Fossey (Sigourney Weaver) is inspired by famed anthropologist Louis Leakey (Ian Cuthbertson) to devote her life to the study of primates. Travelling into deepest Africa, Fossey becomes fascinated with the lives and habits of the rare mountain gorillas of the Ugandan wilderness. Studying them at close quarters, Fossey develops a means of communicating with the gorillas, and in so doing becomes obsessed with the beasts' well-being. She is so devoted to "her" mountain that she loses the opportunity for a romance with a National Geographic photographer (Bryan Brown). Appalled by the poaching of the gorillas for their skins, Fossey complains to the Ugandan government, which dismisses her by explaining that poaching is the only means by which some of the Ugandan natives can themselves survive. She refuses to accept this, and becomes a militant animal-rights activist, burning down the poachers' villages and even staging a mock execution of one of the offenders. ~ Hal Erickson, All Movie Guide