Malgorzata Zajaczkowska Movies

Award-winning Polish director Marek Koterski takes an unflinching look at the pathological effects of severe alcoholism on familial relationships in the no-holds-barred drama We're All Christs (Wszyscy jestes'my Chrystusami). The story concerns Adas (played at ages 33 and 55 by Andrzej Chyra, and Marek Kondrat, respectively), a father caught in the web of alcohol addiction passed down from the generations before him. The disease once threatened to destroy his own relationship with his young son. Now, after admitting his own problem and experiencing therapy and rehabilitation, Adas takes the first steps toward a challenging reconnection with his family and attempts to rebuild long-decimated bonds. As a lapsed Roman Catholic, he begins to turn toward the faith that he shunned as a youth, and recognizes the necessity of turning away from the evil, abusive legacy of his father on earth and toward his Heavenly Father as a far-superior alternative. In the end, his Catholicization will partially entail turning to Christ as a role model by assuming responsibility for his own earthly burdens (and thus, taking up his cross). ~ Nathan Southern, Rovi

In 1982, legendary Polish filmmaker Andrzej Wajda fled his homeland and relocated in France to direct this powerful story about the ethical boundaries of power and leadership, which had many parallels to Poland's volatile political situation in the late 1970s and early 1980s. Danton (Gérard Depardieu) and Robespierre (Wojciech Pszoniak) were close friends and fought together in the French Revolution, but by 1793 Robespierre was France's ruler, determined to wipe out opposition with a series of mass executions that became known as the Reign of Terror. Danton, well known as a spokesman of the people, had been living in relative solitude in the French countryside, but he returned to Paris to challenge Robespierre's violent rule and call for the people to demand their rights. Robespierre, however, could not accept such a challenge, even from a friend and colleague, and he blocked out a plan for the capture and execution of Danton and his allies. Wajda remained in France until 1989, when the collapse of Communist rule made it possible for him to return to his homeland. ~ Mark Deming, Rovi

The tough, iron-willed determination of a young female reporter to make top grade in her profession fuels the drama in this tale directed by Barbara Sass. Novice reporter Ewa Bracka (Dorota Stalinska) is on the rebound from a failed romance with an Italian, but she is not wallowing in self-pity. She takes judo lessons, spends time with her baby daughter, and has a few dalliances that might help further her career. Otherwise, she tracks down stories about corruption in the medical profession and a pursues a lead on a scandalous local brothel. As she juggles her private and professional life, she is not necessarily aware of the pitfalls that lie ahead. ~ Eleanor Mannikka, Rovi