Shirley Wilson Movies

1992  
NR  
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Produced with the help of the Sundance Institute, Alison Maclean's first feature, Crush, is a clever, gynocentric neo-noir. Oscar winner Marcia Gay Harden (Pollock) stars as Lane, the film's conflicted femme fatale. The film opens with Lane speeding along a winding road. She's driving her best friend and lover, Christina (Donogh Rees), a literary critic, to meet with an author, Colin (William Zappa), at his home in the New Zealand countryside. In the midst of a snarky conversation, Lane is momentarily distracted and drives her car off the road. The car flips over, and Christina is badly injured, while Lane walks away with barely a scratch. She goes to Colin's house, where she meets Angela (Caitlin Bossley), his shy, tomboyish teenage daughter. Lane doesn't immediately identify herself, and Angela -- thinking that Lane is actually Christina -- takes her for a walk. The charmingly aggressive Lane begins flirting with the impressionable girl, and it's clear that Angela is smitten with the brash American woman. Later, Colin arrives home, and he agrees to let Lane stay in their home for a few days. Before long, Lane has seduced him. Angela is jealous and begins going to the hospital to visit Christina, who is recovering from a severe head injury. As she recovers, regaining control of her movements and the ability to speak, Angela tells her again and again that one horrible person is to blame for her condition -- Lane. But Angela is not prepared for the harrowing results when she brings Christina home for a visit. Crush is an amusingly twisted thriller from down under, rooted in well-drawn characters, along the same lines as Jocelyn Moorehouse's wickedly clever Proof. Maclean demonstrates great skill with actors and with complex material, which is also evident in her second feature, Jesus' Son. ~ Josh Ralske, All Movie Guide

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Starring:
Marcia Gay HardenWilliam Zappa, (more)
1955  
 
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One of the gutsiest movie musicals of the 1950s, Love Me or Leave Me is the true story of 1930s torch-singer Ruth Etting, here played by Doris Day. While working in a dime-a-dance joint, Ruth is discovered by Chicago racketeer Martin "The Gimp" Snyder (fascinatingly played with nary a redeeming quality by James Cagney). The smitten Snyder exerts pressure on his show-biz connections, and before long Ruth is a star of nightclubs, stage and films. Ruth continues to string Snyder along to get ahead, but she can't help falling in love with musician Johnny Alderman (Cameron Mitchell). After sinking his fortune into a nightclub for Ruth's benefit, Snyder is rather understandably put out when he finds her in the arms of Alderman. Snyder shoots the musician (but not fatally) and is carted away to prison. Upon his release, Snyder finds that Ruth is still in love with Alderman; he is mollified by her act of largesse in keeping her promise to perform in his nightclub at a fraction of her normal salary. No one comes off particularly nobly in Love Me or Leave Me, even though the still-living Ruth Etting, Martin Snyder and Johnny Alderman were offered full script approval. The fact that we are seeing flesh-and-blood opportunists rather than the usual sugary-sweet MGM musical stick figures naturally makes for a more powerful film. In his autobiography, James Cagney had nothing but praise for his co-star Doris Day, and bemoaned the fact that she would soon turn her back on dramatic roles to star in a series of fluffy domestic comedies. ~ Hal Erickson, All Movie Guide

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Starring:
Doris DayJames Cagney, (more)

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