Geraldine West Movies

1970  
PG  
Paul Newman served as co-producer of this allegorical drama and stars as Rheinhardt, a opportunistic drifter who ends up in New Orleans and hits up his old friend Farley (Laurence Harvey), a con man-turned-phony preacher, for a job. Farley is able to get Rheinhardt hired on as an announcer at a local radio station, WUSA, but the station is a right-wing propaganda mill that devotes its air time to venomous tirades against political and social progress. Rheinhardt is happy to be making decent money, and he makes the friendly acquaintance of a local working girl, Geraldine (Joanne Woodward), so he refuses to look his gift horse in the mouth. However, when he finds out that WUSA is actually involved in shadowy political actions, he is at a loss for what to do, especially after a naïve and troubled social worker (Anthony Perkins) is tricked into starting a race riot. Robert Stone wrote the screenplay, adapted from his novel A Hall of Mirrors. ~ Mark Deming, All Movie Guide

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Starring:
Paul NewmanJoanne Woodward, (more)
1965  
 
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An unusually long pre-credits sequence establishes the roots of faded Southern belle Charlotte's (Bette Davis) insanity; she'd been witness to the dismemberment murder of her fiance (Bruce Dern) and the suicide of the murderer, her own father (Victor Buono). Years later, Charlotte remains a recluse in her decaying southern mansion, zealously guarding the secret of her father's guilt; she is cared for by her slatternly housekeeper (Agnes Moorehead). When her house is targeted for demolition, Charlotte fears that this will uncover her lover's body parts and thus confirm that her father was a murderer. She desperately summons her seemingly sweet-tempered cousin Miriam (Olivia De Havilland) to help her fight off the house's destruction. Miriam brings along the family doctor (Joseph Cotten) to calm Charlotte's frayed nerves. When Charlotte begins to be plagued by horrific visions of the homicide/suicide of so long ago, it appears that she has gone completely insane. But soon we learn who is behind these delusions...and why. Hush Hush Sweet Charlotte was intended by director Robert Aldrich as a follow-up to the successful Joan Crawford/Bette Davis horror piece Whatever Happened to Baby Jane (1962). Ms. Crawford was originally slated to play Miriam, but became seriously ill shortly before filming started. Davis, who disliked Crawford intensely, suggested that the role of Miriam be filled by her best friend, De Havilland. On the first day of shooting, Davis and DeHavilland pulled a "Ding Dong the Witch is Dead" routine by toasting one another with Coca-Cola--a catty observation of the fact that Joan Crawford's husband was an executive with the Pepsi Cola company! ~ Hal Erickson, All Movie Guide

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Starring:
Bette DavisOlivia de Havilland, (more)
1963  
 
Horace Jackson produced, directed, wrote and starred in this drama by an all black cast. Mom (Maye Henderson) wants more than anything for her only child Harvey (Jackson) to become a minister. A distant second on her list is her hatred for white people. Harvey loves Helen (Mimi Dillard), but is frightened about the prospects of having such an overbearing, domineering mother-in-law. Harvey is torn between following his mother's wishes and becoming a jazz musician. ~ Dan Pavlides, All Movie Guide

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Starring:
Maye Henderson

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