Alice Wallace Movies
- 1950
Lana Turner stars as an ambitious model who seeks her fortune in New York City. She is befriended by over-the-hill cover-girl Ann Dvorak, whose performance carries the story until she commits suicide twenty minutes into the film. Turner promises herself that she won't end up burned out like Dvorak, but as her fame grows, she is inexorably drawn into the hectic social whirl that sealed Dvorak's doom. Enjoying the favors of wealthy Ray Milland, Turner seeks out Milland's wife (Margaret Phillips), hoping to convince the woman to give up her husband. When she meets the crippled Mrs. Milland, Turner is made painfully aware of the length and breadth of the woman's love for her husband. Turner pulls out of the relationship, and we are encouraged to believe that hers will be a much happier and more fulfilling life than that of the unfortunate Ann Dvorak (ironically, in real life Ann Dvorak's final days were relatively contented ones, while Lana Turner spent her twilight years wondering where the looks, the men and the money had gone). Though not so noted in the credits, A Life of Her Own was inspired by The Abiding Vision, a novel by Rebecca West. Bronislau Kaper's musical score was later recycled for the 1951 MGM romantic drama Invitation. ~ Hal Erickson, All Movie Guide
- Starring:
- Lana Turner, Ray Milland, (more)
- 1949
Ronald Reagan plays a George Petty-type magazine illustrator who creates a "perfect girl" from a composite of the features of several models. While relaxing at the beach, Reagan meets a lovely young schoolteacher (Virginia Mayo) who is the living image of his imaginary girl. Sensing a terrific promotional angle, Reagan ingratiates himself with the girl and attempts to secure her services for a series of cheesecake poses. The film leads to a courtroom conclusion wherein Mayo must strut around in a bathing suit to win her case. Girl from Jones Beach is worth the admission price alone just to hear Ronald Reagan pose as a Czechoslovakian immigrant--complete with accent. ~ Hal Erickson, All Movie Guide
- Starring:
- Ronald Reagan, Virginia Mayo, (more)
A Song is Born is a musical remake of the 1941 comedy Ball of Fire, with the same producer (Sam Goldwyn) and director (Howard Hawks) at the helm. It will be recalled that the original film, co-scripted by Billy Wilder, was an amusing spin on "Snow White and the Seven Dwarfs," wherein seven pedantic professors, working on a dictionary of slang, "adopted" an authority on the subject, breezy burlesque dancer Sugarpuss O'Shea. In the remake, the septet of scholars are working on an encyclopedia of music, but they're held up on the subject of "swing." When nightclub singer Honey Swanson (Virginia Mayo), escaping from her gangster suitor Tony Crow (Steve Cochran), takes refuge in the professors' home, she offers to introduce them to the world of popular music. This proves to be quite a tuneful undertaking, since two of the professors are played by Danny Kaye and Benny Goodman! The tang and zest of original plotline has been muted to the point of harmlessness, but the film is saved by the presence of Goodman, his fellow bandleaders Charlie Barnet, Tommy Dorsey and Mel Powell, and specialty performers Louis Armstrong, Lionel Hampton and Buck & Bubbles. A Song is Born was Danny Kaye's final starring vehicle for Sam Goldwyn. ~ Hal Erickson, All Movie Guide
- Starring:
- Danny Kaye, Virginia Mayo, (more)
MGM's Till the Clouds Roll By is the musicalized, and highly fictionalized, life story of beloved composer Jerome Kern, who gave his blessing to the production shortly before his death in 1946. As played by a gray-templed Robert Walker, Kern is a likeable but none too exciting sort who expresses his emotions through his music. Constructed in the form of an extended flashback, the story proper begins at the turn of the century, as Kern tries to peddle his ditties to disinterested Broadway producers. His efforts to interest impresario Charles Frohman (Harry Hayden) go nowhere because Frohman is convinced that the only good music comes from Europe. Obligingly, Kern moves to London, where he meets and falls in love with his future wife Eva (Dorothy Patrick). On the verge of securing work with Frohman, Kern's hopes are dashed when the producer goes down with the Lusitania in 1915. Fortunately, Kern has developed such powerful U.S. contacts as Victor Herbert (Paul Maxey) and Oscar Hammerstein (Paul Langton), enabling him to find success as the composer of several "intimate" musicals for New York's Princess Theater. The film ends where it begins, with Kern's triumph as composer of the Broadway blockbuster Show Boat. Van Heflin weaves in and out of the proceedings as the obligatory best friend/severest critic, a musical arranger named Jim Hessler (purportedly based on longtime Kern associate Paul Sadler). No one in 1946 really cared about the dramatic passages of Till the Clouds Roll By; the film's biggest drawing card was its lineup of all-star MGM talent, performing Kern's most famous numbers. Judy Garland (as Marilyn Miller) sings "Look for the Silver Lining"; Dinah Shore performs "The Last Time I Saw Paris" before a back-projected "Gay Paree"; Kathryn Grayson does a Rita Hayworth imitation with "Long Ago and Far Away"; Virginia O'Brien deadpans "A Fine Romance"; Tony Martin warbles "All the Things You Are"; June Allyson and Ray McDonald team up for the title number; and Frank Sinatra, incongruously dressed in white tuxedo, runs through "Ol' Man River." In addition, other musical contributions are made by Van Johnson, Angela Lansbury, Cyd Charisse, Gower Champion, and Lucille Bremer (cast as Van Heflin's daughter). The film's high point comes at the very beginning with a Reader's Digest edition of Show Boat, featuring Lena Horne, as Julie (the role she was born to play, but never did again on screen), delivering a powerhouse rendition of "Can't Help Lovin' Dat Man." Since lapsing into public domain in 1974, Till the Clouds Roll By has, along with Royal Wedding, become the most readily accessible of all MGM musicals. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Walker, June Allyson, (more)
- 1946
William Powell plays a cynical con man who graduates from penny-ante operations to a big-time charity racket. The scam involves collecting money on behalf of St. Dismas, bringing Powell in close contact with several men of the cloth. As the racket rolls on, Powell is touched by the sincerity of the religious men and the plights of the charity's rightful recipients. He has a change of heart, confessing his original criminal intentions but seeing to it that the money goes to the right people. Hoodlum Saint was typical of the facile religiosity often found in MGM pictures of the period. The film is best remembered as the first non-aquatic performance of MGM swimming star Esther Williams. ~ Hal Erickson, All Movie Guide
- Starring:
- William Powell, Esther Williams, (more)
- 1944
After a year's absence, entertainer Eddie Cantor returned to the screen in the self-produced Show Business. The plot is loosely based on Cantor's own rise to fame, from vaudeville to Broadway. Covering the years 1914 to 1929, the film reflects the changing tastes in entertainment, though Cantor (as in real life) steadfastly remains the same. Co-stars George Murphy and Joan Davis likewise borrow from their own showbiz experience in playing their characters, while Constance Moore, who was still in her playpen when Cantor was at the height of his Ziegfeld Follies fame, provides the standard love interest. Highlights include such Cantor standards as "Curse of an Aching Heart," "Whoopee," and "Dinah," the latter performed in blackface. The best ensemble number is a devastating satire of Grand Opera, with Joan Davis particularly amusing as a Wagnerian soprano. A few excerpts from Show Business were reused as "flashbacks" in the subsequent Cantor-Davis starrer If You Knew Susie (1948). ~ Hal Erickson, All Movie Guide
- Starring:
- Eddie Cantor, George Murphy, (more)
