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Kurt Vespermann Movies

1957  
 
Homosexuality is exploited to the tasteless hilt in the 1957 cheapie The Third Sex. The parents of Paul Dahlke can't understand why their son isn't interested in he-man activities. They soon discover that he's-argh! gasp!--gay. Even worse, he's hanging out with a KNOWN PERVERT!!!! There is nothing for it but to "straighten out" the boy, in as cold and brutal a manner as possible. This one must be seen to be believed. ~ Hal Erickson, Rovi

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Starring:
Ingrid StennHans Nielsen, (more)
 
1956  
 
The wartime song hit Lili Marlene is woven into the plotline of this German romantic drama. The story concerns a German soldier named Franz (Adrian Hoven) and his lady love Christa (Marianne Hold). When first they met in a restaurant, the orchestra was playing Lili Marlene. Then and there, the two lovers promised to think of each other whenever they heard "their" song in the future. Alas, it appears at war's end that Christa has not upheld her end of the bargain -- in fact, she seems to have shifted her affections to another song, and another man. Somehow, a happy ending emerges from this emotional crisis. It should be noted that the Paul Verhoeven listed as director of Wie Einst Lili Marlene is not the 1990s action director of the same name. ~ Hal Erickson, Rovi

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Starring:
Adrian HovenMarianne Hold, (more)
 
1936  
 
"Ist Mein Mann Nicht Fabelhaft?" ("Isn't My Husband Wonderful?") coos adoring wife Lu Brandt (Lien Deyers). Lu's hubby Victor (Georg Alexander) may indeed be wonderful, but rich he's not. A lowly employee in a record-player factory, Victor discovers that his wife has told their neighbors that he's actually the company's supervisor. Rather than embarrass Lu, Victor tries to live up to his reputation -- and nearly goes broke in the process. But the worst is still to come when Victor's neighbors, each of them laboring under the misapprehension that they're musically talented, descend upon the Victrola factory en masse demanding auditions. ~ Hal Erickson, Rovi

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Starring:
Georg AlexanderLien Deyers, (more)
 
1934  
 
In this comical thriller, two fellows invent a TV that can see through walls and depict what ever lies on the other side on the screen. The trouble begins when crooks find out about the useful creation and try to steal it from the inventors. ~ Sandra Brennan, Rovi

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1934  
 
Paul Hartmann stars as businessman Bernhard Fredersen, who tries to make a go of his inherited business in South Africa. When Fredersen begins losing his eyesight, he is deserted by friends, business associates, and clients; only his wife, Agnes (Charlotte Susa), remains faithfully by his side. The villain of the piece is Eugen Schliebach, a Teutonic "Uriah Heep" who takes advantage of Fredersen's blindness to try to seduce the long-suffering Agnes. Schliebach is played by Gustaf Gründgens, one of the leading lights of the German theater, whose film appearances were infrequent but always welcome. Produced in Bavaria, Inheritance in Pretoria smells a bit of the lamp, with grandiose gestures and stagey direction carrying the day. ~ Hal Erickson, Rovi

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Starring:
Paul HartmannCharlotte Susa, (more)
 
1934  
 
Ein Frau, Die Weiss, Was Sie Will (A Woman Knows What She Wants) is freely adapted from the Oscar Straus operetta of the same name. Lil Dagover stars as Manon Cavallini, a celebrated actress who spends most of the film's running time trying to stage a reunion with her daughter Karin (Maria Beling). She also hopes to "rescue" Karin from a life upon the wicked stage, and in this she's successful. Characters essential to the action include handsome wastrel Alex Basse, played by Adolf Wohlbrueck. Within a year or so, Wohlbrueck would inaugurate a brief Hollywood career under the new name of Anton Walbrook. ~ Hal Erickson, Rovi

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Starring:
Lil Dagover
 
1932  
 
A robbery and a betrayal begin this convoluted crime drama. Following a robbery, jewel thieves Dr. Sandegg and Klotz demand that the corrupt jeweler behind their latest heist give them a bigger cut of the take, but he cannot as he has already spent the loot. Instead, he gives them the key to his ex-wife's hotel room so they can steal her large diamond ring. Sandegg does the dirty work. Unfortunately another crook, Diehl, steals the ring from him. Diehl is involved with the ex-wife and after teaming up with Sandegg and Klotz, informs them that the ring they took was a fake. Diehl devises a complex plan to get the real stone. ~ Sandra Brennan, Rovi

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Starring:
Heinz SalfnerKarl Ludwig Diehl, (more)
 
1932  
 
No Ceremony With a Mayor is the English-language title of this provincial German farce. Siegfried Arno is typecast as Siegmund Meyer, the owner of a combination marriage bureau and divorce service. Hoping to impress his future father-in-law, Siegmund adopts the pose of a millionaire. Meanwhile, he nearly loses his sweetheart by inadvertently matching her up with his best friend. All of this sounds a lot like Bachelor Bait, a Stu Erwin comedy filmed in 1934 by RKO Radio. Chances are, however, that neither RKO nor director George Stevens were aware of the existence of Kein Feier Ohne Meier. ~ Hal Erickson, Rovi

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Starring:
Sig ArnoRalph Arthur Roberts, (more)
 
1932  
 
The title translates as Schoeller Boarding House, which is where 95% of the film's action takes place. The hero, Phillip Klaproth (Jacob Triedke), has been borrowing heavily from his wealthy uncle Alfred (Paul Heidemann), ostensibly to finance his education but actually to pay for his hedonistic lifestyle. When Uncle shows up in town, Phillip hastily tries to put him out of the way so he won't discover the truth. He takes his uncle to a boarding house, claiming that it's a mental hospital which he, Phillip, intends to purchase. Though the boarders aren't really crazy, they're eccentric enough to convince the uncle that Phillip is telling the truth. Pension Schoeller is an agreeable entry in the screwball-comedy genre, its humor predicated almost entirely upon misunderstanding and misrepresentation. ~ Hal Erickson, Rovi

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Starring:
Jacob TiedtkeJosefine Dora, (more)
 
 
1932  
 
Writer Emeric Pressburger is best known for his 1940s British film collaborations with producer/director Michael Powell. In a previous life, however, Pressburger toiled away in the German film industry. Beautiful Adventure was adapted by Pressburger and director Reinhold Schuenzel from a French stage play by Etienne Rey and Robert DeFlers. Ida Wuest stars as a lovely fraulein engaged to a corpulent man of wealth. She runs off on the day of her wedding with the man she really loves, sparking a merry chase throughout Europe. This was the sort of frothily foolish fare that German film fans ate up both before and after the advent of Hitler. ~ Hal Erickson, Rovi

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Starring:
Kurt VespermannAlfred Abel, (more)
 
1931  
 
Filmed in France, Jede Frau Hat Etwas is the German-language version of the 1930 Paramount musical Honey. Based on Alice Duer Miller's play Come Out of the Kitchen, this is the story of two young aristocrats, brother and sister, who lose their fortune and are obliged to rent their ancestral mansion to a pretentious nouveau riche family. Remaining in the mansion as household servants, the brother falls in love with the daughter of his new employer, while the sister falls for the daughter's cast-off fiancee. Trude Berliner heads the cast, stepping into the leading-lady role previously occupied by Nancy Carroll. A French-language adaptation of Honey, titled Cherie, was filmed simultaneously with Jede Frau Hat Etwas. ~ Hal Erickson, Rovi

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Starring:
Trude BerlinerKurt Vespermann, (more)
 
1931  
 
Kaethe Von Nagy stars as Ronny, a pretty costume designer in the mythical European kingdom of Perusa. Willy Fritsch co-stars as the Perusian prince, who also dabbles in composing operettas. When the star of the Prince's latest extravaganza walks out, Ronny goes on stage in her place, becoming an overnight sensation. Sensing that the Prince is in love with the girl, his faithful prime minister (Willi Grill) tries to train Ronny to become an acceptable court mistress (as a commoner, she could never become his wife). But both Ronny and the Prince object to this, preferring to make their relationship legal -- and permanent. This is the sort of German musical in which even the Royal Army dances in unison. ~ Hal Erickson, Rovi

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Starring:
Kaethe von NagyWilly Fritsch, (more)
 
1929  
 
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Starring American expatriate Betty Amann, this still extant German silent film features a young citizen of Berlin, who, driven into poverty, steals a valuable piece of jewelry. Caught by a handsome policeman (Gustav Froehlich), the girl attempts to seduce him into letting her go. She succeeds beyond all expectation and they marry. Born in Germany to American parents, Betty Amann went on to appear in several Hollywood films, including Nancy Drew, Reporter (1938). ~ Hans J. Wollstein, Rovi

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Starring:
Gustav FroehlichElse Heller, (more)
 
1929  
 
The German Mascottchen was inspired by the Bromme operetta of the same name. Had the producers waited a few months, they could have included Bromme's songs, and thus spared themselves the slings and arrows of abrasive music lovers. Kathe Von Nagy stars as a Budapest salesgirl who, through luck and pluck, becomes a celebrated musical comedy star. Along the way, she does her best to help her boyfriend, a two-bit ham actor. The "hero" repays her kindness by leaving her for another woman, but by the third-act curtain he comes to his senses and returns to Von Nagy. ~ Hal Erickson, Rovi

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