Roland DuPree Movies

This second film in the "Gidget" series stars Deborah Walley as Francie Lawrence, better known as Gidget. After being disappointed in love by surfin' dude Moondoggie (James Darren), Gidge joins her parents (Carl Reiner, Jeff Donnell) on a Hawaiian vacation. Complications ensue when Moondoggie likewise arrives in the islands, only to find Gidget "that way" about local beach stud Eddie Horner (Michael Callan). In general, Gidget Goes Hawaiian isn't up to the standards of the original Gidget, though there are a few bright moments, including a satiric dream sequence. Once more, the film proved successful at the box office, spawning even more sequels and no fewer than two weekly TV series. ~ Hal Erickson, Rovi

Long before she was "domesticated" as Consuela in TV's Marcus Welby MD, Elena Verdugo was the hip-swinging heroine of Panama Sal. The story finds Sal Regan (Verdugo) singing and dancing for her supper in a low-class Panamanian dive. Wealthy Dennis P. Dennis (Edward Kemmer) takes a liking to Sal, and decides to do the "My Fair Lady" bit. He takes the girl back to the States, where, after teaching her the social graces, he makes her famous as a high-toned supper club songstress. Along the way, Dennis falls in love with Sal, much to the dismay of his wealthy pals, who try to break up the romance. Not meant to be taken seriously, Panama Sal is an enjoyable diversion from the waning days of Republic Pictures. ~ Hal Erickson, Rovi

Joe Palooka, comic strip artist Ham Fisher's golden-hearted pugilist, heads South of the Border in The Counterpunch. Actually, Joe (Joe Kirkwood Jr.) goes no further than Monogram's cramped "ocean liner" standing set, but the audience doesn't really mind. The plot concerns a gang of counterfeiters, one of whom is murdered en route to Latin America. Everyone is a suspect, including Joe and his manager Knobby Walsh (played by comedian Leon Errol, who certainly deserves his top billing). When the treasury agent in charge of the case has trouble determining the culprit's identity, Joe uses his pugilistic prowess to solve the mystery. Elyse Knox, the real-life wife of football player Tom Harmon, is cast as Joe's sweetheart Ann Howe. ~ Hal Erickson, Rovi

Pine-Thomas Productions' "Big Town" film series, based on the radio program of the same name, came to an end with Big Town Scandal. Returning for their fourth go-round are Philip Reed as Steve Wilson, crusading editor of the Illustrated Daily Press, and Hillary Brooke as Lorelei Kilbourne, Wilson's super-efficient Girl Friday. When a group of unruly teenagers are paroled in Wilson's custody, he tries to reform them by setting up a Youth Center. Unfortunately a group of crooked gamblers begin hiding their ill-gotten gains at the Center, thanks to the assistance of fast-lipped punk Tommy Malone (Stanley Clements). Only after one of his young friends is killed does Tommy wise up and help Wilson expose the crooks. Among the juvenile performers in Big Town Scandal are Carl Switzer and Tommy Bond, formerly "Alfalfa" and "Butch" in the Our Gang comedies. ~ Hal Erickson, Rovi

And The Angels Sing is an odd smorgasbord of musical-comedy and romance -- part screwball comedy, part backstage musical, part pop music showcase, and all of it actually a mash-up/remake of two earlier Paramount titles, Every Night At Eight (1935) and Sing You Sinners (1937) (which had also co-starred Fred MacMurray). Dorothy Lamour, Betty Hutton, Diana Lynn, and Mimi Chandler play, respectively, Nancy Angel, Bobby Angel, Josie Angel, and Patti Angel, the four daughters of widowered inventor/farmer "Pop" Angel (Raymond Walburn). All four daughters have ambitions as artists, writers etc. But they're only good at the one thing they've actually been trained to do, i.e. singing -- which they hate doing, especially together. The four desire independence from each other, but lack the means to achieve it, all of which wears on their loving but long-suffering father, who only wants to get enough money together to buy a small soybean farm. When Bobby ropes them into singing for a band led by Happy Marshall Fred MacMurray, the fur really begins to fly -- Happy puts the romantic moves on Nancy before he realizes she's part of the singing act he's booked; but it's Bobby whole managed to fall in love with him. And matters get even more complicated when the Angel sisters, presenting an act worthy of the Andrews Sisters, go over well with the audience. And that's before Happy is forced by circumstances to cheat the girls not only out of the $40 they earned, but the $190 that Bobby won. Misunderstanding and mistakes pile up on top of each other as the Angel sisters follow Happy to Brooklyn, get him tossed out of the club he's booked in, lose him his band, and reduce him and his partner Fuzzy Johnson (Eddie Foy, Jr.) to doing an embarrassing singing waiter act (for coins tossed to them), all in a quest to return the girls' money. In the process, the Angel sisters display loyalty and devotion to each other, and a strength in numbers and unity that's only undone by their own father. The music is entertaining, though the title song is only heard as an instrumental performed by Happy's band -- Betty Hutton's scatting is one highlight, and the Angel sisters' act is fun as well. Some of the better comic bits, apart from Raymond Walburn's blustery expressions of temper, include the backstage antics of Happy and his band; a great extended bit based on Brooklyn dialect featuring Dorothy Lamour and Frank Faylen (as Herman...er...Hoiman); and the slapstick bits involving the girls fending off various men. ~ Bruce Eder, Rovi

In this eighth film in MGM's "Maisie" series, Ann Sothern is back as ever-stranded chorus girl Maisie Revier. As the story opens, Maisie has a steady non-showbiz job as a defense plant riveter (it's wartime, of course); still, she utilizes a two-week vacation to take a singing job in a Reno night spot. This small Nevada town being the Divorce Capital of America, Maisie finds herself involved in the crumbling marriage between a GI (Tom Drake) and his wealthy wife (Ava Gardner). Meanwhile, Maisie's own well-being is threatened by a conniving businessman who has her committed to an asylum when she threatens to squeal about his crooked business practices. Like most "Maisie" pictures, Maisie Goes to Reno suffers from a surfeit of plotting, but is redeemed by the insouciant Ann Sothern. ~ Hal Erickson, Rovi

In this charming episodic comedy, a giddy group of adolescent girls form a movie-star fan club. Their favorite pastime is collecting the autographs of major stars. Led by their determined president, the gals stalk the streets and train stations of New York in search of big-name stars. Their expeditions are frequently successful, and during the film they garner the John Hancocks of such stars as Lana Turner, Greer Garson, William Powell, Walter Pidgeon, and Robert Taylor. ~ Sandra Brennan, Rovi

Cult-favorite director Anthony Mann's second filmic effort was the unprepossessing Universal mini-musical Moonlight in Havana. Allan Jones stars as hotshot baseball player Johnny Norton, in Havana for spring training. It turns out that Johnny has a beautiful singing voice, but only when he's suffering from a cold. Enterprising nightclub manager Barney Crane (William Frawley) attempts to inflict poor Johnny with cold germs, resulting in unchecked zaniness whenever our hero recovers sufficiently to lose his voice. The film's 63-minute running time manages to accommodate the drunken comedy relief of Hugh O'Connell and Jack Norton, and an abundance of musical numbers, courtesy of Allan Jones, Jane Frazee, the Horton Dancing Group, the Jivin' Jacks and Jills and Grace & Nicco. ~ Hal Erickson, Rovi

A nightclub singer becomes actively involved in the education of the son she has never seen. She uses almost everything she makes to pay his tuition and expenses. One day she goes to the college to see how well he is doing. She is horrified to see that he is squandering his opportunity by spending his time going to parties and carousing with women. Later she learns that the college is nearly bankrupt. To save it she opens a club near campus and uses the profits to help out. Meanwhile her son grows up a bit, understands why education is important and buckles down to become a serious student. ~ Sandra Brennan, Rovi