David Tillotson Movies

Rachel Crothers' thoughtful stage play Susan and God was tastefully adapted for the screen by Anita Loos. Joan Crawford stars as Susan, whose unquestioning devotion to various religious organizations causes a great deal of strain between herself and her family. When Susan embraces a "New Thought" theological movement, she decides to apply the tenets of this new philosophy to patch up the unhappy marriages within her own social circles. She succeeds only in making things worse, and in further harming her own relationship with husband Barrie (Fredric March) and daughter Blossom (Rita Quigley). But it is the unadorned, unpretentious religious faith of little Blossom that ultimately brings Susan and Barrie together again. When Susan and God was first released in 1940, Joan Crawford's performance was occasionally compared unfavorably to that of Gertrude Lawrence, who created the role of Susan on Broadway; it was suggested by some that Crawford patterned her portrayal exactly on Lawrence's, right down to the line delivery. Modern audiences, denied the opportunity to see Lawrence's interpretation, are less inclined to downgrade Crawford's work, which rates among her best. ~ Hal Erickson, All Movie Guide

Edward G. Robinson offers an excellent turn as a crime lord obsessed with the welfare of his son in this melodramatic crime story. The lad is born while the notorious Robinson serves 10 years. Unfortunately, the press hound the babies mother and constantly derider her until a kinder reporter takes pity and begins writing stories to support her. This angers his editor who fires him. One day Robinson's wife goes to visit him and he behaves like a brute. She is so shocked that she ends her marriage and hooks up with the reporter. Together, they move far away to start successful new lives. A decade later, Robinson gets out and begins searching for his boy. Unfortunately, he also gets talked into his gangster activities by an old cohort. The gang, however turns on him and forces him to reveal the location of a large cache of loot that he hid before entering the slammer. Tough old Robinson won't tell them, so they kidnap his son.
Fortunately, Robinson and the lad escape. The gangster tries to get to know his boy, but the child wants nothing to do with him. Angered, Robinson swears vengeance upon his ex and her new spouse. ~ Sandra Brennan, All Movie Guide