Claire Du Brey Movies

This trite, low-budget Western stars Victor Mature as Ben Lassiter, a former Confederate soldier who is traveling to the Western U.S. with his daughter, Abbey (Reba Waters), just after the Civil War. Their journey is interrupted by a group of Union soldiers on patrol and the recent war casts its shadow over this encounter. Beth Drury (Elaine Stewart) is riding along with the group of Union soldiers and soon she and Lassiter become romantically entangled. Throw in her rabid anti-Confederate sister and a few hostile Native Americans, and the story is complete with the usual characters and antagonisms. ~ Eleanor Mannikka, Rovi

3DFrontier Gun3D is another of the moderately interesting low-budget westerns turned out by 20th Century-Fox's Regal Films subsidiary in the late 1950s. John Agar plays Jim Crayle, who offers his services as voluntary marshal when crazed gunman Yubo (Robert Strauss) inaugurates a reign of terror. Unfortunately, Crayle is unable to outdraw Yubo due to a wrist injury, leading the townsfolk to assume that their new marshal is yellow. Only when his argument with Yubo becomes personal does Crayle truly rise to the occasion. John Agar does his best in an unsually cerebral role, but his passive character-and characterization-works against the film's suspense. ~ Hal Erickson, Rovi

In the final episode of Dragnet's fifth TV season, Friday (Jack Webb) and Smith (Ben Alexander) investigate a series of burglaries, all of which have occurred at local auto-rental agencies over a period of seven weeks. Chasing after one of the suspects, a police officer is seriously wounded, but is able to identify his assailant. When Friday and Smith catch up with the alleged perpetrator, the man insists that he was watching television at the time of the shooting--and "proves" it by naming the TV show he was viewing. Cliff Arquette, who had played character roles in several earlier Dragnet radio and TV episodes, here shows up in his familiar comic guise as witty hayseed Charley Weaver (and receives special billing for his efforts). ~ Hal Erickson, Rovi

Billy Winder directed and co-wrote this bitterly satiric comedy-drama which turns a jaundiced eye towards both the news media and its consumers. Chuck Tatum (Kirk Douglas) is a talented but short-tempered reporter whose fondness for booze and unwillingness to bow to authority has cost him jobs at some of America's most prestigious newspapers. When Tatum's car breaks down in Albuquerque, New Mexico, Tatum persuades the editor of the local paper (Porter Hall) to give him a job until he can make enough to get his jalopy running and find a story that will put him back in the good graces of the Big City journals. After a year in Albuquerque, Tatum begins to wonder if a big scoop will ever cross his path, but when he's sent to Los Barios to cover the annual rattlesnake hunt, he lucks into a great human interest story -- Leo Minosa (Richard Benedict), who runs a local diner, motel and curio emporium, is caught in an abandoned mine shaft after a rockslide, which some superstitious locals attribute to an Indian curse. Tatum writes up the story with all the flourish he can muster, and portrays Leo's wife Lorraine (Jan Sterling) as a devoted spouse fearful for her husband's life, even though she can barely stand Leo and is planning to leave him. Tatum's story is picked up by the wire services and he makes friends with local sheriff Kretzer (Ray Teal) to insure he has an inside line on updates on Leo's rescue. When Tatum learns that Leo can be freed in a mere twelve hours, he persuades Kretzer and his men to adopt another rescue method that will take several days, which will generate more copy for Tatum, more press attention for Ketzer's re-election campaign, and more business for Lorraine's diner. Soon Los Barios is the biggest tourist attraction in the state, but as the media circus mounts, Leo begins to fall seriously ill. Also released as The Big Carnival, Ace In The Hole was a major box-office disappointment upon its original release in 1951, even though it was sandwiched between two of Wilder's biggest hits, Sunset Boulevard and Stalag 17. Despite never being released in home video until 2007, Ace In The Hole's bitter tone earned it an enthusiastic cult following, and it's now regarded as one of Wilder's best films of the Fifties. ~ Mark Deming, Rovi

Destination Big House is a well directed Republic Programmer starring Dorothy Patrick as a vacationing schoolteacher. Gangster Richard Benedict bursts into Dorothy's mountain cabin, where he dies in a shootout with the Law. As he breathes his last, Benedict wills $80,000 to Dorothy, but neglects to tell her where the loot is hidden. Coerced by the police to suggest that she knows where the money is, Dorothy helps to ferret out the rest of Benedict's gang. When the money is recovered, Dorothy donates all of it to a polio clinic maintained by the film's hero, Robert Rockwell. ~ Hal Erickson, Rovi

No relation to the 1970s TV series of the same name, Republic's Streets of San Francisco stars Hollywood veterans Robert Armstrong and Mae Clarke. Armstrong plays Willard Logan, a tough Frisco detective who is forced to killer a gangster leader. Logan takes pity on the gangster's orphaned son Frankie (Gary Gray), despite the fact that the boy despises all cops with a passion. Gradually, Frankie responds to the kindnesses extended by Logan and his wife Hazel (Mae Clarke). Sentiment gives way to melodrama in the final reel, when Frankie is kidnapped by his father's mob and nearly strong-armed into a life of crime. ~ Hal Erickson, Rovi

A sequel to 1947's Dear Ruth, this movie has William Holden and Joan Caulfield portraying a young married couple with some definite in-law problems. When Caulfield's younger sister gets Holden to run for the State senate, a whole new kettle of worms is opened--his opponent is his Father-in-law. In spite of former suitors trying to break up their relationship and the obvious stress caused by the campaign, everything works out Hollywood-style. This was followed by a sequel for the younger sister, entitled Dear Brat. ~ Tana Hobart, Rovi

Perhaps it's just as well that Columbia elected to film Prosper Merimee's Carmen without Georges Bizet's music: after all, Rita Hayworth and Glenn Ford weren't exactly Leontyne Price and Robert Merrill. The Loves of Carmen is a reasonably faithful rehash of Merimee's story of the tempestuous gypsy cigarette-factory worker Carmen (Hayworth) and the devastating effect she has on the men in her life. Assigned to arrest Carmen after a street brawl, handsome military officer Don Jose (Ford) falls in love with her instead, renouncing his virginal sweetheart and falling in with Carmen's smuggler cronies. So smitten is Don Jose that he doesn't realize until it's too late that the amoral Carmen is foredoomed to destroy herself and her lovers. Highlights include a knife duel between Don Jose and Carmen's common-law husband Garcia (Victor Jory) and the fatal final confrontation stemming from Carmen's flirtation with bullfighter Lucas (John Baragrey). Dazzling Technicolor photography is the principal asset of this entertaining but uneven star vehicle. ~ Hal Erickson, Rovi

Lightnin' in the Forest is a rare Republic Studios foray into the comedy field, kept alive by the rapport between its stars. Lynne Roberts plays an Eastern gal who heads to the North Woods, looking for thrills. Vacationing psychiatrist Warren Douglas likewise journeys to the tall timbers, in search of peace and quiet. Roberts and Douglas "meet cute," verbally spar for a few reels, and team up to undergo several exhilarating, life-threatening outdoor adventures. Adding additional spice to Lightnin' in the Forest are such dependable players as Don Barry, Adrian Booth, and the ageless Lucien Littlefield. ~ Hal Erickson, Rovi

Cary Grant met his future wife Betsy Drake on the set of the appropriately titled Every Girl Should be Married. Grant plays well-known baby specialist Madison Brown, who is Dr. Spock in everything but name. After a chance meeting with headstrong young Anabel Sins (Drake), poor Brown finds his every move and thought monitored by Anabel, who intends to become his wife come heck or high water. Upset that Brown steadfastly resists her charms, Anabel decides to make him jealous by playing up to her boss Roger Sanford (Franchot Tone). When Brown still won't bite, our plucky heroine mounts a campaign enlisting everybody in town to wear down the doctor's resistance. Nowadays, this is called "stalking"; in 1948, it was called "funny." Produced, directed and written by Don Hartman, Every Girl Should be Married was a box-office winner to the tune of $775,000. ~ Hal Erickson, Rovi

Bells of San Fernando was advertised as a romantic adventure, but it plays more like a Western. Donald Woods plays an Irish immigrant who teams with Mexican gal Gloria Warren to combat land baron Anthony Warde. Whenever the plot lags, Warren sings. Catch the name of "Renault Duncan" in the screenplay credits of Bells of San Fernando. It's really actor Duncan Renaldo, aka "The Cisco Kid" -- which may explain why the film looks like a thinly disguised "Cisco" episode. ~ Hal Erickson, Rovi

Invisible Informer serves as a feature-length vehicle for Republic serial queen Linda Stirling. The story is set in motion by a missing necklace, worth $100,000. The insurance agency covering the necklace suspects that the "theft" is a fraud, and dispatches special operatives Eve Murray (Stirling) and Mike Reagan (William Henry) to get to the truth. In the course of their investigation, Eve and Mike must contend with several murders, perpetrated by the thief with the help of a nasty police dog. Usually seen battling burly bad guys or escaping deadly perils in her other films, Linda Stirling is afforded a few steamy love scenes in this one, which she pulls off with elan. ~ Hal Erickson, Rovi

In this adventure, set in Old California, a Spanish nobleman journeys to California to claim an inheritance. He soon discovers that his greedy cousin has laid claim to the wealth by declaring the Spaniard legally dead. The resourceful nobleman decides to trap his wicked relative by posing as a peon. He enlists the aide of the local mission priests. ~ Sandra Brennan, Rovi