Hans Thimig Movies

My Daughter Patricia Meine Tochter Patricia is a lightweight, romantic comedy by award-winning director Wolfgang Liebeneiner, with no particular pretensions other than to entertain. Patricia (Gerlinde Locker) has just finished her stay at a Swiss boarding school, and like other young women her age, her thoughts have turned to men. In fact, they have turned to one man in particular (Gerhard Riedmann). Unfortunately for Patricia, someone else has her sights set on the same young man -- but unfortunately for him, neither woman is very constant -- their affections go back and forth like a ping-pong ball. ~ Eleanor Mannikka, Rovi

God's Angels are Everywhere was originally released as Gottess Engel Sind Uberall. Just before the end of WWII, a soldier returns to his hometown of Vienna. Here he meets his spiritual alter ego, a young war refugee searching for his mother. Forming a strong alliance, the soldier and the boy find they have a lot more in common than they ever imagined. As indicated by the title, the film's denouement is largely shaped by divine intervention (or at least that's what the audience is supposed to conclude). God's Angels are Everywhere possesses an indefinable appeal that reached far beyond its target Austrian audience. ~ Hal Erickson, Rovi

The merry monarch of the title is King Louis XV of France, here rechristened "Ludwig" and played by Alfred Neugebaur. For most of the film however, the king is shunted off to the background, while the spotlight is shifted to provincial coachman Chapelou (Willy Eichberger). Gaining fame as a singer, Chapelou is whisked off to Versailles, where he catches the eye of royal mistress Madame Pompadour (Thekla Ahrens), who tries to dispose of Chapelou's wife Madelaine (Rose Stradner) by confining her to her home. But Madelaine has her revenge when she shows up at the King's palace, posing as the Countess Latour. Yes, the King smiles, but not before La Pompadour is given plenty of reason to frown. This frothy costume escapade was originally released as Der Postillon von Lonjumeau. ~ Hal Erickson, Rovi

Sehnsucht 202 (Longing 202) is all about a not-so-slight misunderstanding. A pretty young millionairess places an "Object: Matrimony" newspaper ad, signing herself "Longing 202." At the same time, a poor shop girl, in search of a job, places a separate classified ad -- likewise identifying herself as Longing 202. The inevitable mix-ups occur, with the millionairess landing a department store job and a handsome husband, and the shop girl landing a handsome husband and a "job" of a different sort. The film's two heroines are played by Magda Schneider (mother of Romy Schneider) and a Vienna-born newcomer named Luise Rainer. ~ Hal Erickson, Rovi

This epic Austrian production was credited to Michael Kertesz, who became better known as Michael Curtiz. It was also the screen debut of Walter Slezak. Mary Conway (Lucy Doraine) agrees to marry the wealthy Jackson Harber (George Reimers) to save her mother (Erika Wagner) from a forgery charge. She's really in love with Harry Lighton, a poor sculptor (Kurt Ehrle). At the engagement party, Lighton shoots himself, and Mary turns vindictive and cynical. She decides to make Harber's son, Edward (Slezak), fall in love with her and she succeeds. In an attempt to save Edward, his tutor (Michael Varkonyl) tells him the story of the queen of sin, who he compares to Mary. When this doesn't work, he goes to Mary and relates the story of Lot's wife. When Mary falls asleep, she dreams, in vivid cinematic detail, about the days of Sodom and Gomorrah, in which Lighton is Lot and she is his wife. When she wakes up, she calls off the wedding and goes to Lighton, who is recovering from his wound. Haber and his son reconcile. In its European release, this picture was 18 reels long; it was cut down to eight for release in the States, but the severe editing made the story disjointed and confusing. ~ Janiss Garza, Rovi