Ja'net DuBois Movies

The three most glamorous and butt-kicking private detectives in the business are back and ready to take on bad guys in this sequel to the 2000 blockbuster screen adaptation of the once-popular television series. Dylan (Drew Barrymore), Natalie (Cameron Diaz), and Alex (Lucy Liu) are once again summoned to the office of their boss Charlie (voice of John Forsythe), where they're introduced to his new right-hand man Jimmy Bosley (Bernie Mac) and given their latest assignment. It seems a pair of rings have gone missing and need to be recovered, but this was no ordinary jewel heist -- the rings have been coded with special information that can be used to access a list of every person in the FBI's Witness Protection Program, and when a handful of protected informants are murdered, the Angels are brought in to help crack the case. As the women search for the culprits, they encounter Madison Lee (Demi Moore), one of Charlie's former agents who decided that the wrong side of the law pays better, and Seamus (Justin Theroux), who once dated Dylan and wants revenge for her decision to turn him over to the police. Luke Wilson and Matt LeBlanc return as (respectively) Natalie and Alex's love interests, as does Crispin Glover as the Thin Man; John Cleese, Robert Forster, and Eric Bogosian also appear in supporting roles. ~ Mark Deming, All Movie Guide

Carolinian Sarah Cooper (Linda Lavin) and Texan Harriet Cahill (Gena Rowlands) are lifelong friends who are both widowed at virtually the same time. Although Sarah is financially well off, Harriet is struggling to make ends meet. In her efforts to help Harriet, Sarah is shocked to find out that her old friend has always been jealous and resentful of Sarah's comparative success in life--and that is not the only startling occurrence in the challenge- and crisis-ridden months that follow. Deflty managing to including such TV-movie standbys as adultery, old-age romance and terminal illness, Best Friends for Life made its CBS network bow on January 18, 1998. ~ Hal Erickson, All Movie Guide

Christmas and Hanukkah are simultaneously acknowledged during the holiday season at the ER. The faith of Holocaust survivor Hannah Steiner (Joan Copeland) is sorely tested when she is injured in a carjacking and her baby granddaughter is apparently kidnapped; and a priest (Tony Plana) who has been mortally wounded in a shooting at his own church prays that this tragedy will not result in wholesale gang war. As for the staffers, Greene (Anthony Edwards) sullenly prepares to spend his first Christmas without his wife; and Shep (Ron Eldard) finally expresses his true feelings toward Carol (Julianna Margulies). ~ Hal Erickson, All Movie Guide

As this year's Valentine's Day project, Whitley (Jasmine Guy) is doing a "Men of Hillman" calendar. Naturally, Dwayne (Kadeem Hardison) wants to participate, but Whitley rejects him on the grounds that he isn't "buff" enough. Elsewhere, Ron (Darryl M. Bell) lands in hot water when he makes three dates for the same night; Jaleesa's (Dawnn Lewis) Valentine celebration with Col. Taylor (Glynn Turman) ends abruptly and painfully; and Freddie (Cree Summer) is dismayed when she learns the identity of her secret admirer. and And yes, that girl playing "Jaclyn" is a young, pre-Academy Award Halle Berry. ~ Hal Erickson, All Movie Guide

Jack Moony (Bob Hoskins) is a vice detective, but he is also an intense and crazed, racist lout. Jack has had a brief fling with a hooker named Crystal (Chloe Webb), but Crystal left him for Napoleon Stone (Denzel Washington), a suave, handsome, cosmopolitan lawyer, who becomes the object of Jack's rage, not simply because he has stolen his girl but also because he is black. Jack, who lives on cheeseburgers, beer, and whiskey, has a heart attack. This occurs the same night that Stone is killed in an un-accidental car crash. Thanks to a quick organ transplant, Jake ends up with Stone's heart. But to Jack's horror, he discovers the ghost of the lawyer has returned to earth to follow Jack around -- offering Jack nutritional advise, giving him tips on solving his murder, and suggestions on how to get back together with Crystal. ~ Paul Brenner, All Movie Guide

Kids Like These was cowritten by Emily Perl Kingsley, the mother of a Down's Syndrome child. Basing the script for this TV movie on her own experiences, Ms. Kingsley relates the story of Tyne Daly and Richard Crenna, the parents of a Down's baby. Refusing to accept the doctor's grim prognosis and suggestion that the child be institutionalized, Daly devotes herself to training her baby to surmount his handicaps. By the time the boy enters school, he is functioning at a higher level than anticipated, inspiring Daly to begin working with other parents of handicapped children. But her tireless activities on behalf of strangers takes a toll on her own family--and also blinds her to the still-existing limitations facing her son. Directed by Tyne Daly's then-husband Georg Stanford Brown, Kids Like These utilizes five Down's children to portray the son at various ages; the cast also includes real-life therapist Dr. Margaret Gianini. ~ Hal Erickson, All Movie Guide

By the time The Jeffersons set forth upon its eleventh season in the fall of 1984, the series had been out of the Top 25 programs for nearly two years. In fine sitcom tradition, the producers tried to remedy the situation by first changing the time slot (from Sundays to Tuesdays, beginning in January 1985) and then introducing a new character -- though this one was not "new" at all, merely remodelled. In the spring of 1980, George and Louise Jefferson (Sherman Hemsley, Isabel Sanford) had become grandparents when their son Lionel (Mike Evans) and daughter-in-law Jenny (Berlinda Tolbert) brought forth a baby daughter, Jessica. This character had been virtually written out when both Evans and Tolbert left the series, and viewers were clearly unhappy. There was nothing to do but to bring Jessica back. Ebonie Smith was cast as Jessica, who through the magic of network television had grown into a healthy eight-year-old within a mere four-year span. While Jessica was a welcome addition, The Jeffersons itself was clearly tired and played out (as evidenced by its wearisome reliance upon celebrity guest stars in several episodes). Still, the cast assumed that the show would be renewed for a 12th season, and accordingly did not bother with taping a "grand finale," closing out the season with a standard, open-ended story line. But CBS had other plans, and with the telecast of the 253rd episode on June 26, 1985, the 11-year saga of The Jeffersons came to an abrupt end. ~ Hal Erickson, All Movie Guide

Ending its eighth season as the third top-rated TV series in America, The Jeffersons was assured its usual Sunday night CBS berth for a ninth season, beginning in the fall of 1981. Conspicuous by their absence were former series regulars Mike Evans (as Lionel Jefferson), Berlinda Tolbert (as Jenny Willis Jefferson) and Paul Benedict (as Harry Bentley), though both Evans and Tolbert would pop up as "guest stars" and Bentley would be seen in a smattering of episodes filmed for season eight but held back until the following year. Like many another long-running sitcom, The Jeffersons was beginning to show its age, most notably in its paucity of fresh and original story angles. The actors, too, seemed to be more subdued than in previous seasons -- especially Sherman Hemsley as George Jefferson, whose energy level had cooled considerably. The seemingly phlegmatic attitude of the series' cast and production crew spilled over into its fan following: The Jeffersons dropped from third to 12th place in the ratings, and would continue to drop throughout its final two years of existence. ~ Hal Erickson, All Movie Guide

In his first major TV project since Kojak, Telly Savalas stars as maverick Philadelphia criminal lawyer Nick Hellinger. He heads to Houston to defend a syndicate accountant accused of murder. The government seems inordinately interested in the case, as well it should be: The accountant is actually an undercover agent. Mob boss (Rod Taylor) also puts pressure on Hellinger in regards to the case. Hellinger's Law was the pilot for a series that looked as though it was an easy sell; but when it came down to the line, CBS, despite allegedly ordering several scripts to be written, decided not to go with the show. ~ Hal Erickson, All Movie Guide

The phenomenal success of the 1977 ABC miniseries Roots all but demanded a sequel to writer Alex Haley's epic story of his African and African-American forebears. Debuting February 18, 1979, Roots: The Next Generations picked up where its predecessor left off, with Haley's slave ancestors winning their freedom in the aftermath of the Civil War. Even so, life for black Americans was wrought with hardship and oppression thanks to the rise of the Ku Klux Klan, the staunch refusal of the white power structure to pass anti-lynching laws, and the formation of the dreaded Jim Crow laws which legalized racial segregation in the South (and much of the North). Covering the period from 1882 to the mid-1970s, the miniseries first focuses on blacksmith Tom Harvey (Georg Stanford Brown), great-grandson of Kunta Kinte (the protagonist of the original Roots), and his family. Meanwhile, reacting to the marriage of his son to a black woman, anal-retentive Southern colonel Warner (Henry Fonda) begins setting the legal wheels in motion to deny blacks like Tom the right to vote and to hold "white" jobs. A few decades later, Tom's son-in-law encourages his fellow blacks to stand firm against the KKK's reign of terror. His labors on behalf of his race are rewarded when his daughter Bertha (Irene Cara) becomes the first descendant of Kunta Kinte to receive a college education. It is Bertha Palmer who weds the equally ambitious Simon Haley (Dorian Harewood), who goes on to serve in WWI and to organize farmers and sharecroppers during the Depression. Simon's son Alex (played at various ages by Kristoff St. John, Damon Evans, and finally James Earl Jones) is just as determined to succeed in a white man's world as his father, and to that end becomes a professional writer after his own service stint in the Coast Guard during WWII. At the height of his professional success (largely due to his having ghost-written the autobiography of Muslim activist Malcolm X), Alex Haley pays a visit to his boyhood hometown -- where, almost by accident, he receives the first clue to his heritage, a clue that will lead him on an odyssey of self-discovery, arriving full circle at Kunta Kinte's birthplace in Africa. Although the miniseries' "money scene" was Haley's nervous interview with American Nazi Party leader George Lincoln Rockwell (Marlon Brando in a superb cameo turn), the climactic episode, in which Haley tearfully embraces the living African descendants of Kunta Kinte, is one of the most unforgettable moments in the history of network television. Running 12 episodes and 14 hours, Roots: The Next Generations concluded on February 25, 1979, playing to huge ratings all along the way and ultimately garnering several Emmy nominations (and one win). ~ Hal Erickson, All Movie Guide

Assured that the character played by her co-star Jimmie Walker, brash, budding inner-city artist J.J. Evans, had become more mature and responsible during her year-long absence, actress Esther Rolle agreed to return to the role of J.J.'s mom, Florida Evans, as Good Times launched its sixth season. Conspicuous by his absence was Moses Gunn as Florida's second husband, Carl Dixon, whom she ostensibly married at the end of season four -- and with whom she'd been living in Arizona while "missing in action" throughout season five. When Florida made her comeback to the Evanses' tiny Chicago apartment, it was minus Carl, with no explanation given as to what had happened to him; indeed, it was if Carl had never existed. The series' scripters contrived to bring Florida back into the Evans fold by having her invited to the wedding of her daughter, Thelma (BernNadette Stanis), and up-and-coming, award-winning football flash Keith Anderson, played by new Good Times regular Ben Powers. It was hoped that Keith's impending contract with the Chicago Bears would enable the Evanses to at last leave the Projects and move into more attractive surroundings. Alas, no sooner had Thelma and Keith said "I do," than Keith tripped and broke his knee, thereby effectively squashing any hopes he had for a pro football career. Thus did Keith move into the increasingly crowded Evans apartment, contributing to the family's meager finances by working as a cab driver. Since Keith could only work a few hours a day, and J.J. had just been fired by the ad agency where he worked, former maid Florida had to go job-hunting, landing a part-time position as a school bus driver. J.J.'s efforts to make ends meet caused him to cross paths more than once with brutish neighborhood loan shark "Sweet Daddy" Williams, played by Theodore Wilson, a formerly recurring character who graduated that season to semi-regular status.

As for the other cast members, younger brother Michael Evans (Ralph Carter) continued to seek out his niche in the world; neighbor Willona (Ja'net Dubois) was relatively content in her new role as single adoptive mother to the precocious Penny (Janet Jackson); and usurious landlord Bookman (Johnny Brown) continued to pinch as many pennies as possible in maintaining the Evans apartment. Beginning the season in a "death" time slot opposite NBC's Saturday-night league leader, CHiPs, Good Times continued to lose viewers at an alarming rate. Having already gone on a brief hiatus in November 1978, the series left the air entirely in December, resurfacing in May 1979, only so that the remaining episode could be played off, thereby avoiding a total loss of CBS' investment. In a Wednesday-night time slot that was no more beneficial than its previous Saturday berth, the series died a quiet death on August 1, 1979, with one of the most outrageously unrealistic "happy" endings in TV series history: To make a long story short, everything turned out all right. Only 21 of the 24 episodes filmed for the 1978-1979 season were telecast by CBS; the three "orphaned" episodes would not be seen until Good Times entered local syndication in the fall of 1979. ~ Hal Erickson, All Movie Guide