Bernard Szold Movies

The genesis for Queen for a Day was the Dorothy Parker short story Horsie, all about a homely woman who takes a job as a nanny in the household of a selfish, insensitive couple. Months later, the husband receives a gift of an electric razor from "Horsie," out of gratitude for his kindnesses -- kindnesses which, of course, he never consciously extended. "Horsie" ended up as one of three short stories adapted to film by producer Robert Stillman in 1951. The unifying theme of the film was that each of the three female protagonists were contestants on the TV series Queen for a Day. You may remember that this long-running program was hosted by Jack Bailey, who on a daily basis selected one of three deserving women to be the recipient of fabulous prizes, the decision, which was made by the audience (there was an "applause meter" on the set), was predicated upon which of the three ladies had the saddest or most fascinating life story to tell. In addition to "Horsie," aka Miss Wilmarth (Edith Meiser), the other contestants in the film are Phyllis Avery and Kasia Orzazewski. Avery stars in the vignette titled "The Gossamer World," based on a John Answorth story, this episode concerns Avery's son Rudy Lee, a victim of polio. Orzazewski figures into the Faith Baldwyn story "High Diver," wherein she plays the immigrant mother of a college-bound boy (Adam Williams) who takes a job at a carnival to make ends meet. Queen for a Day was originally released as Horsie, until it was decided that the TV series' title was more saleable. (It wasn't, despite an aggressive ad campaign conducted on the Queen for a Day television program.) ~ Hal Erickson, All Movie Guide

Damon Runyon's Broadway fable The Lemon Drop Kid was filmed twice by Paramount Pictures, but only the 1934 version with Lee Tracy paid more than lip service to the original Runyon story. The second version, filmed in 1951, was completely retooled to accommodate the talents of Bob Hope. Known far and wide as the Lemon Drop Kid because of his fondness for that particular round, yellow confection, Hope is a bookie who finds himself deeply in debt to Florida gangster Fred Clark. Magnanimously, Clark permits Hope to head to New York to raise the money--but he'd better have the dough ready by Christmas, or else. Ever on the lookout for Number One, Hope decides to exploit the Christmas spirit in order to get the money together. With the help of unsuspecting nightclub-singer Marilyn Maxwell, Hope sets up a charity fund to raise money for an "Old Doll's Home"--that is, a home for down-and-out little old ladies. He claims to be doing this on behalf of big-hearted Jane Darwell, but he has every intention of double-crossing Darwell and all the other elderly women by skipping town with the charity funds and leaving them at the mercy of the authorities. By the time Hope has seen the error of his ways and tries to do right by the old dolls, Maxwell's boss Lloyd Nolan has decided to muscle into the racket by using the ladies' home as a front for a gambling casino. To set things right, Hope finds it necessary to disguise himself as a fussy old spinster at one point. The best line in the film goes to William Frawley, playing one of many Broadway toughs who are being pressed into service as street-corner Santas. "Will you bring me a doll for Christmas?" asks a little girl. "Naw, my doll's workin' Christmas Eve" is Frawley's salty reply. The Lemon Drop Kid is the film in which Bob Hope and Marilyn Maxwell introduced the enduring Yuletide ballad "Silver Bells", written (reportedly in a real hurry) by Jay Livingston and Ray Evans. ~ Hal Erickson, All Movie Guide

Union Station is a tense crime thriller in the tradition of The Naked City that unfolds in Los Angeles. William Holden plays railroad worker Lt. William Calhoun. Calhoun goes into action when Lorna Murchison (Allene Roberts), the sightless daughter of millionaire Henry Murchison (Herbert Heyes), is kidnapped by ruthless Joe Beacon (Lyle Bettger). The abduction is witnessed by Joyce Willecombe (Nancy Olson), Murchison's secretary. Using the handful of clues provided by Joyce, Calhoun and his associate, Inspector Donnelly (Barry Fitzgerald) do their best to second-guess the kidnapper. The film's most harrowing scene finds Beacon abandoning the blind and helpless Lorna in a deserted car barn in the deepest recesses of the titular station. Jan Sterling co-stars as Marge, Beacon's conscience-stricken moll. Former cinematographer Rudolph Mate does a nice, neat job as director, seamlessly matching location shots with studio mockups. ~ Hal Erickson, All Movie Guide