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Janet Stewart Movies

1966  
 
Preparing for a visit from Mayberry's guest minister Rev. Leighton (Ian Wolfe), Aunt Bee worries that her natural hair-do won't survive the night. Thus, she quickly dons an attractive blonde wig, which duly impresses the visiting cleric. The problem: Aunt Bee grows fond of the minister, and hasn't the nerve to tell him that she isn't a natural blonde. The most amusing aspect of this episode is the fact that supporting actor Ian Wolfe is rather obviously wearing a "rug" himself! First shown on October 10, 1966, "Aunt Bee's Crowning Glory" was written by Ronald Axe. ~ Hal Erickson, Rovi

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1965  
 
Aunt Bee becomes quite the celebrity when she wins an abundance of prizes on the TV game show Win or Lose. As her fame grows, so does her ego-at least until the IRS shows up to burst her bubble. "Aunt Bee on TV" was filmed before the series' three-episode "Hollywood arc" ("Off to Hollywood", "Taylors in Hollywood" and "The Hollywood Party"), but telecast afterward, on November 15, 1965. The episode was written by Fred Freeman and Lawrence J. Cohen. ~ Hal Erickson, Rovi

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1965  
 
Jack Burns joins the series as Andy's overzealous new deputy Warren Ferguson. Even more of a "letter of the law" stickler than his predecessor Barney Fife, Warren immediately makes his mark by arresting several bingo-playing old ladies for gambling. When he refuses to drop the charges, Andy has to figure out a way to "humanize" Warren. Written by Ben Joelson and Art Baer, "The Bazaar" first aired on October 11, 1965. ~ Hal Erickson, Rovi

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1964  
 
Andy heads to Raleigh, there to interview for a job as that city's sheriff. Assuming that he will be Andy's successor, Barney casts about for a new deputy, but the only candidates turn out to be dimwitted mechanic Goober Pyle, town drunk Otis Campbell and octogenarian Judd (Burt Mustin). By the time Andy returns to Mayberry, chaos is reigning supreme. First aired on November 23, 1964, "Goobye, Sheriff Taylor" was written by Fred Freeman and Lawrence J. Cohen. ~ Hal Erickson, Rovi

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1963  
 
Convinced that Andy should start thinking about settling down with a wife, Barney "auditions" several likely prospects, parading the ladies through the Taylor household. Andy has eyes only for Helen Crump-a choice which greatly displeases perfectionist Barney. Janet Waldo, the voice of cartoondom's Judy Jetson and Penelope Pitstop, appears as Amanda Ketchum. First broadcast on April 15, 1963, "A Wife for Andy" was written by Aaron Ruben. ~ Hal Erickson, Rovi

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1962  
 
Parley Baer makes his first series appearance as Roy Stoner, the new mayor of Mayberry. A man who runs his administration strictly by the book, Stoner regards Sheriff Andy and Deputy Barney as inept and inefficient-and this first impression would seem to be confirmed when the mayor finds a fish in Andy's desk drawer. Inevitably, however, Stoner comes to realize that, in their own laid-back way, Andy and Barney are both assets to the community. Written by Harvey Bullock, "Andy and the New Mayer" originally aired on October 15, 1962. ~ Hal Erickson, Rovi

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1957  
 
The flourishing orchid business owned by Mildred Kimber (Anne Barton) may pass into the hands of unscrupulous florist Harry Marlow (Dan Seymour), who has arranged for Mildred's husband to lose all his money in a rigged poker game at the nightclub owned by Sam Lynk (Michael Emmett). Subsequently, Lynk is found poisoned to the death, and the evidence points to Mildred. Determined to prove Mildred's innocence, Perry (Raymond Burr) finds that DA Hamilton Burger (William Tallman) is more determined than ever to get a conviction--meaning that most of Perry's work will have to take place outside the courtroom! Based on a 1940 novel by Perry Mason creator Erle Stanley Gardner, this episode was remade in 1965 as "The Case of the Candy Queen." ~ Hal Erickson, Rovi

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1955  
 
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A Man Called Peter is the story of Scottish-born Presbyterian minister and world-renowned author Peter Marshall, here played by Richard Todd. In his youth, Marshall moves to Washington DC, where he becomes pastor of the Church of the Presidents. His wisdom and conviction enables Marshall to communicate with men of all faiths. In private life, the pastor is given moral support by his loyal wife Catherine Marshall (Jean Peters). At the time of his comparatively early death, Marshall has become chaplain of the US Senate. Interestingly enough, while Marshall and his family are identified by name, the peripheral political characters are given fictional monickers--and sometimes, as in the case of the President played by William Forrest, no names at all. Director Henry Koster expertly avoids filming Marshall's sermons in a static, declamatory fashion. As Catherine Marshall, Jean Peters does wonders with a comparatively limited role; her best scene is her last, when she overcomes her lifelong fear of the ocean for the sake of her son (Billy Chapin). A Man Called Peter was certainly not conceived out of any box-office considerations, but it still paid its way. ~ Hal Erickson, Rovi

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Starring:
Richard ToddJean Peters, (more)
 
1954  
 
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A little girl is found wandering in the desert, in a state of complete shock. When she finally revives, she can scream out only one word: "Them!" Any aficionado of 1950s horror films can readily tell you that "Them" are giant ants, a byproduct of the radiation attending the atomic bomb tests of the era. Extremely well organized, these deadly eight-to-twenty-foot mutations converge on the storm drains of Los Angeles in the finale. Forming a united front against the oncoming ant battalions are New Mexico police sergeant James Whitmore, FBI representative James Arness, and father-and-daughter entomologists Edmund Gwenn and Joan Weldon. Since the details of Them are fairly common knowledge today, the mystery-thriller structure of the film's first half tends to drag a bit. Things liven up considerably during the search-and-destroy final reels, as the audience is barraged with convincing special effects and miniature work-not to mention that eerie ant-induced sound effect, so often imitated by subsequent lesser films. Fess Parker appears in a starmaking cameo as a pilot driven to the booby hatch after witnessing the ants in action, while an uncredited Leonard Nimoy is seen pulling info out of IBM machine. Definitely the high point in the careers of director Gordon Douglas and scenarists Ted Sherdeman and George Worthing Yates, Them is also one of the handful of vintage science-fiction thrillers that holds up as well today as it did when first released. (Sidebar: Though filmed in black-and-white, Them is alleged to have been released with a Technicolor opening title, the word THEM! hurtling towards the audience in a vibrant red). ~ Hal Erickson, Rovi

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Starring:
James WhitmoreEdmund Gwenn, (more)
 
1954  
 
In this subtle 1954 comedy with feminist overtones, Clifton Webb plays Gifford, an executive with a large automobile manufacturer who is having trouble deciding who to hire as his chief sales manager. His three candidates are equally competent, so he brings their wives with them to New York headquarters, planning to hire the one whose wife is most suited to be an executive's wife. Elizabeth (Lauren Bacall) is the wife of Sid (Fred MacMurray), a company man. Elizabeth knows that Sid is such a workaholic that she will never see him if he gets the new job, but she is loyal to her husband and impresses the hiring team with her competency. Bill Baxter (Cornel Wilde) is handicapped in the competition by his wife Katie (June Allyson), a clumsy but sweet small-town girl from the Midwest. Katie dutifully tries to impress the big boss but proves inept at handling the social responsibilities. She would prefer to stay in Kansas City anyway. Jerry (Van Heflin) is married to Carol (Arlene Dahl), a seductive gold-digger who sexually teases various executives in the hopes that her assets can help land Jerry the job. Instead, her out-of-bounds behavior gets Jerry eliminated from the list, at least until Jerry tells Gifford that he doesn't sanction his wife's behavior. ~ Michael Betzold, Rovi

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Starring:
Clifton WebbJune Allyson, (more)
 
1953  
 
A remake of the 1936 Janet Gaynor vehicle of the same name, Small Town Girl stars Jane Powell in the title role. Powell plays Cindy Kimball, daughter of village judge Gordon Kimball (Robert Keith). When wealthy playboy Rick Livingston (Farley Granger) is arrested for speeding, Judge Kimball sentences the arrogant young sprout to 30 days to teach him a lesson. Taking it upon herself to "reform" the prodigal Rick, Cindy tricks him into marriage, and then the fun begins. Ann Miller co-stars as a musical comedy star with whom Rick had planned to elope; her presence in the film is justified by several well-staged Busby Berkeley dance numbers. Also on hand as Jane Powell's hometown sweetheart is Bobby Van, who performs the film's best and most memorable musical setpiece, "Street Dance," in which Van hops around town like a human pogo stick. ~ Hal Erickson, Rovi

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Starring:
Jane PowellFarley Granger, (more)
 
1952  
 
Working undercover, Friday (Jack Webb) poses as a hit man, hired by Charles Stone (Vic Perrin) to kill Stone's wife (Helen Kleeb). Not unexpectedly, the killing doesn't take place and Stone is arrested--but there's a surprise in store for Friday, courtesy of the incredibly forgiving Mrs. Stone. Based on a radio episode of Dragnet which originally aired on September 28, 1950, this TV version features Ken Peters as Friday's temporary partner Sgt. Bill Cummings, replacing the late Barton Yarborough as Ben Romero (Romero's absence is explained away as "A pretty bad case of the virus.") ~ Hal Erickson, Rovi

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1951  
 
Take Care of My Little Girl is a genteel "expose" of college-sorority snobbery. Jeanne Crain stars as Liz Erickson a perky coed who is pledged to an old, established sorority. At first amused by such rituals as "rushing" and "Hell week," Liz eventually feels threatened by the tyranny of the sorority caste system. She is particularly upset with her "sisters"' preoccupation with doltish boyfriends and their disdain for their classwork. With the moral support of student Joe Blake (Dale Robertson), Liz finally gets her priorities in order. Take Care of My Little Girl would make a fascinating companion piece with For Men Only (1951), director Paul Henreid's vitriolic attack against the injurious rituals of male fraternities. ~ Hal Erickson, Rovi

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Starring:
Jeanne CrainDale Robertson, (more)
 
1951  
PG  
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In one of Alfred Hitchcock's suspense classics, tennis pro Guy Haines (Farley Granger) chances to meet wealthy wastrel Bruno Anthony (Robert Walker) on a train. Having read all about Guy, Bruno is aware that the tennis player is trapped in an unhappy marriage to to wife Miriam (Laura Elliott) and has been seen in the company of senator's daughter Ann Morton (Ruth Roman). Baiting Guy, Bruno reveals that he feels trapped by his hated father (Jonathan Hale). As Guy listens with detached amusement, Bruno discusses the theory of "exchange murders." Suppose that Bruno were to murder Guy's wife, and Guy in exchange were to kill Bruno's father? With no known link between the two men, the police would be none the wiser, would they? When he reaches his destination, Guy bids goodbye to Bruno, thinking nothing more of the affable but rather curious young man's homicidal theories. And then, Guy's wife turns up strangled to death. Co-adapted by Raymond Chandler from a novel by Patricia Highsmith, Strangers on a Train perfectly exemplifies Hitchcock's favorite theme of the evil that lurks just below the surface of everyday life and ordinary men. ~ Hal Erickson, Rovi

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Starring:
Farley GrangerRobert Walker, (more)