Paula Sowl Movies

Springfield Rifle was Gary Cooper's third western in a row, released not long after the classic High Noon. Cooper plays Union army officer Lex Kearney, who undertakes a covert investigation to find out why the North's supply of horses has suddenly diminished. Because of the top-secret nature of his mission, Kearney is forced to distance himself from everyone he knows, including his wife Erin (Phyllis Thaxter) and son Jamie (Michael Chapin). Heading to a remote cavalry post, he discovers that renegade soldiers have been stealing horses and selling them to the South. Someone at the post has been operating as the thieves' "inside man," and Lex, posing as a dishonorably discharged soldier, aims to ferret out the traitor. Had it not followed directly on the heels of the critical and financial success of High Noon, Springfield Rifle might have fared better with audiences and reviewers. ~ Hal Erickson, All Movie Guide

The real Matt Cvetic was a borderline alcoholic with a nasty disposition (he once allegedly beat his sister-in-law so badly she required hospitalization). But Cvetic was also a fervent anti-communist, and so, for a brief period in the early 1950s, he was a folk hero. I Was a Communist for the F.B.I. is the semi-true story of how Cvetic (played by Frank Lovejoy) renounced his friends and family and embraced the Red cause--on behalf of the F.B.I., for whom he was a volunteer undercover agent. The film recounts how Cvetic used his job as a Pittsburgh steelworker to contact various American Communist cell leaders, and how he exposed their insidious plans to overthrow the American government. Since the script infers that among the Reds' "subversive" plans was the Civil Rights Movement, I Was a Communist for the FBI is an embarrassing experience when seen today. Cvetic's memoirs were better dramatized by a 1951 radio series of the same title, starring Dana Andrews. ~ Hal Erickson, All Movie Guide