Bill Sorrells Movies

This sequel to Every Which Way But Loose finds Philo Beddoe (Clint Eastwood) on the road, orangutan companion Clyde in tow, as he makes his way as a bare-knuckle fighter. The action begins with Philo punching out a new victim while Clyde relieves himself on the seat of a police car, setting the tone for the rest of the story. From there, Philo and Clyde return home, where Philo, who still lives with Ma (Ruth Gordon), is offered a contest with Jack Wilson (William Smith), the Mafia-sponsored East Coast bare-knuckle champ. Philo inadvertently saves Wilson's life, but then the Mafia kidnaps his girlfriend (Sondra Locke) to force him to go ahead with the match. Philo and Wilson team up to battle the Mob, but somehow they end up fighting anyway in a grueling climactic sequence. Country music, bikers, the Mafia, an orangutan, pick-up trucks, defecation jokes, fighting, drinking, and swearing -- it's all here in this lowbrow comic stew. ~ Don Kaye, All Movie Guide

Several former college students find their former drug experiences catching up with them in an unexpected and terrifying manner in this clever horror outing. Jerry Zipkin (Zalman King) is a bright but troubled man in his late twenties who graduated from Stanford University in 1968 but hasn't had much luck getting his life in order since then. One night Jerry attends a party with a few old college buddies, and is shocked when one of them, Frannie (Richard Crystal), suddenly loses all his hair in a single lump and goes on a bloody rampage. When circumstantial evidence makes Jerry a key suspect in the murders of three women at the party, he sets out to find out what happened, and with the help of another school friend, surgeon David Blume (Robert Walden), he discovers a link between Frannie's bizarre behavior and several similar incidents which recently occurred. In each case, the killers attended Stanford in the late '60s, and all had used Blue Sunshine, a potent but tainted variety of LSD sold by Ed Flemming (Mark Goddard), a bootleg acid chemist who is now a respected mainstream political candidate. Jerry struggles to stay one step ahead of the law as he tries to piece the story together, knowing that another victim of the drug could go insane at any moment. Blue Sunshine was directed by Jeff Lieberman, who has two other cult favorites to his credit, Squirm and Just Before Dawn. ~ Mark Deming, All Movie Guide

Chevy Chase added a classic comic hero to the film landscape with Fletch, one of his few truly popular star vehicles in a famously misguided post-Saturday Night Live career. Chase plays Irwin M. Fletcher, known to everyone as Fletch, a Los Angeles Lakers-loving investigative reporter with a gleeful disdain for deadlines and a knack for pushing the buttons of his frustrated editor (Richard Libertini). He's also known for donning numerous disguises and assuming zany false identities to help gain information. While pursuing an ongoing story about a powerful drug dealer who operates from Venice Beach, he comes across an intriguing offshoot in which he becomes intimately involved. Aviation executive Alan Stanwyk (Tim Matheson) has an unusual proposition for Fletch: If Fletch agrees to an elaborate plan to kill him, for reasons Stanwyk refuses to divulge beyond explaining that he has bone cancer, Fletch will walk away with a healthy sum of money and a plane ticket to Brazil. Curious yet suspicious by profession, Fletch begins investigating Stanwyk's true motives, which leads him through numerous misadventures. Among them are a visit to a stuffy country club; a high-speed car chase with an unwitting passenger; repeat encounters with Stanwyk's wife (Dana Wheeler-Nicholson), although she may not be his only one; and a trip to Provo -- that's Utah, not Spain. Inspired by a novel of the same name by Gregory McDonald, Fletch went from thriller to comedy as it was adapted into a vehicle for Chase. ~ Derek Armstrong, All Movie Guide

Based on the best-selling Vincent Bugliosi book of the same name, Helter Skelter is a made-for-TV account of the investigation and prosecution of Charles Manson (Steve Railsback), who was convicted of leading a group of followers (known as "The Family") to murder seven people in California, including actress Sharon Tate. The film takes a Law & Order-like approach, starting with the discovery of the murders, which leads to the police gathering snippets of evidence that they eventually connect to the bigger picture. The second half of the movie concentrates on how District Attorney Bugliosi (George DiCenzo) attains a conviction despite the enormous amount of press coverage the case received. Nancy Wolfe, Christina Hart, and Cathey Paine portray the three loyal Manson Family members who were the co-defendants at his trial. ~ Perry Seibert, All Movie Guide

Rollercoaster was a by-product of the brief "Sensurround" craze of the 1970s. Nutsoid Timothy Bottoms sabotages an amusement-park roller coaster, killing several innocent revelers. After several other acts of terrorism, Bottoms (whose character is credited as Young Man) presents his demands to the authorities via audio tape: one million dollars, or he'll stage five roller-coaster disasters simultaneously in five different parks. Because detective Harry Calder George Segal evinces a grudging respect for the elusive extortionist, Bottoms declares that only Detective Calder will be permitted to deliver the money. Thus the stage is set for an explosive climax, which during the film's original run was accompanied by the Sensurround effect, a gimmick that electronically caused the filmgoer's chairs to begin shaking and vibrating during the "thrill scenes." As with most disaster flicks of the era, Rollercoaster is top-heavy with "guest stars," including Richard Widmark, Henry Fonda, Harry Guardino, and Susan Strasberg. Watch for 13-year-old Helen Hunt as Detective Calder's spunky daughter. ~ Hal Erickson, All Movie Guide

The success this underdog comedy from director Michael Ritchie almost single-handedly spawned the kids' sports film boom of the 1980s and '90s. When beer-breathed ex-minor-league ball player and professional pool cleaner Morris Buttermaker (Walter Matthau) agrees to coach a little league team in the San Fernando Valley, he soon finds he's in over his head, having inherited an assortment of pint-sized peons and talentless losers. They play well-organized teams and lose by tremendous margins, and the parents threaten to disband the Bears to save the kids (and themselves) any further embarrassment. Buttermaker refuses, though, and brings in a pair of ringers: Amanda (Tatum O'Neal), his ex-girlfriend's tomboy daughter, and Kelly (Jackie Earle Haley), a cigarette-smoking delinquent who happens to be a gifted athlete. With their help, the Bears manage to change their losing ways and qualify for the championship, where they face their arch-rivals, the Yankees. ~ Jeremy Beday, All Movie Guide

This groundbreaking, darkly-comic horror film from director Joe Dante changed the look and feel of werewolf movies in ways light-years distant from Universal's horror classic The Wolf Man. The story begins with television reporter/anchor Karen White (Dee Wallace) taking part in a dangerous police operation intended to trap psychopath Eddie Quist (Robert Picardo). When confronted by Eddie face-to-face, she witnesses something horrifying enough to trigger selective amnesia. Plagued by a series of violent nightmares, Karen decides to admit herself to a posh recovery resort known only as "The Colony," run by her eccentric New Age therapist Dr. Wagner (Patrick MacNee), and brings along her husband Bill (Christopher Stone) for support. The night after they arrive, Karen and Bill are unnerved by eerie howling in the woods. Back in the city, Karen's coworkers Chris (Dennis Dugan) and Terry (Belinda Balaski) have been investigating Eddie's background after discovering that his body has disappeared from the morgue. Sifting through Eddie's possessions, they find a strange collection of artwork depicting wolf-like creatures, and decide to consult with Walter Paisley (Dick Miller, of course), the owner of an occult bookshop, on werewolf lore. Though he claims not to believe in the stuff he's selling, Paisley nevertheless convinces Chris to purchase a handful of silver bullets... just in case. Back at the colony, Dr. Wagner has organized a hunting party after hearing Karen's account of the nocturnal howling, but the men find nothing but a rabbit, which Bill is told to bring to the cabin of the sultry Marsha (Elisabeth Brooks) to prepare for dinner. After resisting Marsha's less-than-subtle sexual overtures, Bill is attacked by a wolf while returning to his cabin. The following moonlit night, the sleepless Bill wanders outside to find Marsha waiting and the two make love by the campfire, their bodies undergoing a frightening transformation. Just as Karen is beginning to suspect that her husband is hiding a secret far more threatening than marital infidelity, Chris and Terry have come to realize -- too late, in Terry's case -- that Eddie Quist is not only still alive, but not quite human... and he knows he's being followed. Chris arrives at the colony too late to save Terry, but manages to find Karen just as the colony's residents -- all of whom are werewolves, including Dr. Wagner -- are assembling to decide her fate. Dante fills his film with heartfelt homages to The Wolf Man and other classic horror movies, as well as a few clever visual puns and in-jokes from his tenure with Roger Corman, but never strays from the path to genuine horror, particularly when Rob Bottin's chilling monsters are onscreen. ~ Cavett Binion, All Movie Guide