Alice Drummond Movies

When ambitious real estate developer Dan Sanders (Brendan Fraser) relocates his family to rural Oregon to supervise the construction of a massive new subdivision, one resourceful raccoon rallies his woodland friends to fight back and shut down the project. As the battle between man and beast heats up, the hapless real estate developer realizes there are some natural environments that are better left untouched. ~ Jason Buchanan, Rovi

When the principal (Meryl Streep) of a Bronx Catholic High School accuses a popular priest (Philip Seymour Hoffman) of pedophilia, a young nun caught in between the feuding pair becomes hopelessly swept up in the ensuing controversy. 1964, St. Nicholas, the Bronx: The winds of change are sweeping through this tight-knit religious community, and charismatic priest Father Flynn (Philip Seymour Hoffman) is doing his best to adapt by revisiting the school's notoriously strict disciplinary practices. Unfortunately Father Flynn's progressive ideas stand in stark contrast to the longstanding beliefs of Sister Aloysius Beauvier (Meryl Streep), the iron-willed principal, who believes that an oppressive environment of punishment and fear is the only way to keep the student body in line. Suddenly into this tempestuous environment appears young Donald Miller, St. Nicholas' first black student. When hopeful innocent Sister James (Amy Adams) reluctantly reveals to Sister Beauvier that Father Flynn and Donald have been spending an unusual amount of time together in the church rectory, the unrelentingly righteous headmistress begins a merciless crusade to reveal the beloved clergyman as a lecherous child molester and have him permanently expunged from the school. Yet despite her moral certainty that Father Flynn has committed such an unspeakable transgression, Sister Beauvier has not a shred of actual evidence to back up her audacious claim. Now, as Sister Beauvier and Father Flynn enter into an epic battle of wills, the shock waves set into motion by their explosive confrontation threaten to destroy one man's reputation and tear apart the entire surrounding community. John Patrick Shanley adapted his own play for the screen under the guidance of producer Scott Rudin (The Queen, Notes on a Scandal). ~ Jason Buchanan, Rovi

Actor David Duchovny made his debut as a director and screenwriter with this coming-of-age drama, in which a grown man looks back at his adolescence. It's 1973, and Tommy (Anton Yelchin) is a 13-year-old boy living in New York's Greenwich Village with his mother (Téa Leoni), who is still coming to terms with the death of her husband. Tommy's best friend is Pappass (Robin Williams), a mentally challenged man who is in his thirties, but is at the same emotional age as Tommy; Pappass delivers meat for a local butcher, and Tommy helps him out. Tommy has discovered women, and has a crush on Melissa (Zelda Williams), a cute girl in his class, but Pappass isn't much interested in the opposite sex, and can offer little advice on the subject. Tommy's lone confidante on this issue is Lady Bernadette (Erykah Badu), a woman locked up in the nearby Women's House of Detention who offers advice shouted from her window. When Pappass begins to realize that Tommy is falling for Melissa, he's convinced he's losing his best friend, and in a moment of anger he steals a bicycle. Tommy tries to protect Pappas by claiming he was the thief, leading to a series of serious repercussions. Years later, Tommy (now played by Duchovny) is a grown man who leaves his home in Paris, France, to pay a visit to the old neighborhood and come to terms with the life he left behind. ~ Mark Deming, Rovi

A woman learns a valuable lesson about her family as she and her aunt look back at her troubled past in this independent drama. As Virginia Wilder (Frances Fisher) visits her elderly Aunt Millie (Alice Drummond) for the Christmas holidays, she discovers a number of letters she received during the 1940s, and gains a new and clearer picture of Millie's life when she was younger. Teenaged Emily (Laurel Holloman) falls in love with a soldier who soon ships out to fight in World War II, but not before she discovers herself pregnant. When the soldier refuses to marry her, Emily is left to have the baby on her own, and soon she discovers herself an outcast in the small Southern town where she was born. While Emily's father (Gary Cole) turns his back on her, her mother (Tess Harper) remains supportive, and Emily soon becomes close friends with two other people who haven't been welcomed by the community, a strong-willed black woman named Wilma Watson (Elise Neal) and Will Bacon (Mark Webber), a well-meaning young man with a bad habit of bending the truth. As Emily's new friends stand by her, Emily in turn stands up for them as Wilma and other members of the town's African-American community begin standing up for their rights as citizens. The first feature film from writer and director Tom Rice, The Rising Place also features Jennifer Holliday and Frances Sternhagen. ~ Mark Deming, Rovi

Susan Sarandon stars in this made-for-cable-TV adaptation of Anne Tyler's novel about a housewife who thinks her life is going nowhere. However, she suddenly gets a lot more adventure than she bargained for when she's taken hostage during a bank robbery. ~ Mark Deming, Rovi

Helen (Kate Capshaw) runs a bookstore in Loblolly By The Sea, a small fishing community in New England where everyone seems to know everyone else's business. A 42-year-old single mother, she is emotionally distant and fearful of getting too close to anyone. George (Tom Selleck) has known Helen since they were schoolmates, and he's been in love with her for ages, but has always settled for just being her friend. Convinced she wasn't interested in him, he married another woman years ago. Helen also has another secret admirer, Johnny (Tom Everett Scott), who isn't at all put off by the fact that Helen is twice his age. Johnny, however, is currently occupied with Jennifer (Julianne Nicholson), a fellow student who also works at the bookstore and is crazy about him. Into this tangled web of unrequited love comes an amorous letter that Helen finds in the store one day. The letter bears no signature and no address; it's at once passionate and oblique, fervent and cryptic. It's very interesting stuff. So who wrote it? And to whom was the writer planning to send it? Before long, the letter has made its way through this circle, and everyone has an idea (or a hope) of who their secret love is, although no one knows for sure or just how to find out. The Love Letter marked the American debut of director Peter Ho-Sun Chan, who enjoyed success in Hong Kong with Comrades: Almost A Love Story and He's A Woman, She's A Man. The supporting cast includes Ellen DeGeneres, Blythe Danner, and Gloria Stuart. The Love Letter may be best remembered as the only major studio film to open the same week as Star Wars: Episode One -- The Phantom Menace. ~ Mark Deming, Rovi

Photographer Cindy Sherman, who often uses motifs from exploitation films in her work, pays witty tribute to slasher films in this satiric horror-comedy. Dorine Douglas (Carol Kane) has spent 16 years at the bottom of the totem pole as a copy editor for Constant Consumer magazine when, due to budget cuts, she's downsized into a contract employee and forced to work out of her home. Dorine isn't at all happy about this, and when she's called back into the office to help obnoxious writer Gary (David Thornton) fix a glitch in his computer, she's not at all upset when he's accidentally electrocuted. Dorine brings Gary's corpse home to join her in front of the TV. When pushy publisher Virginia (Barbara Sukowa) orders Dorine and overly ambitious Kim (Molly Ringwald) to salvage Gary's story from his notes, Dorine snaps, and soon Gary has some company in Dorine's increasingly crowded home office. Office Killer also stars Jeanne Tripplehorn and Michael Imperioli as more of Dorine's co-workers. ~ Mark Deming, Rovi

Based on Paul Rudnick's hit Off-Broadway play, this romantic comedy centers on the chaotic love life of Jeffrey (Steven Weber), a gay man who swears off sex only to fall in love with his ideal man (Michael T. Weiss). Jeffrey's vow of chastity is inspired by a fear of AIDS, a prospect which has started to terrify him so much that he decides he'd be better off never making love again. He is happy and relieved for a time, until he meets Steve, a handsome, charming dreamboat who also happens to be HIV-positive. Jeffrey wants nothing more than to be with Steve, but his anxiety over the disease and fear of commitment stand in the way. Much of the humor falls to Jeffrey's friends, including the sharp-tongued Sterling (Patrick Stewart), an outwardly catty but surprisingly good-hearted interior decorator, and his young boyfriend Darius (Bryan Batt), a performer in the Broadway musical Cats. Nathan Lane also contributes a memorable cameo as a questionable priest. ~ Judd Blaise, Rovi

Legendary scientist Albert Einstein (played here by Walter Matthau) takes a break from theoretical physics to try to set up his intellectual niece with a handsome auto mechanic in this romantic comedy. The movie's central conceit is that Einstein's brilliance extends to matters of the heart, allowing him to immediately sense that Ed Walters (Tim Robbins), a bright, lower-class mechanic obsessed with Popular Science Magazine, would be perfect for his niece Catherine (Meg Ryan). Unfortunately, Catherine is already engaged to a stiff Princeton man. In order to defeat Catherine's resistance, Uncle Albert decides to help Ed pretend to be a revolutionary scientist, a charade that inevitably leads to much farcical confusion. Einstein's scientist pals are portrayed as a Greek chorus of Catskills-style kibitzers, featuring such notable perfomers as Lou Jacobi as Kurt Godel and director Gene Saks as Boris Podolsky. ~ Judd Blaise, Rovi

The emphasis is more on law than order as the viewer follows detectives Briscoe (Jerry Orbach) and Logan (Chris Noth) through an extremely eventful 24 hours. Their unusually heavy case load includes five murders -- all unrelated -- and a violent, domestic quarrel, in which the husband gets the worst of it. Evidently, this episode made quite an impression on the series' producers; not only was it referred to in the tenth-season Law & Order episode "Entitled," but its memory was also invoked in a first-season episode of the spin-off series Law & Order: Special Victims Unit. ~ Hal Erickson, Rovi

In this chilling made-for-cable-television outing, the population of the United States is nearly wiped out by a sexually transmitted disease. In order to stop its spread, those infected are sequestered in special camps. To make sure no infected person is allowed to go free, a group of vigilantes begins terrorizing city streets in search of carriers. The story is based on an off-Broadway play by Alan Browne. ~ Sandra Brennan, All Movie Guide

This feature-length spin-off of the popular television horror anthology is directed by John Harrison, who directed many episodes of the television series. The film consists of four grisly and gruesome horror teasers. "The Wraparound Story" stars Deborah Harry as Betty, a chef with a kitchen complete with Cuisinart and dungeon. She plans to cook a little boy, who delays his execution by telling Betty three tales of terror. The first tale is "Lot 249," based on the mummy story by Sir Arthur Conan Doyle. The tale concerns Bellingham (Steve Buscemi), a bug-eyed graduate student who has raised a mummy from the dead. The second tale, "Cat from Hell," adapted by George A. Romero from a Stephen King story, deals with a broken-down millionaire (William Hickey), who has made his millions by developing habit-forming painkillers. He is convinced that, since 5,000 cats have been killed in his lab experiments in order to develop his pills, a stray cat has killed his family. He hires a hit man (David Johansen) to track down the cat and rub him out. The third tale, "Lover's Vow," is based on "Woman in the Snow," one of the episodes in Kwaidan.James Remar plays an artist who strikes a deal with the devil and is rewarded with a beautiful wife (Rae Dawn Chong) and a respectful art career. ~ Paul Brenner, Rovi

As a reporter investigates the disappearance of an anchorwoman, his important characters are being killed by an "avenging angel." ~ Rovi