Helen Servis Movies
- 1949
Adapted from a play by Honore de Balzac, Lovable Cheat offers a veritable smorgasbord of Hollywood's top character actors. The title character, one Claude Mercadet, is played by Charlie Ruggles. Posing as a wealthy Parisian, Mercadet fleeces friends and casual acquaintances alike. He is forced into this life of crime to keep up appearances, so that his daughter Julie (Peggy Ann Garner) can land herself a rich husband. Iris Adrian enjoys one of her largest film roles as Ruggles' wife; Alan Mowbray is right in his element as an elegant butler; and future financial advisor Richard Ney is ironically cast as an impoverished bank clerk. Also on hand is Buster Keaton, as a nonplused creditor who spends his screen time waiting in vain for his missing business associate Godot (could playwright Samuel Beckett have seen this film?) Not entirely successful, Lovable Cheat is nonetheless a courageous exercise in the offbeat. ~ Hal Erickson, All Movie Guide
- Starring:
- Charlie Ruggles, Peggy Ann Garner, (more)
- 1949
The Gay Amigo was the second "Cisco Kid" theatrical entry produced for United Artists release by Philip N. Krasne. Duncan Renaldo, who would go on to portray Cisco in the popular 1950s TV series, stars in this outing, together with Leo Carrillo as his comical sidekick Pancho. Cisco and Pancho are wrongfully identified as bandits by a U.S. Cavalry sergeant (Joe Sawyer). Realizing that no one believes their innocence, the boys decide to pose as criminals in order to get the goods on the real crooks. Pancho has some wonderful moments as he holds up a stagecoach and fends off the amorous advances of a spinsterish passenger (Helen Servis), while Cisco enjoys a brief liaison with barmaid Rosita (Armida), the girl friend of the flustered cavalry sergeant. One of the better Krasne-produced "Cisco Kid" efforts, Gay Amigo tells its story in a brisk 62 minutes. ~ Hal Erickson, All Movie Guide
- Starring:
- Duncan Renaldo, Leo Carrillo, (more)
- 1949
Martha Vickers was given a rare leading-role opportunity in Daughter of the West. Vickers plays Lolita Moreno, a part-Native American girl who falls in love with college-educated Navajo Navo (Philip Reed). The film's Indian characters are depicted in a dignified, respectful manner: not so the white villains, headed by crooked Indian agent Ralph Connors (Donald Wood). When Connors and his flunkies try to cheat the Navajos out of their land, Navo gets wise to their scheme and nips it in the bud. The film's highlight is an authentically staged Indian harvest sequence, lensed in Cinecolor. ~ Hal Erickson, All Movie Guide
- Starring:
- Martha Vickers, Phillip Reed, (more)
"A woman loses her mind and is confined to a mental institution." That's the usual TV-listing encapsulation of The Snake Pit -- and like most such encapsulations, it only scratches the film's surface. Olivia de Havilland stars as an outwardly normal young woman, married to loyal, kindly Mark Stevens. As de Havilland's behavior becomes more and more erratic, however, Stevens comes to the sad conclusion that she needs professional help. She is sent to an overcrowded state hospital for treatment -- a curious set-up, in that, while de Havilland is treated with compassion by soft-spoken psychiatrist Leo Genn, she is sorely abused by resentful matrons and profoundly disturbed patients. Throughout the film, she is threatened with being clapped into "the snake pit" -- an open room where the most severe cases are permitted to roam about and jabber incoherently -- if she doesn't realign her thinking. In retrospect, it seems that de Havilland's biggest "crime" is that she wants to do her own thinking, and that she isn't satisfied with merely being a loving wife. While this subtext may not have been intentional, it's worth noting that de Havilland escapes permanent confinement only when she agrees to march to everyone else's beat. Amazingly, Olivia de Havilland didn't win an Academy Award for her harrowing performance in The Snake Pit (the only Oscar won by the film was for sound recording). While some of the psychological verbiage in this adaptation of Mary Jane Ward's autobiographical novel seems antiquated and overly simplistic today, The Snake Pit was rightly hosannahed as a breakthrough film in 1948. ~ Hal Erickson, All Movie Guide
- Starring:
- Olivia de Havilland, Mark Stevens, (more)
- 1947
With a title like Violence, the audience knew what it was in for from the get-go. Nancy Coleman plays Ann Mason, troubleshooting journalist for an illustrated newsmagazine. Going undercover, Ann infiltrates the United Defenders, a so-called patriotic organization comprised of thugs and extortionists. Preying on disillusioned war veterans, the United Defenders are able to spread their own brand of bigoted propaganda on a wide scale. In the midst of her investigation, Ann is injured in an auto accident, and as a result loses her memory. It's up to government investigator Steve Fuller (Michael O'Shea) to apprise Ann of her true identity, and to rescue her from the clutches of the villains (including such powerhouse "heavies" as Sheldon Leonard and Peter Whitney). Violence would seem to be inspired by the final sequence in RKO Radio's Till the End of Time, wherein a trio of ex-GIs dukes it out with a small band of hate-spouting "patriots". ~ Hal Erickson, All Movie Guide
- Starring:
- Nancy Coleman, Michael O'Shea, (more)
