Michael Segal Movies

The beloved novel by Anthony Hope is shown here in its sixth film adaptation. In this story, Peter Sellers is Rudolf IV, the reigning monarch of the tiny nation of Ruritania. One day, while flying in a hot air balloon, a champagne cork sends him plummeting to his death. The rightful heir, who is to be crowned Rudolf V (also Peter Sellers), is kidnapped by Duke Michael (Jeremy Kemp), who is next in line for the throne. Luckily, the good guys find Syd (Peter Sellers once again), a London taxi-driver who closely resembles the kidnapped heir. While impersonating the monarch-to-be, Syd falls in love with the prince's fiancee Princess Flavia (Lynne Frederick). Neither a box-office nor a critical success, this amiable 1979 swashbuckler nonetheless features fine performances by Peter Sellers, who died in 1980. ~ Clarke Fountain, Rovi

Michael Caine stars as an espionage agent whose young son is kidnapped. Complicating matters is the fact that the kidnappers (John Vernon and Delphine Seyrig) are Caine's own colleagues. They want to secure Caine's aid in rounding up a diamond smuggling ring, and they don't care who they have to hurt to do so. He agrees to go along, all the while searching for his missing son. Janet Suzman co-stars as Caine's estranged wife, who is compelled to join him in his search. Helmed by veteran filmmaker Don Siegel, The Black Windmill is based on Seven Days to a Killing, a novel by Clive Egleton. ~ Hal Erickson, Rovi

More widely seen in Britain as Nothing but the Night, this atmospheric chiller -- based on the novel Children of the Night by John Blackburn -- stars the ubiquitous Christopher Lee and Peter Cushing as a Scotland Yard inspector and a forensics expert sent to investigate a series of mysterious deaths among the elderly caretakers of a Scottish orphanage. Their probing uncovers a diabolical plot perpetrated by members of a Satanic cult, involving the use of an experimental serum which contains the genetic memories of its departed members. The caretakers have been injecting the serum into their young charges in order to use their bodies as healthy vessels for the Satanists' return, and the resulting possession transforms them into sadistic murderers. Although Christopher Lee acted as co-producer on both this film and the superb mystical classic The Wicker Man, it bears little resemblance to the latter, playing more like a Hammer-style variant on the American-made Brotherhood of Satan, released the previous year. Also known as The Resurrection Syndicate. ~ Cavett Binion, Rovi

A corrupt opportunist commits brutal crimes in the name of God and country in this atmospheric period horror tale. In 17th century England, as a people's uprising threatens Lord Cromwell's rule, superstition still rules the land, and the Royalists use this to their advantage by inaugurating a reign of terror in the name of wiping out alleged witches and agents of the dark arts. Matthew Hopkins (Vincent Price) has been appointed "witchfinder" by Puritan Royalists, and with the help of his thuggish assistant Stearne (Robert Russell), Hopkins travels from town to town, brutally interrogating those accused of witchcraft and using fire, drowning, and torture to extract "confessions" from the accused. Of course, Hopkins' opinions can be swayed with money and other considerations, and when Father Lowes (Rupert Davies), a priest whose sympathies do not lie with the Royalists, is arrested and tortured by Hopkins and Stearne, his devoted niece Sarah (Hilary Dwyer) is able to stay his punishment by sleeping with Hopkins. Sarah, however, is engaged to marry Marshall (Ian Ogilvy), a soldier in Cromwell's army, and once Marshall learns that the woman he loves has been seduced by Hopkins -- and raped by Stearne -- he becomes determined to expose the witchfinder and punish him for his misdeeds. Witchfinder General was released in the United States by American International Pictures, who in addition to arranging for Vincent Price to play Matthew Hopkins, changed the North American title to The Conqueror Worm, after a poem by Edgar Allan Poe which was read over the credits by Price, though the story bears no real relation to Poe's work. ~ Mark Deming, Rovi

Written by Roger Woddis, this episode of The Prisoner guest stars Patrick Cargill (also seen in the previous episode "Free for All") as super sadistic New Number Two. Delighting in tormenting the villagers, Number Two drives at least one of them, Number 73 (Hilary Dwyer), to suicide. Hoping to avenge the woman's death, Number Six begins his own campaign of psychological warfare, utilizing such "weapons" as his collection of Bizet recordings! In addition to resembling an installment of the much later CBS series, Survivor, this episode also predates American Gladiators by offering an "extreme sport" known as Kosho. Originally slated as the 14th episode of The Prisoner, "Hammer into the Anvil" was seen as episode number 10 when it first aired in England on December 10, 1967. It was placed in its original chronology for American television, where it was first seen on August 31, 1968. ~ Hal Erickson, Rovi