Joanne Dru Movies

Carroll Baker, the Sharon Stone of the sixties, plays another classy-looking blonde with a sordid background in Sylvia. Millionaire Peter Lawford is about to marry the glamorous but secretive Sylvia (Baker). Before taking the plunge, he hires private eye George Maharis to do a background check on the girl. Whew, what he finds out! Apparently the only sin Sylvia doesn't commit is robbing parking meters, but we have no idea what might happen after the final fadeout. Shortly before it opened, Sylvia was the subject of several magazine articles, trumpeting the fact that Carroll Baker had conducted extensive interviews with real-life prostitutes in order to prepare herself for her role. This apparently left her no time to consult an acting coach. ~ Hal Erickson, All Movie Guide

In this comical western, a curmudgeonly fur-trapper is hurt by an enraged bear and must send his nephew to town with his pelts so he can get much-needed supplies. En route, the young man passes a covered wagon and convinces the man who lives there to allow his daughter to travel with him. The two innocent mountain youths then make their way to the town. It is the first time for either of them. There they meet the sheriff who controls the town. As soon as the previously rag-tag girl has bathed and donned a pretty dress, the sheriff is attracted to her. He gets her a job in a "dance hall." The naive nephew thanks the sheriff for being so kind. He then falls in love with the dance-hall madam. Fortunately, a truly kind storekeeper removes the innocent veil from the boy's eyes. Quickly he moves in to save his traveling companion from a life of ill-repute. ~ Sandra Brennan, All Movie Guide

Those who learned to dislike Conrad Richter's novel The Light in the Forest when it was required reading in high school will be pleasantly surprised by this Disney adaptation. In his second film appearance, James MacArthur plays Johnny Butler, a white youth who was captured by the Delaware Indians in infancy. In 1764, a peace treaty is signed between the Delaware and the British, requiring that all white captives be returned to their families. But 18-year-old Johnny, now known as True Son and now thoroughly assimilated into the tribe, violently resists being torn away from the only life he has ever known. Kindly Indian scout Del Hardy (Fess Parker) tries to help Johnny through his transitional period; the same cannot be said by Johnny's Indian-hating Uncle Wilse (Wendell Corey), who vows to kill every Delaware he meets. Only by defeating Wilse-and, by extention, his own inner demons-will Johnny ever be able to readjust to the white lifestyle without totally turning his back on his adoptive Indian family. Carol Lynley makes her screen debut as Shendandoe, Johnny's white sweetheart; likewise making his entree into films is TV director Herschel Daugherty. Partially filmed on location in Tennessee, Light in the Forest benefited from the expertise of technical advisor Iron Eyes Cody. ~ Hal Erickson, All Movie Guide

Union army major Drango (Jeff Chandler) is assigned to rebuild a ruined Georgian town in the aftermath of the Civil War. Despite his best intentions, Drango has trouble combatting the hatred and resentment of the townsfolk. In particular, Clay Allen (Ronald Howard), the hotheaded son of Judge Allen (Donald Crisp), does his utmost to sabotage Drango's efforts and foment a Confederate insurrection. It takes the conscience-stricken intervention of the Judge himself to prevent wholesale bloodshed. The film's low-key romantic interest is handled by Joanne Dru and Julie London, cast respectively as the daughter of a despised Union sympathizer and an "unreconstructed" female plantation owner. ~ Hal Erickson, All Movie Guide

Hell on Frisco Bay is a slam-bang return to the sort of gangster fare turned out by the yard at Warner Bros. in the 1930s. Alan Ladd plays ex-cop Steve Rollins, who serves five years on a manslaughter rap. Upon his release, Rollins dedicates himself to finding the real killer. He soon learns that the man responsible for the frame-up was Victor Amato (Edward G. Robinson), the crime kingpin who rules the roost on the docks of San Francisco. Hoping to keep the heat off his operation, Amato "invites" Rollins to join his gang. Had Rollins accepted at this point, the film would have been over; instead, he doggedly pursues the gang boss with the help of such allies as cast-off gangster moll Kay Stanley (Fay Wray) and police lieutenant Dan Bianco (William Demarest). Amato is so desperate at one point that he orders the murder of his own nephew; surely a man with this sort of temperament is doomed to a horrible demise, and that's just what happens. Joanne Dru costars as Rollins' estranged wife Marcia, who believes in her husband but doesn't relish the notion of his being shot full of holes by Amato's goons. At the time of the film's release, the critics went overboard in their approval of Edward G. Robinson's full-blooded reprisal of the sort of role which made him famous (Robinson himself hated the part, but needed the work). ~ Hal Erickson, All Movie Guide

Like its predecessor Duffy of San Quentin, The Steel Cage is made up of episodes from a never-telecast TV series based on the career of progressive prison warden Clinton T. Duffy. Paul Kelly plays Duffy, while his wife is portrayed by Maureen O'Sullivan. Divided into three separate playlets, the film begins with the semi-comic story of an ill-tempered chef (Walter Slezak) who is railroaded into San Quentin by a gourmet prisoner. The second story concerns a tense hostage situation fomented by would-be escapees John Ireland and Lawrence Tierney. The closing story deals with an incarcerated painter (Kenneth Tobey), whose belief in God is renewed by an idealistic young priest (Arthur Franz). ~ Hal Erickson, All Movie Guide

In this western, a forward thinking hero joins in on the promotion of camels as the perfect desert pack animals. He embarks upon a journey with a group of others. Among them is a fugitive bankrobber and his girl friend who are trying to outfox a posse. One of the hero's men recognizes the desperado and begins blackmailing him in exchange for silence. During the journey, a band of angry natives attack. Later, the group loses their water and face the prospect of dying of thirst. The picture was originally released in 3-D. ~ Sandra Brennan, All Movie Guide

The best way to described the economically assembled religious picture Day of Triumph is "sincere". Though the film details the Last Days of Jesus Christ (Robert Wilson), top billing is bestowed upon Lee J. Cobb as Zadok, leader of the Zealots. The all-character-actor cast includes James Griffith as Judas, Tyler McVey as Peter, Lowell Gilmore as Pilate and veteran western heavy Anthony Warde as Barabbas. The biggest "name" in the cast is Joanne Dru as Mary Magdalene, while relative newcomer Touch (later Michael) Connors appears as Andrew. The film was directed by Irving Pichel, who'd previously helmed the independently produced religious drama Martin Luther. Once an annual Easter TV attraction, Day of Triumph has in recent years been relegated to limited exposure on America's UHF religious stations. ~ Hal Erickson, All Movie Guide

Another entry in the 3D sweepstakes, Hannah Lee is all but forgotten today. That's too bad, because the film at least has historical interest, representing one of the few forays into directing by actor John Ireland, who co-stars in the film with his then-wife Joanne Dru. MacDonald Carey heads the cast as vicious outlaw Bus Crow, who is paid a substantial sum to wipe out a group of homesteaders. Opposing Crow at every turn is U.S. marshal Rochelle (Ireland), who suspects that Crow is responsible for a recent rash of murders but who can prove nothing. Meanwhile, Crow's erstwhile lady friend Hallie (Dru) turns on the bandit when he guns down an innocent little boy. The title Hannah Lee has far less relevance to the plot than Wicked Water, the title of the MacKinlay Kantor novel upon which this film is based. Credited as co-director is the film's cinematographer, Oscar-winner Lee Garmes. ~ Hal Erickson, All Movie Guide

Unlike many westerns, City of Bad Men is placed within a specific historical time frame. The scene is Carson City, Nevada, in the year 1897. As the city prepares itself for the much-ballyhooed prizefight between Gentleman Jim Corbett and Bob Fitzsimmons, soldier-of-fortune Brett Stanton (Dale Robertson) rides into town with a few of his cronies. Stanton takes into consideration the enormous gate proceeds that the prizefight will yield and immediately begins formulating plans to steal the loot. He is deflected from this by his former girlfriend Linda Culligan (Jeanne Crain), whose good example sets Stanton on the right path. Corbett and Fitzsimmons are played, respectively, by ace stunt men John Day and Gil Perkins. Actual film footage exists of their legendary bout, and this brief ribbon of celluloid might make an interesting companion feature to City of Bad Men. ~ Hal Erickson, All Movie Guide

Pride of St. Louis is the story of one of baseball's most colorful characters, Jerome Herman "Dizzy" Dean. While playing amateur ball in 1928, Dizzy (Dan Dailey) is hired by the St. Louis Cardinals. He spends a year or so playing with the Cards' Texas farm team, during which time he woos and wins department-store clerk Pat Nash (Joanne Dru, who ironically was the real-life aunt of pro baseball player Pete LaCock!) Once in the majors as a pitcher, Dean is joined on the Cards lineup by his younger brother Paul (Richard Crenna), whom the press nicknames "Daffy." Through a combination of spectacular ballplaying and zany publicity stunts, Dizzy and Daffy become nationwide favorites. Their popularity really soars after they help the Cardinals win the 1934 World Series. After this triumph, things begin to go downhill for Dizzy, who endures several injuries and finally "loses" his pitching arm. Dean is rescued from a binge of self-pity by his old friend Johnny Kendall (Richard Hylton), whose dad is a brewery executive. Johnny convinces his dad to sponsor a series of St. Louis Browns radio broadcasts, and to hire Dizzy as a play-by-play announcer. Ol' Diz gets in a lot of trouble with local schoolteachers because of his eccentric grammar ("he slud into third base," etc.) but things eventually turn out A-OK. Pride of St. Louis takes any number of liberties with the facts, but the real Dizzy Dean didn't care so long as 20th Century-Fox ponied up a huge sum of money for the rights to his life story: "Jeez," he said at the time, "they're gonna give me 50,000 smackers just fer livin'!" Future NBC news commentator Chet Huntley shows up in one of the closing scenes as sportscaster Tom Weaver. ~ Hal Erickson, All Movie Guide

Gus (George Winslow) is the young son of divorced industrialist Dave Jennings (Richard Widmark). Unable to cope with Gus' mischievous streak, Jennings places the boy in a day-care center. Gus' teacher Lydia Marble (Joanne Dru) manages to curb the boy's prankishness, and along the way falls in love with Jennings. Enter the villainess of the piece: Jennings' ex-wife Joyce (Audrey Totter), who claims that the divorce is invalid and demands a huge sum from Jennings, lest she claim custody of Gus. In the end, it comes down to priorities: does Jennings value his son over his money, or vice versa? My Pal Gus is no Kramer vs. Kramer, but it does pass the time in an agreeable manner. ~ Hal Erickson, All Movie Guide