Bill Ackridge Movies

Coming as part of a spate of interrelated films made in collaboration with San Francisco's experimental theater troupe the Tenderloin yGroup, venerable indie filmmaker Rob Nillson delivers this Cassavetes-style meditation on a group of desperate, downtrodden characters who try to find connection with each other -- with varying degrees of success. The lead character of Noise is Ben (Robert Viharo), a recent ex-con who returns to San Francisco to visit old friends, only to find that the city has changed since he last saw it 20 years ago, and that his means of getting by -- counterfeiting - could cause him more trouble than even he knows. After his luck turns bad at a less-than-friendly party, Ben tries to contact a pen-pal he made from behind bars, also with little success. Noise is the sixth part of a seven-film series made between 2000 and 2003 called "9@Night," which all involve the same 40 actors from the theater troupe, and are made according to Nillson's theory of "Direct Action Cinema" -- digitally-shot, improvised films that attempt to heighten the viewer's awareness of social issues. ~ Michael Hastings, All Movie Guide

Rob Nilsson both directed and starred in Heat and Sunlight. Nilsson plays a San Francisco photographer who has trouble curbing his obsessions. He falls in love with dancer Consuelo Faust, then is unable to shake off his violently jealous impulses when the ardor cools. The musical score by David Byrne and Brian Eno successfully conveys the seismic disturbances in Nilsson's troubled psyche. The film itself lacks cohesiveness, though the individual sequences are for the most part worthwhile. Heat and Sunlight has enough exposed skin and profanity to fully warrant its R rating. ~ Hal Erickson, All Movie Guide

Based on a novel by Alvah Bessie, this accomplished film by his son Dan Bessie handles the love affair between a pilot's widow (Ellen Geer) and a maintenance man (J.E. Freeman) who at first seem mismatched. In the end, they share an affection that does not waiver in the face of tragedy. Although the names and events have been changed, the story is basically about the director's mother and his stepfather. In this fictional rendering of their love for each other, the two marry, but the husband is soon charged with murder and faces a heavy-handed court trial. Novelist Alvah Bessie was himself blacklisted during the McCarthy era. ~ Eleanor Mannikka, All Movie Guide

Signal 7 is cab-driver jargon; if you want to know what it means, please treat yourself to this breezy low-budget effort. Shot on location in San Francisco, the film concentrates on the exploits of cabbies Speed (Bill Ackridge) and Marty (Dan Leegant). Their day-to-day adventures and misadventures are punctuated by their reactions to various large and small crises, and their oft-elucidated hopes of becoming actors. Lensed on videotape, Signal 7 was transferred to 35-millimeter stock for its theatrical showings. Given the fact that it sounds as though the actors were making it up as they went along, we shouldn't be too taken aback that Signal 7 was dedicated to pioneer improv filmmaker John Cassavetes. ~ Hal Erickson, All Movie Guide

In 1915 North Dakota, Swedish-born farmer Ray Sorenson (Robert Behling) organizes the populist Nonpartisan League as a response to the bank foreclosures that threaten the livelihoods of himself and his neighbors. ~ Jason Ankeny, All Movie Guide