Raymond Scott and His Quintet Movies

Previously filmed in 1917 and 1932, Kate Douglas Wiggins' bucolic novel Rebecca of Sunnybrook Farm is herein refashioned--and completely, totally, utterly rewritten--as a vehicle for 10-year-old Shirley Temple. Unable to land a radio contract for himself and his niece Rebecca Winstead (Temple), fly-by-night vaudevillian Henry Kipper (William Demarest) leaves the girl in the care of her aunt, Miranda Wilkins (Helen Westley), who runs a little farm with the help of hired hands Homer (Slim Summerville) and Aloysius (Bill Robinson). Miranda has an intense dislike for "show folks", but her next-door neighbor Anthony Kent (Randolph Scott), a talent scout for a major radio network, sees great possibilities in the talented Rebecca and secretly arranges an audition. In short order, Rebecca becomes the biggest sensation on the airwaves, whereupon the mercenary Kipper returns out of nowhere and demands that Miranda return the girl to his care. By now, Rebecca and Miranda have grown to love one another dearly, and the girl doesn't want to leave the farm, but she does what she is told--only to foil the conniving Kipper with a convenient last-minute "illness" (a scene that provides a showcase role for Franklin Pangborn) as a nervous standby organist). Future Titanic costar Gloria Stuart appears as Gwen Warren, obligatory love interest for Anthony Kent. Musical highlights include a medley of hit tunes from Shirley Temple's previous films (including, inevitably, "On the Good Ship Lollipop"), and a climactic tap duet spotlighting Temple and the inimitable Bill Robinson, danced to the tune of Raymond Scott's "Toy Trumpet". ~ Hal Erickson, All Movie Guide

"This is New York, Skyscraper Champion of the World...Where the Slickers and Know-It-Alls peddle gold bricks to each other...And where Truth, crushed to earth, rises again more phony than a glass eye..." With this jaundiced opening title, scripter Ben Hecht introduces his classic comedy Nothing Sacred. Fredric March plays Wally Cook, a hotshot reporter condemned to writing obituaries because of his unwitting complicity in a fraud. Anxious to get back in the good graces of his editor Oliver Stone (Walter Connolly), Cook pounces on the story of New England girl Hazel Flagg (Carole Lombard), who is reportedly dying from radiation poisoning. Actually, Hazel isn't dying at all; she's been misdiagnosed by Moscow's eternally drunk doctor (Charles Winninger). But when Cook offers to take her on an all-expenses-paid trip to New York in exchange for her exclusive story, it's too good an offer to pass up. Once in the Big Apple, Hazel is feted as a heroine by the novelty-seeking populac; she enjoys the adulation at first, but soon (and with the help of gallons of alcoholic beverages) suffers the pangs of conscience. She confesses her deception to Cook, who by now has fallen in love with her. Cook and Stone conspire to keep the public from discovering the truth, eventually dreaming up a phony suicide. Travelling incognito to avoid arrest, Wally and Hazel marry and go on a honeymoon, secure in the knowledge that New York City has forgotten all about her and moved on to their next fad. Brimming with witty, acerbic dialogue and hilarious bits of physical business, Nothing Sacred is among the best "screwball" comedies of the 1930s. The musical score by Oscar Levant both mocks and celebrates the George Gershwinesque musical style then in vogue. As an added bonus, the film is lensed in Technicolor (avoid those two-color reissue prints), allowing modern viewers to see what New York City looked liked back in 1937. Nothing Sacred was later adapted into a Broadway musical, Hazel Flagg, which in turn was filmed by Dean Martin and Jerry Lewis as Living It Up (1954), with Lewis in the Carole Lombard role. ~ Hal Erickson, All Movie Guide