Charles Saynor Movies
- 1961
A strange bet provides the basis of this comedy, a British theater producer decides to make some easy money by betting a psychiatrist, whom he overheard telling a colleague that he could create the perfect child by hypnotizing a pregnant woman, that the shrink has as many holes in his theory as he did in his head. The wager is made, and the producer then talks an actress friend into masquerading as the pregnant woman to ensure his win. Unfortunately for him, the actress and the doctor fall in love. Seeing that her sweethearts theories are being derided by his peers, she decides to help him out and get pregnant for real. To do this, she gets drunk, staggers over to the producer's apartment and demands that he satisfy her right then and there. Unfortunately in the middle of it all, the doctor shows up. Then the producer's fiancee pays a visit and the whole scam falls apart in his living room. Fortunately happiness ensues when the doctor and the actress marry and decide to try the experiment for real. ~ Sandra Brennan, All Movie Guide
- Starring:
- Agnes Laurent, John Bentley, (more)
- 1955
Julie Harris repeats her stage portrayal of the irrepressible Sally Bowles in John Van Druten's I Am a Camera. Set in pre-Hitler Berlin, the film details the curious, chaste relationship between Sally, an entertainer at a bawdy nightclub, and fledgling writer Christopher Isherwood (Lawrence Harvey). Shelley Winters co-stars as Natalia Landauer, whose impending marriage to a wealthy young Jewish man is imperiled by the anti-Semitism which envelops Berlin as the Nazis gain political power. If all this sounds familiar to you, it is because I Am a Camera is the non-musical precursor to the Broadway musical hit Cabaret. Both properties were based on Christopher Isherwood's Berlin Stories. Those familiar with the film version of Cabaret will notice that certain plot elements have been watered down in Camera. Examples: Isherwood's homosexuality is left unmentioned, save for Lawrence Harvey's opaque opening comment that he is "a confirmed bachelor;" and Sally Bowles' third-act abortion is changed into a false-alarm pregnancy. Also, Julie Harris' dynamic but rather overbaked interpretation of Sally is not nearly as memorable as Liza Minelli's Oscar-winning interpretation of the character in Cabaret. Still, I Am a Camera is well directed and deftly adapted for the screen (by John Collier); and even taking into consideration Ms. Harris' hamminess, she remains one of the most fascinating stage personalities of the mid-20th century. ~ Hal Erickson, All Movie Guide
- Starring:
- Julie Harris, Laurence Harvey, (more)
In this sentimental comedy, Carol Reed tries for a bit of neo-realist whimsy that takes place in the London slums of Petticoat Lane. The film centers upon Joe (Jonathan Ashmore), a six-year-old London East-ender who believes strongly in the magical power of unicorns. Joe and his lonely mother Joanna (Celia Johnson) live with wily, philosophical tailor Kandinsky (David Kossoff), who convinces Joe that if he could only come upon the legendary unicorn, he could grant all the wishes of his poor neighbors. Taking Kandinsky at his word, Joe searches the slums for a unicorn. Then one morning, he finds one. Only thing is, it is not a unicorn but a baby goat with a growth sticking out of his forehead. Nevertheless, Joe is convinced that the goat is a unicorn. He gives an elderly homeless man all of his savings for the kid and triumphantly takes it home. Hoping to use the kid to grant all his friends' wishes, he hopes to grant the wishes of Kandinsky, who wants a steam-pressing table, and Sonia (Diana Dors), an attractive blonde who wants to marry Sam (Joe Robinson), a handsome wrestler. And finally, he wishes for his father to return home to his lonely mother. ~ Paul Brenner, All Movie Guide
- Starring:
- Celia Johnson, Diana Dors, (more)
- 1954
Lease of Life was the next-to-last film in the relatively short cinema career of actor Robert Donat. Written for the screen by Eric Ambler, the story is set in a small rural community, where William Thorn (Donat) serves as parson. Upon learning that he has only a year to live, Thorn begins to see his parishioners, and his purpose on earth, in a whole new light. The plot is thickened when a dying villager puts his money into the parson's care; in dire need of cash to pay for his daughter's school tuition, Thorn is sorely tempted to dip into the funds himself. Exceptionally well cast, Lease of Life features Kay Walsh as Thorn's wife, Adrienne Corri as their daughter and Vida Hope as the wealthy villager's grasping missus. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Donat, Kay Walsh, (more)
- 1954
The comfortable complacency of the British Birling family is upset when Inspector Poole (Alastair Sim) comes calling. An impoverished young working girl named Eva Smith (Jane Wenham) has committed suicide, and Poole hopes that the Birlings will help him find out why. As the evening progresses, a series of flashbacks reveal that each member of the Birling family has in some small way been responsible for Eva's demise. A twist ending adds a mystical, thought-provoking touch to the proceedings. Bryan Forbes, who plays the Birling son, matriculated into the noted director of such films as The L-Shaped Room, King Rat and The Whisperers. An Inspector Calls was based on a play by J.B. Priestley, which recently scored a huge hit when it was revived in London and New York. ~ Hal Erickson, All Movie Guide
- Starring:
- Alastair Sim, Arthur Young, (more)
- 1951
Teeny-tiny Hammer pictures built its reputation on second-feature melodramas before graduating to gore-encrusted horror epics. Cloudburst is a low-key thriller starring American actor Robert Preston, whose casting assured a certain degree of business in the States. Preston plays a code expert, resettled in England after the war and working at the British Foreign Office. One morning, Preston's wife is struck down and killed by a car driven by escaping criminals. Preston bypasses the efforts of Scotland Yard and pursues the criminals himself, using his codebreaking skills to track down the "big boys" in charge. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Preston, Elizabeth Sellars, (more)
Alec Guinness has one of his finest comic roles in this Ealing satirical comedy about a much patronized amateur scientist whose latest invention creates an uproar in the British textile industry. In the British manufacturing country of Northern England, factory owner Michael Corland (Michael Gough) is showing competitor Alan Bimley (Cecil Parker) around his plant, hoping to borrow some money and marry off his daughter Daphne (Joan Greenwood). They come upon a curious contraption that turns out to be an experiment by employee Sidney Stratton (Alec Guinness). Being a lower class worker, Sidney is summarily fired from his job. Sidney ends up working at Bimley's factory, where he is befriended by militant worker Bertha (Vida Hope). Daphne spots Sidney at the factory and he explains to her the results of his experiment -- a material that is indestructible and impervious to dirt. Bimley discovers this project and throws Sidney out. But Daphne, impressed by his experiments, funds Sidney, installing him in his own laboratory. After a few false starts, Sidney develops a pure white material that can't be dirtied or ruined. But it seems Sidney's invention is too brilliant and effective; if a material is marketed that will last forever, textile mills will go out of business and workers will lose their jobs. Suddenly, poor, luckless Sidney has both management and labor banding together to combat his new invention. ~ Paul Brenner, All Movie Guide
- Starring:
- Alec Guinness, Joan Greenwood, (more)
- 1949
The Blue Lamp was an immensely popular British crime film (and the winner of the BFA Award), concentrating on interrelated episodes in the lives of several London policemen. Jack Warner heads the cast as George Dixon, a veteran "bobby" who is murdered by scuzzy small-time criminals Dirk Bogarde and Patrick Doonan. Rookie cop Jimmy Hanley, who'd looked upon Warner as a father figure, is instrumental in bringing the crooks to justice. The semi-documentary style of The Blue Lamp could not help but have been an influence on Jack Webb's Dragnet. Jack Warner proved so popular in the character of George Dixon that he was brought back from the dead to star in the BBC TV series Dixon of Dock Green. ~ Hal Erickson, All Movie Guide
- Starring:
- Jack Warner, Jimmy Hanley, (more)
