Debbie Rochon Movies

This confused sequel to Abducted (1986) features some gorgeous Vancouver wilderness scenery, lovingly photographed by Danny Nowak, in the service of an unappealing Deliverance variant. Vern (Lawrence King), the crazed wild man long presumed dead, abducts three female campers, taking one of them, Maria (Raquel Bianca), to his cave in the woods where he plans to impregnate her until he learns that she is not a virgin. Revolted, Vern makes Maria wear a horned buckskin mask, and she plays along, waiting to attack when the time is right. Dan Haggerty returns from the first film as Vern's father, who tracks down his son after fighting with a crazed hunter (Jan-Michael Vincent), only to be murdered. The cast is adequate, but Boon Collins' tepid adventure is hopelessly flawed. The long, superfluous scenes of Vincent and Haggerty gutting (real) rams and other wildlife while debating the merits of hunting will offend many viewers, and the script is muddled and unrealistic, with some of the most preposterous dialogue since the original. At its core, Abducted II: The Reunion is a rape-revenge movie with no rape, a moralistic diatribe with no morals, and a horror film with no horror. In other words, a complete waste of time. ~ Robert Firsching, All Movie Guide

Thomas Smugala helms the direct-to-video drama Apocalypse and the Beauty Queen. The film concerns 26-year-old cover girl Amber, who absconds from Manhattan when her age yields a devastating rejection from modeling. After she flees to a small town, the titular apocalypse occurs and destroys the country. Amber relies on her cunning and ingenuity to band the locals together, and helps them collect supplies and ammunition and stockpile food, but suddenly the power goes to her head and threatens to spin severely out of control. Meanwhile, a friend slyly and viciously manipulates the people of the community through Amber; then a guard falls in love with one of the underlings and brings Amber's authority and control to an end. The film co-stars horror icon Gunnar Hansen (Leatherface in The Texas Chainsaw Massacre). ~ Nathan Southern, All Movie Guide

For those who hoped that the terror would end with high-school graduation, college enrollment proves a bloody surprise in this sequel to the slasher throwback that had all the kids screaming for more. ~ Jason Buchanan, All Movie Guide

The horror film Blood Relic begins in 1983 when a fighter pilot discovers an artifact that unleashes an evil force that makes the pilot go on a killing spree at the naval base where he works. He is arrested for his crimes, but not before stashing the artifact in one of the base's hangars. The plot jumps to 2005, and that hangar is now about to be turned into a museum, but the newly released pilot wants to get back and reclaim the object -- an act that could unleash a whole new wave of terror. ~ Perry Seibert, All Movie Guide

The direct-to-video Canadian slasher picture Bonesetter Returns borrows a premise similar to that of the original Nightmare on Elm Street. Years prior to the outset of the story, the child murderer of the title came ever so close to meeting his end at the hands of a group of bloodthirsty farmers -- but not before he used black magic to ensure his reappearance, decades later. The Bonesetter initially attempts to resurface in bodily form by sacrificing a small child -- but when a young man named Kyle (played by the fim's writer-director Brett Kelly) prevents this, he unwittingly sets the stage for a gut-wrenching showdown between the supernatural captor and his prey. ~ Nathan Southern, All Movie Guide

New Jersey's leading mutant superhero (unless Jon Bon Jovi counts) rises from the sludge to defend truth, justice, and radioactive waste once again in the third sequel to the 1985 cult sensation The Toxic Avenger. There's trouble brewing in the sleepy town of Tromaville when the Diaper Mafia, a group of inept but dangerous criminals, attempt an armed takeover of Tromaville's School for the Very Special for reasons best not contemplated. With the students held hostage, the Toxic Avenger (David Mattey) is called in to save the day, but a freak accident (as if there were any other kind in this movie) leads to an accident that creates an evil mirror version of Tromaville called Amortville; what's worse, heroic Toxie finds himself trapped in Amortville, while Tromaville is cursed with his wicked counterpart, Noxie. Can Toxie make it back to Tromaville and vanquish the villainous Noxie? Will the Diaper Mafia emerge triumphant? And who knew that the Supreme Being was a foul-mouthed dwarf? Citizen Toxie: The Toxic Avenger IV boasts one of Troma Team Pictures' typically eccentric supporting casts, including Corey Feldman, Ron Jeremy, Lisa Gaye, Hugh M. Hefner, Al Goldstein, Taylor Mead, Debbie Rochon, and Hank the Angry Dwarf. ~ Mark Deming, All Movie Guide

This straight-to-video, no-budget movie comes from E.I. Entertainment and stars Lilith Stabs with scream queen Debbie Rochon in a collection of T & A-riddled horror vignettes all told by a creepy funeral director. The segments are titled "The S&M Killer," "Confessions," "The Town," "Vampires," and "The Cremainder," featuring everything from human sacrifice and lesbianism to vampires and sado-masochism. ~ Matthew Tobey, All Movie Guide

Makeup effects specialist David P. Barton's directorial debut is this fairly atmospheric straight-to-video horror film about three jokers who accidentally kill the son of a witch named Abigail (cult favorite Debbie Rochon). As might be expected, the witch unleashes her vengeance on them, first seducing the trio and then using their own devilish offspring to destroy them. There are some memorable images of rotting, scythe-wielding zombies shuffling through the misty woods which is reminiscent of The Fog (1979), the expected gory violence, and appearances from genre regulars Trent Haaga, Jeff Dylan Graham, and Tom Hoover (Polymorph) to keep things lively. This was the final collaboration between J.R. Bookwalter's low-budget horror factory at Tempe Entertainment and Charles Band's slightly more upscale Full Moon Pictures. ~ Robert Firsching, All Movie Guide

J. Christian Ingvordsen's horror film Fort Doom concerns a group of prostitutes led by Lacy Everett (Debbie Rochon). The women stick with each other for safety and support while attempting to find a place to settle down after the Civil War. When they learn that an abandoned military fort is nearby, they attempt to set up shop there. However, they learn upon their arrival that the fort is not deserted at all. The current denizens are more dangerous than the prostates could ever have suspected. ~ Perry Seibert, All Movie Guide

Mardi Gras is supposed to be the ultimate party, but when the employees at a local Voodoo tourist trap begin turning up dead, it's up to a group of vacationing college kids to cast off their beads and catch a killer. Who could be responsible for this bloody killing spree? As the streets of New Orleans fill with revelers, the list of suspects continues to grow. Of course preventing the body count from getting out of hand is their top priority, but it isn't ever day that you get to party hearty at the biggest bash on the planet, so why not suck down a few Hurricanes before setting out to stop the bloodbath? ~ Jason Buchanan, All Movie Guide

A very inexperienced rock band flirts with fame thanks to a valuable assist from the media in this comedy-drama directed by veteran music producer Lou Adler. Corinne Burns (Diane Lane) is a fifteen-year-old orphan who gains a measure of local notoriety when she quits her job at a burger stand during a live television newscast. Corinne has few prospects but plenty of nerve, and she's formed a band with her sister Tracy (Marin Kanter) and cousin Jessica (Laura Dern) called the Stains. While checking out a gig by veteran hard rock band the Metal Corpses, led by flamboyant singer Lou Corpse (Fee Waybill), opened by British punk upstarts the Looters, Corrine sneaks backstage to ask advice just as Lou demands tour manager Lawnboy (Barry Ford) find a new opening act. Lawnboy impulsively gives the Stains the gig, and while the first show for the girls (who've had all of three practices) is little short of a disaster, Corrine's skunk-stripe hairdo, provocative clothes and defiant declaration "We don't put out" captures the attention of a television reporter who covered her before. A story on the evening news about the Stains turns the band into a cult sensation, and Looters lead singer Billy (Ray Winstone) tries to offer her some advice and emotional support as the Stains rise from opening act to headliners, but Corinne and her friends learn that their new fans are a very fickle breed. Shot in 1980 but released to only a handful of theaters in 1982, Ladies and Gentlemen, The Fabulous Stains gained a potent cult following after it appeared on cable television, largely among punk rock fans -- the Looters featured Steve Jones and Paul Cook of the Sex Pistols on guitar and drums as well as Paul Simonon from the Clash on bass, while L.A. punk troublemakers Black Randy and the Metrosquad briefly appear as themselves. ~ Mark Deming, All Movie Guide

Cathy (Christine Moore) is a young woman who tries to overcome her history of childhood abuse at the hands of her demented mother. Engaged to marry the colorless Bob (Gary Warner), she is tormented by her mother's ghost and the spirits who haunted the brownstone home where she lived as a child. ~ Dan Pavlides, All Movie Guide