Serge Riaboukine Movies

To the French, Michel "Coluche" Colucci (1944-86) was not merely a household name but a veritable institution. A stocky, goofy comic who often turned up in big screen farces such as L'Aile Ou la Cuisse (1976) and Inspecteur la Bavure (1980) , Colucci gained notoriety for his emotionally rocky and stormy personal life that witnessed him battling alcoholism and extreme drug addiction - making him something of a French equivalent to John Belushi or Chris Farley. Unlike Belushi or Farley, however, Coluche made the unusual decision (for one of his background) to briefly enter mainstream politics. In a bid for the French presidential nomination in 1981, he delighted many and shocked others by reeling in an impressive 15% of the French popular vote - reason enough to believe that this actor, with solid humanitarian values and a commitment to civil rights, might have actually stood a solid chance had he campaigned more aggressively and remained in the running for a longer period. Antoine de Caunes's biopic Coluche, l'Histoire d'un mec hones in exclusively on this intriguing period of the comic's life and career, with François-Xavier Demaison playing the famous actor. The tale begins with his impulsive and drug-fueled decision to run on the ticket, coaxing bums, drunks and social outcasts to band together and lay waste to mainstream politicians. When Coluche pulls in around 10% of the vote, he draws the ire of politicos François Mitterand and Valerie Giscard d'Estaing, who promptly send out an advisor to dissuade the funnyman from running. Director de Caunes spends the majority of the film cross-cutting between recreations of Coluche's popular stage acts, and a not uncritical look at the star's attempts to push himself to his very limits and beyond -- with a mainstream political run that began as a joke but quickly took on very real and frightening proportions. ~ Nathan Southern, Rovi

Albert Dupontel directs, writes, and stars in freewheeling French comedy concerning a glue-huffing homeless man who earns an unexpected modicum of respect after coming into possession of a police uniform. Roland (Dupontel) was wandering the shores of the Seine when he noticed a man hurling himself into the churning waters below. Upon investigating the site from which the man leapt, the curious derelict finds that the jumper, presumably a policeman, had left behind his uniform and a suicide note. When Roland attempts to do the right thing and return the uniform to the police station, he is chased away by overzealous cops before he has the chance to explain what happened. Upon noticing a cafeteria that provides free meals to policemen, Roland decides to make the best of his situation by donning the uniform and ordering dinner. Later, when Roland meets a singing mother (Claude Perron) who is struggling to get her children back from the malevolent in-laws who object of her lifestyle and see her as unfit to parent, the uniformed drifter attempts to use his newfound badge for a good cause. ~ Jason Buchanan, Rovi

French filmmaker Olivier Dahan directs the crime thriller sequel The Crimson Rivers II: The Angels of the Apocalypse, with a script by Luc Besson inspired by the novel Les Rivières Pourpres by Jean-Christophe Grange. Jean Reno returns as veteran police detective Pierre Niemans. He is sent to the Lorraine region of France to investigate a creepy monastery, where his team discovers a dead body hidden in the walls. Meanwhile, police captain Reda (Benoît Magimel) accidentally hits Jésus (Augustin Legrand) with his car, leading to another encounter with a killer monk. Niemans and Reda get together with religious expert Marie (Camille Natta) for the supernatural investigation. Christopher Lee appears in a cameo role. ~ Andrea LeVasseur, Rovi

A mobster and a taxi driver give a new definition to the phrase "horse race" in this low-key comedy drama. Réno (Serge Riaboukine) is a second-rate gangster whose attempted big deals haven't been especially successful lately. Réno is losing bets at a racetrack when he spies a horse named Capone, owned by some mod cronies, who looks to have the makings of a winner. Figuring the horse could earn a guy a few solid paydays, Réno commandeers a horse trailer, urges Capone inside, and then hails a cab, driven by Alex (Gérald Laroche). Réno hitches the trailer to Alex's cab and convinces him to drive the horse to Lapland, where Réno can set Capone up in a few races. The tidy and methodical Alex doesn't much case for the sloppy, chain-smoking Réno at first, but the two begin to warm to one another as the miles go by, and they find some adventure along the way as they meet up with gypsies, innkeepers, and revelers at a all-night "midnight sun" party. However, it isn't long before Réno's bosses find out what he's done, and they give chase as they try to recover Capone. Originally produced for French television, Capone received its American premiere at the 2004 Seattle Film Festival. ~ Mark Deming, Rovi

Eric Guirado's Quand Tu Descendras du Ciel (When You Come Down to Earth) is a drama about homelessness. A gifted but down on his luck farmer, Jerome (Benoit Giros), travels to the city in order to find a paying job. He is eventually paired with van driver Lucien (Jean-François Gallotte), who drives around the city picking up the homeless, the unemployed, and the indigent and evicting them from the town. Jerome eventually questions the morality of his actions, while also building a tentative relationship with his estranged sister. ~ Perry Seibert, Rovi

Set in the Spanish port city of Vigo, Fernando León de Aranoa's Mondays in the Sun is a touching drama about a group of working-class men who find themselves suddenly unemployed and unwanted in their middle age. Laid off from the local shipyard, the men spend their days at the town bar, where they reminisce, philosophize, and commiserate about their current state. Gruff Santa (a bearded Javier Bardem) puts up a tough front, refusing to sink into self-pity, and occasionally pricking his friends' hopes. Morose José (Luis Tosar) openly worries about his wife, whom he fears might leave him. That seems to have been the fate of Amador (Celso Bugallo), the oldest of the bunch, who keeps reassuring everyone that his wife will be back any day now from her trip. Meanwhile, Lino (José Ángel Egido) refuses to give up hope of employment, going to interview after interview for jobs being offered to applicants half his age. Presiding over the glum bunch is Rico (Joaquín Climent), the bar owner and the men's co-worker from the shipyard days. Despite its depressing subject and downbeat mood, Mondays in the Sun was a big winner at the 2003 Goya Awards, Spain's equivalent of the Oscars, winning Best Picture, Best Director, and Best Actor for Bardem. The film was also Spain's surprise representative for the 2003 Oscars' Foreign Language film category, nabbing the distinction over Pedro Almodóvar's critically lauded Talk to Her. ~ Elbert Ventura, Rovi

When diminutive soccer player Tibor (Lorant Deutsch) is placed in a prison cell with dimwitted giant Manu (Samuel Le Bihan) the duo soon begin to forge a friendship based on their mutual love of soccer. Agreeing that upon their release Manu will serve as Tibor's manager, Manu attempts to use his newfound position to reap revenge on those who wronged him in the past. ~ Jason Buchanan, Rovi

During the Nazi occupation of France during World War II, the nation's movie studios continued to operate; some filmmakers and technicians simply went along with what their new leaders demanded in hopes keeping themselves and their families safe, while others sought to subvert the messages of their captors through their work. Safe Conduct, directed by Bertrand Tavernier, is a fact-based period drama which examines two men working for a Parisian film company during 1942 and 1943, as well as their friends, family, and loved ones. Jean Devaivre (played by Jacques Gamblin) is an assistant director for Continental Pictures, a studio which has recently been taken over by the Germans and is headed by Dr. Greven (Christian Berkel), a self-styled aficionado of French filmmaking. With a wife (Marie Desgranges) and a newborn son to support, Devaivre feels he has little choice but to continue with his work, though as he rises from assisting to becoming a full fledged director thanks to the efforts of Maurice Tourneur (Philippe Morier-Genoud), he struggles to work his own views into his pictures as much as he can. Screenwriter Jean Aurenche (Denis Podalydes), a man who lives for wine, women and song (not necessarily in that order), refuses to work for Greven, and as he bounces between his many lovers - actress Suzanne Raymond (Charlotte Kady), no-nonsense streetwalker Olga (Marie Gillain), and soft-hearted Reine (Maria Pitarresi), a struggles to find a way to make a living with his words. Both Devaivre and Aurenche were real-life figures in the French film industry during the occupation, as were many of Safe Conduct's supporting characters; the real life Aurenche went on to write the screenplay for Bertrand Travernier's first feature film. ~ Mark Deming, Rovi

Eric Judor and Ramzy Bedia, a popular French comedy team, co-star in this farcical parody of American action films. Stephanie (Marina Fois) is the devious niece of a fabulously wealthy businessman, and with the help of a hired killer (Serge Riaboukine) and his crew of henchmen, she plans to steal 50 million francs from her uncle's offices in Paris' biggest office complex. Only two things stand in her way -- Judor and Bedia, a pair of inept window washers who find themselves foiling her plans at every turn, though they're hardly doing it on purpose. ~ Mark Deming, Rovi

A group of twenty-something bohemians fall into a life of crime that's more dangerous than they imagined in this drama from France. Alain (Serge Raiboukine) runs Le Detour, a small cafe in Paris where Antoine (Mathieu Demy) works. Antoine is reunited with his sister Marie (Marina Golovine) when she's released from prison; they are very close, perhaps abnormally so, but she's not aware that Antoine has fallen into cahoots with Stephane (Guillaume Depardieu), who works as a waiter at another cafe. Damien (Robert Castel), a local businessman, is pressuring Alain to expand Le Detour, and cut his nephew Xavier (Patrick Lizana) in for a percentage as a manager. While Alain waffles on Damien's proposal, Xavier offers Antoine a chance to make some money under the table by delivering some drugs to a cadre of dealers. Antoine makes the drop and picks up the payment, but runs off with the money rather than bringing it back to Xavier, which proves to have tragic consequences for Antoine and his friends. Les Marchands De Sable is the fourth feature film from writer and director Pierre Salvadori; his previous three films also featured Serge Raiboukine and Guillaume Depardieu. ~ Mark Deming, Rovi

The son of actor Bernard Blier, director Bertrand Blier is known throughout France for his documentaries and dark depictions of sex and its impact on society. Though his influences and personal opinions clearly shine through, Les Acteurs is a satirical take on the ups, downs, and numerous implications of life in showbiz as told by a variety of real-life French actors. Among the featured cast are André Dussollier, Jean-Pierre Marielle, Jacques Villeret, Claude Rich, and Pierre Arditi, all of whom play themselves. ~ Tracie Cooper, Rovi