Jean-Claude Dreyfus Movies

The anguish and suffering of a trio of outcasts is shown in this movie, based on Schatten der Engel Rainer Werner Fassbinder's controversial and possibly anti-Semitic stage play. A prostitute (Ingrid Craven) with a gift for eliciting confidences from her clients, her pimp (Fassbinder), and one of those clients, a Jewish real-estate speculator (Klaus Lowitsch), are caught up in an emotional hurricane which results in the deaths of the prostitute and her pimp. ~ Clarke Fountain, All Movie Guide

The Boy Soldier is set in the 1930s and is based on a novel by Yves Gibeau, a book that has the unusual distinction of being banned in military precincts in France. In the film, a young fellow, Simon Chalumet (Lucas Belvaux) is sent to a military school by his overbearing father, an ex-soldier who has little sympathy for his son's more gentle temperament, or for his interest in films. In spite of various forms of harassment meant to whip the young men into shape, Simon does survive the years of harsh treatment with his own interests and basic nature unscathed. Reality intrudes in the end, when Simon is sent to the front and faces war and combat for the first time. ~ Eleanor Mannikka, All Movie Guide

Despite a fast-paced story that slams the broadcast industry and lotto mentality, this sci-fi action thriller emphasizes action over anxiety, and so its hunt-and-kill premise is less exciting than it sounds. Based on a Robert Sheckley tale, the action is brought about by a television show invented by money-motivated executives with ratings on the brain. The idea is to choose someone from the vast sea of the unemployed and cast them as the "hunted," while five others are the "hunters." The prey receives a million dollars if he or she can outsmart the five hunters, and a hunter gets $100,000 for finding and killing their human target. François Jacquemard (Gerard Lanvin) is chosen to be the man who has to outsmart the five hitmen, and when he proves to be too good at it, the TV executives have to find a way to outsmart him. All the drama, from beginning to end, is played out under the watchful eyes of multiple TV cameras, on the ground and in the air, while blood-thirsty viewers stay glued to their sets like Romans watching the gladiators -- but unlike the Romans, they are regularly interrupted by those annoying commercial breaks. ~ Eleanor Mannikka, All Movie Guide

In another typical Jean-Paul Belmondo vehicle, the French action hero plays a policeman prone to advancing the cause of justice by any means necessary. On his agenda is a powerful drug cartel working out of Paris and Marseilles, with a drug lord (Henry Silva) who is essentially inaccessible -- but not immortal. Stunts (performed by Belmondo) and chase scenes on land and water enliven the story, but the scenes with Belmondo's love interest are rather marginal themselves. ~ Eleanor Mannikka, All Movie Guide

In this confusing, surreal, and slow-paced drama that swings back and forth from strange to farcical, Robert (Alain Delon) meets Donatienne (Nathalie Baye) on a train. She tells him a story about a woman and a man who meet on a train and subsequently spend a night - only one night - in a glorious sexual encounter before they part forever. He is so taken with her that he ends up in her mountain chalet, not just for one night, but for many - drinking beer and forgetting about his wife in Paris. Donatienne then has sexual relations with all the men in her neighborhood - and the film steps fully into a bizarre world in which neither Robert nor Donatienne can honestly relate to each other. The mystery about what is going on is revealed in the end, but by then the film - verbose, inscrutable, and artificial - may have alienated more than one viewer. On the other hand, the performances of Delon and Baye stand out against this flawed backdrop, an achievement recognized at the 1984 Cesars when Delon won the Best Actor award for his role as Robert. ~ Eleanor Mannikka, All Movie Guide

A fading television personality and radio quiz-show host is shielded by his right-hand man from learning his show has been cancelled in this situation comedy. Rivetot (Gerard Jugnot) is the loyal longtime assistant to Mortez (Jean Rochefort) who believes the news of the show's demise will be fatal to his boss. He tries to keep the news from Mortez as long as possible as the show travels from town to town. ~ Dan Pavlides, All Movie Guide

This fast-paced mystery is in part based on a novel by Yves Ellena and is at least equally based on the 1943 classic Le Corbeau, which in 1951 was produced in English by Otto Preminger as The Thirteenth Letter. In this movie, someone is using a pirate radio broadcast to dish the dirt on the lives of the elite of a small French town. Among the suspects for this increasingly damaging activity are a cynical journalist and an unusually honest cop. The story proceeds to a climax in the town's church, while the increasingly vituperative townspeople clash with one another. ~ Clarke Fountain, All Movie Guide

A post-apocalyptic future becomes the setting for pitch black humor in this visually intricate French comedy. The action takes place within a single apartment complex, which is owned by the same man that operates the downstairs butcher shop. It's a particularly popular place to live, thanks to the butcher's uncanny ability to find excellent cuts of meat despite the horrible living conditions outside. The newest building superintendent, a former circus clown, thinks he has found an ideal living situation. All that changes, however, when he discovers the true source of the butcher's meat, and that he may be the next main course. This dark tale is played out in a brilliantly designed, glorious surreal alternate world reminiscent of the works of director Terry Gilliam, who co-presented the film's American release. Like Gilliam, co-directors Jean-Pierre Jeunet and Marc Caro hail from an animation background, and have a fondness for extravagant visuals, absurdist plot twists, and a sense of humor that combines sharp satire with broad slapstick and gross-out imagery. This mixture may displease the weak of stomach, but those attuned to the film's sensibility will be delighted by the obvious technical virtuosity and wicked sense of humor. ~ Judd Blaise, All Movie Guide

It is a commonplace that past actions affect our present circumstances. This ambitious movie attempts to show how truly distant actions from former lives affect the subsequent lives of the protagonists. In the story, beginning in Roman times, a wanderer (Gerard Lanvin) miraculously tames some wild bees for a group of lepers, who are killed shortly after that by Roman soldiers. In modern times, a group of gypsies enjoy their communal life, full of dancing and merriment, and have a strong affinity for horses. At the same time, a genial female con-artist (Beatrice Dalle) is putting her boyfriend on a plane. When a handsome gypsy (the wanderer in his former life) meets the con-artist (one of the lepers in her former life), it is love at first sight. ~ Clarke Fountain, All Movie Guide

Is Nosfer Arbi a vampire? Or is he just a very emaciated, very strange and possibly quite lonely young man from an Arabic country with an obsession with death? On the other hand, why is the previously cheery Parisian teenager Nathalie Belfond throwing fits and speaking in Arabic? Her strange behavior began with the appearance of a caped and cadaverous man outside her window. Mr. & Mrs. Belfond have their hands full trying to sort this mess out, in this extremely unusual and award-winning comedy which puts a new wrinkle on the vampire mythos. ~ Clarke Fountain, All Movie Guide

The sorry story of the Vichy government of France from 1940 to 1945 is the subject of this thoughtful historical drama. In return for a swift surrender in 1940, the French government was allowed to retain, in Vichy an unoccupied portion of the country. There, at the Hotel du Parc, the government enacted and carried out its own decrees, which paralleled the Nazi persecution of Jews elsewhere. While the film itself simply tells its story in a straightforward manner that reviewers found quite creditable, it is remarkable for the fact that it was actually made and released. Why? Because it punctures the convenient illusions so many had constructed about the period, and reveals that far from being coerced into cooperating with the Germans, a large number (perhaps a majority) of Frenchmen were quite enthusiastic. In fact, the producer found it extremely difficult to get anyone to cooperate in making the film, and it took him over six years to bring together the resources to begin shooting. ~ Clarke Fountain, All Movie Guide

This French family film is filled with action, animals, adventure, and suspense. The story is told from a child's viewpoint. One day, while playing in his secret tree house in the forest, 11-year old Antoine spies upon bank robbers stashing 40-million francs worth of loot. One of the robbers is the father of his newest best friend Lisa, a 10-year old Canadian visitor. Not wanting to rat on her father, Antoine instead moves the money to a different spot. Neither he, nor Lisa have a lot of respect for their frequently absent fathers. They find adults to be inherently hypocritical. Both kids do share a love of animals though. Together, they decide to run away to Biarritz, a resort town, and start spending a little money. The thieves are livid when they discover their stash is missing, particularly Max, and they try, unsuccessfully to catch the kids. Antoine is assisted by his muscular governess Clemence as he and Lisa suffer through numerous narrow escapes while spending their ill-gotten gain. ~ Sandra Brennan, All Movie Guide

A prize-fighter spends 16 years in prison for killing his wife during a blind rage. Upon his release, he wanders the grim streets of an empty French housing project in search of his now teen-age daughter. His quest forms the basis of this gripping French drama. Krim is the fighter and Yasmine his estranged daughter. Krim finds his old apartment block, but it is abandoned and slated for destruction. He is terribly disappointed, for all Krim wants right now is to be happy and to have his daughter back. He sends messages back to his friend and mentor in prison telling him how wonderful it is to be out of jail. His friend, Eugene, a lifer, isn't fooled for a second and is very angry at Krim for lying to him. Meanwhile, Krim stumbles across Nora, a teen-age drug addict, who could be his long-lost daughter. Eventually, he locks her in an abandoned flat and helps her get off the junk cold-turkey. It is a terrible scene, but he succeeds and the two begin a new kind of relationship. ~ Sandra Brennan, All Movie Guide