Roland Drew Movies

In this drama, a truck driver will do almost anything to keep his son in a prestigious military academy. To pay the tuition, the trucker becomes a prizefighter. Unfortunately the pugilist is drug down by booze and a gold-digging blond. His friends assist him, he makes up with his former gal, and gets together with his son who wasn't interested at all interested in attending that expensive school. ~ Sandra Brennan, All Movie Guide

Dismissed by critics as corny and obvious in 1944, this overlong but sincere biopic looks pretty good when seen today, cliches notwithstanding. Fredric March, 47 at the time, convincingly plays American author Sam Clemens, aka Mark Twain, from his early 20s to his death at 75. In typical movie-biography fashion, every single incident that happens in Twain's life is an INSPIRATION: he hears the depth-indication call "Mark Twain" while working on a riverboat and his face lights up; he engages in a jumping-frog contest against Bret Harte (John Carradine) and comes up with his first popular published story; and so on. Alexis Smith is better than usual in the role of Twain's wife Olivia Langdon, even keeping a straight face while Twain courts her in Fluent Quotation ("Everybody talks about the weather but nobody ever does anything about it", he says during a Hollywood-romance cloudburst). Though the script barely touches upon the dark side of Twain's nature, we are not spared his financial reverses (brought about by bad investments and his struggle to publish Ulysses S. Grant's memoirs. The closing sequence, with Tom Sawyer and Huck Finn beckoning the spirit of Mark Twain to heaven as Halley's Comet fills the skies, may seem laughable on paper, but works quite well on film; even director Irving Rapper expressed amazement at the effectiveness of this scene! ~ Hal Erickson, All Movie Guide

A princess finds love with a regular American Joe in this patriotic romantic comedy. A European diplomat (Charles Coburn) is named an ambassador to the U.S., and when he relocates to Washington D.C., he's accompanied by his niece, Princess Maria (Olivia de Havilland). Maria's uncle hopes that she'll meet an eligible American bachelor during her visit, since potential husbands are in short supply at home. Maria tires of her uncle's attempts at matchmaking, and when he suggests that she take a side trip to San Francisco, she leaps at the chance. However, Maria has a fear of flying, and when she's given tranquilizers to settle her nerves, she passes out in mid-flight. Maria is down for the count when bad weather forces the flight to return to Washington, and pilot Eddie O'Rourke (Robert Cummings) volunteers to put her up for the night. When Maria comes to, she's struck by Eddie's decency and charm, and it's love at first sight for them. However, Maria's uncle was hoping for someone higher up the social ladder than a pilot, and the lovebirds have an uphill battle getting him to consent to their wedding. No one seems sure if it's actually President Franklin D. Roosevelt appearing in the film's final scenes or just an impersonator, but apparently FDR's dog Fala did actually play himself. ~ Mark Deming, All Movie Guide

Everybody seems to have had a good time making the overripe melodrama The Hidden Hand, especially cadaverous Milton Parsons as insane-asylum escapee John Channing. In her efforts to protect her brother from the authorities, John's sister Lorinda (Cecil Cunningham) opens the door for a series of grisly murders. Hero Peter Thorne (Craig Stevens) and heroine Mary Winfield (Elizabeth Fraser) try to stop John before he overracts-er, kills-again. Absolutely impossible to take seriously, The Hidden Hand is nonetheless worth a glance, if for no other reason than to see perennial bit player Parsons in a juicy leading role. The film was based on Invitation to a Murder, a play by Rufus King. ~ Hal Erickson, All Movie Guide

It takes a while for the viewer to catch on, but the 1942 quickie Spy Ship is a remake of the 1934 crime melodrama Fog Over Frisco. The main difference is that the film's principal murder victim, the sister of the heroine, is transformed from a dizzy socialite to an out-and-out villainess. The story is re-set during the months before America's entry into WW2. Famed aviatrix Pamela Mitchell (Irene Manning), a devout and outspoken isolationist, is secretly in the employ of the German government. Her younger sister Sue (Maris Wrixon) worries about the company Pamela keeps, and expresses these concerns to hotshot reporter Ward Prescott (Craig Stevens). When Pamela is killed by her Nazi confreres to keep her from revealing all to the world, Sue finds herself among the suspects. It all comes to an end on the spy ship of the title, where a kidnapped Sue is rescued in the nick of time by Ward and practically every cop in New York. ~ Hal Erickson, All Movie Guide

This parody of gangster flicks centers on an incarcerated gangster who decides to reform after he is released from Sing Sing. He and his cell mate have earned a small fortune in investments and are planning to buy a dog track. Unfortunately, another prisoner eavesdrops and attempts to force the fellow to use his savings to buy a luggage store and then dig a tunnel to the bank next door so they can easily rob it. The reformer and his partner refuse. They sing a different tune when they learn that most of their money was lost by their third partner. In desperation, he buys the suitcase outlet. While he tries to deal with his many customers, the other two bumblers attempt to dig, but it's not easy because every time someone comes in, they must stop their noisy operation. More trouble follows when another gangster tries to get in on their operation. ~ Sandra Brennan, All Movie Guide

Murder in the Big House was a remake of the 1936 Warner Bros. programmer Jailbreak. In his first starring role, Van Johnson plays reporter Bert Bell, who wonders how it came to be that death-row inmate Dapper Dan Mallory (Michael Ames) was "accidentally" killed just before his appointment with the electric chair. Digging a little deeper, Bell discovers that Dapper Dan was planning to make a big revelation just before his execution, one which would expose the corrupt political machine for which he worked. With the help of heroine Gladys Wayne (Faye Emerson) and perenially drunken columnist Scoop Connor (George Meeker), Bell contrives to have himself thrown in jail to solve the mystery. Though the film passed unnoticed when first released, Murder in the Big House raked in a pile of cash when it was reissued as Born to Trouble in 1945, by which time Van Johnson had become the hottest male star in the movies. ~ Hal Erickson, All Movie Guide

Although Warner Bros. "officially" disbanded its B-picture unit in 1941, the studio continued to grind out lower-berth features for the next three years. One of these was Bullet Scars, which had the look of a 1930s gangster meller which somehow escaped filming at the time of its inception. Decked out with a lavish toupee, Regis Toomey stars as country doctor Steven Bishop, who is strongarmed into operating on wounded bank robber Joe Madison (Michael Ames) without reporting the wound to the cops. Coerced into assisting Bishop is trained nurse Nora (Adele Longmir), who happens to be Madison's sister. Falling in love with Dr. Bishop, Nora helps him sneak a message to the cops, and the result is a noisy climactic shootout (pieced together with a handful of new shots and stock footage from earlier Warners epics). Variety was understating the case when it described Bullet Scars as "a very unpleasant film." ~ Hal Erickson, All Movie Guide

In this sad drama, a remake of Oil for the Lamps of China, a South American rubber planter nurses a broken heart after his U.S. fiancee jilts him. In addition, he has trouble with the natives who do not respect him. His troubles ease when he meets a caring nightclub singer who he marries against the wishes of his employers. He is hoping that marriage will protect her from the U.S. detective who has been looking into her past. Unfortunately, the investigator finds her and extradites her back to the States where she must stand trial. Her husband accompanies her. ~ Sandra Brennan, All Movie Guide

Manpower was Warner Bros' latest reworking of 1932's Tiger Shark, with power-company linemen substituting for tuna fisherman. While repair some downed lines in a heavy thunderstorm, Hank McHenry (Edward G. Robinson) saves the life of his best pal Johnny Marshall (George Raft). While Johnny emerges from the experience unscathed, Hank is permanently crippled. He takes this misfortune in stride, but Johnny vows to look after Hank's best interests for the rest of their lives. When Hank marries blowzy nightclub hostess Fay Duval (Marlene Dietrich), Johnny is disdainful, convinced that Fay is playing Hank for a sucker. While recuperating in Hank's home after a slight injury, Johnny confesses to Fay that he's in love with her, a feeling that turns out to be mutual. Out of loyalty to Hank, Johnny refuses to have anything to do with Fay, who finally decides to leave town rather than break up the men's friendship. But Fay cannot stay away from Johnny, forcing him to confront the ever-trusting Hank with the truth, leading inexorably to the film's violent conclusion on a precariously high utility pole. A few comic interludes aside, Manpower is virile, gutsy entertainment; the fact that Edward G. Robinson and George Raft did not get along at all during shooting-resulting in a well-publicized on-set fistfight-only adds to the film's crackling tension. ~ Hal Erickson, All Movie Guide

A good wife's innocence is shattered when she learns that her wealthy husband is actually an amoral big-shot jewel thief. She learns this when he brazenly robs some of their vacationing friends. Naturally she wants to leave him, but he won't let her and makes her return to Chicago and stay quiet. He doesn't realize that a detective is in hot pursuit. Once in Chi-town, the thief abandons the wife and she gets a divorce. Unfortunately, she ends up accused of the latest heist. After good friends help to clear her, she meets the detective. Together they plot an ingenious revenge that culminates in the capture of the crook and a new chance at happiness. ~ Sandra Brennan, All Movie Guide

Amid the political chaos sweeping across the world in 1939, a new terror arises -- the Purple Death -- and people around the world succumb at random by the hundreds, then thousands, with the identifying symptom being a purple spot on the victim. The authorities are baffled as to the cause or the treatment, and panic is spreading. Dr. Alexis Zarkov (Frank Shannon) determines that the Purple Death is linked to extraterrestrial events. Along with Flash Gordon (Larry "Buster" Crabbe) and Dale Arden (Carolyn Hughes), Zarkov finds an alien spaceship, which they recognize as being from the planet Mongo, home of their old enemy, Ming the Merciless, spreading some sort of dust in the Earth's upper atmosphere. Flash, Dale, and Zarkov head for Mongo, where they discover that Emperor Ming (Charles B. Middleton), whom they believed had been killed at the end of their battle with him on Mars (told in Flash Gordon's Trip to Mars), is still alive. He is threatening not only to conquer all of Mongo, but is attacking Earth again, using a "Death Dust" spread by his spaceships that will eventually destroy everyone on Earth.

Flash, Dale, and Zarkov form an alliance with their old friend, Prince Barin (Roland Drew), the rightful ruler of Mongo, who with his wife, Princess Aura (Shirley Deane) -- Ming's own daughter -- rules the peaceful kingdom of Arboria, resisting Ming's military might with their small fleet of ships, the aid of neighboring free kingdoms, and the help of a tiny handful of officers within Ming's own palace who remain loyal to the prince. Their first task is to secure a neutralizing agent for the Death Dust, which exists in the frozen northern kingdom of Frigia, but before they can do that, they have to free the imprisoned Frigian military leader General Lupi (Ben Taggart), who has been captured by Ming. Flash rescues the general, who is about to be used as the subject of a scientific experiment, and secures the aid and gratitude of the Frigians. This barely slows Ming in his plans for conquest, however, and over the next 11 chapters, Flash Gordon and his friends and allies -- including Ronal (Donald Curtis), Roka (Lee Powell), and Captain Suden (William Royle) -- take their battle for the safety of the Earth and the freedom of Mongo to the far reaches of the planet. Battling Ming and his villainous henchmen -- including Captain Torch (Don Rowan) and Lady Sonja (Anne Gwynne) -- from Mongo's frozen northern wastes to its uncharted deserts, Flash and his allies outmaneuver and generally outfight and outwit Ming's larger, better equipped army and spaceship fleet, but they are nearly undone by the spies that Ming has placed in Barin's own household. The bravery of the Earth hero and his friends, and the patriotism and sacrifices of Mongo's people ultimately prove too much for the evil emperor, who finally faces impending destruction from one of his own fiendish inventions. ~ Bruce Eder, All Movie Guide