Ellen Drew Movies

The quaint genetic theories of the 1930s are satirized in College Holiday. Dotty matron Mary Boland runs a ramshackle summer resort, opening her doors to college students of both sexes--but only those collegiates with extra-special physical and mental skills. She hopes to encourage these select co-eds to meet and mate, then produce a breed of "perfect" children. What Boland doesn't count on is the supremacy of the Heart over Science. Engagingly silly, College Holiday devotes generous screen space to some of the biggest comic talents of the 1930s: Jack Benny, George Burns, Gracie Allen, Martha Raye and Ben Blue. ~ Hal Erickson, All Movie Guide

The inimitable Preston Sturges originally scripted Hotel Haywire with George Burns and Gracie Allen in mind, but by the time the film went before the cameras, the Burns and Allen roles had been recast with Benny Baker and Colette Lyons -- and significantly abbreviated in the process. A dentist named Parkhouse (Lynne Overman) plays a practical joke on a poker-playing buddy by sending him home with a lady's chemise stuffed in his coat pocket. The gag backfires, whereupon Parkhouse finds himself in hot water with his own wife (Spring Byington). Threatened with divorce, Parkhouse is advised by a zany astrologer to frame Mrs. P. in a compromising situation at the Hotel Haywire, enlisting amateur detectives Bert and Genevieve Sterns (Baker and Lyons) in his scheme. Things get really hectic when Parkhouse's daughter Phyllis (Mary Carlisle) and her sweetheart Frank (John Patterson) show up at the same hotel. The film is dominated by the antics of larcenous astrologer Zodiac Z. Zippe, played with comic ferocity by Leo Carrillo. ~ Hal Erickson, All Movie Guide

While not a box-office success, this drama, directed by Leo McCarey, developed a potent reputation among film critics and movie buffs for its sensitive and perceptive treatment of the problems of the elderly. When McCarey won the Oscar for Best Director the same year for The Awful Truth, he remarked that the Academy gave him the award for the wrong movie. Barkley and Lucy Cooper (Victor Moore and Beulah Bondi) are a couple in their late 60s who have fallen on hard times and have been given the bad news that the bank is foreclosing on their house. Barkley and Lucy turn to their five children for help, but none are willing or able to do much for them; their son George (Thomas Mitchell) says that Lucy can stay with him and his wife Anita (Fay Bainter), while Nellie (Minna Gombell) and her husband Harvey (Porter Hall) can take in Barkley, but neither couple have the space or the means to house them both. Living with their children and their new families proves stressful for everyone involved, and Lucy decides to take up residence in a home for older women. She and Barkley realize that this will probably mean a permanent separation for the two of them, and they try to enjoy one last outing together before they part. Remarkably, Beulah Bondi was only 46 years old when this film was made, making her less then ten years older than several of her on-screen children; make-up wizard Wally Westmore used his bag of tricks to age her the appropriate two decades for the role. ~ Mark Deming, All Movie Guide

A sort of follow-up to the studio's earlier College Scandal, Paramount's Murder Goes to College once again combines homicide with higher learning. When the titular murder occurs, detective Hank Hyer (Lynne Overman) shows up to investigate, with vacationing reporter Sim Perkins (Roscoe Karns) tagging along. Both of our heroes run up against formidable opposition from a strangely secretive faculty, an openly hostile local constabulary, and sneering racketeer Strike Belno (Larry "Buster" Crabbe). Foremost among the suspects is Greta Barry (Astrid Allwyn), the ex-showgirl spouse of much-despised professor Tom Barry (Earl Foxe). Much of the suspense in Murder Goes to College arises from the possibility that the bibulous Sim Perkins won't remain sober long enough to solve the mystery. ~ Hal Erickson, All Movie Guide

This film is one of acclaimed director Fritz Lang's less noted achievements, a mixture of romance, comedy, drama, and satire. It includes three songs by the famed Kurt Weill, including "The Right Guy for Me." George Raft plays Joe Dennis, an ex-convict working in a department store. The store's boss, Mr. Morris (Harry Carey), likes to hire ex-cons. Joe falls in love with Helen (Sylvia Sidney), who hides the fact that she is on parole until after they marry. Since parolees can't wed, the marriage is illegal. Distraught, Joe organizes a gang to rob Morris' store. Helen intervenes and tries to convince the gang members that the potential take isn't worth the risk of returning to prison. ~ Michael Betzold, All Movie Guide

Cecil B. DeMille's The Buccaneer stars Fredric March, complete with curly hair, pencil moustache and florid "Sacre Bleu!" French accent, as 18th century pirate Jean Lafitte. Operating out of a "buccaneer's haven" of the coast of New Orleans, Lafitte plunders all passing ships for their wealth, but refuses to attack any vessel flying the American flag. During one seafaring skirmish, he rescues Dutch maiden Gretchen (Franziska Gaal) from a sunken ship. Gretchen falls madly in love with the dashing Lafitte, but he has eyes only for aristocratic Louisana belle Annette (Margot Grahame). During the War of 1812, Lafitte is offered a pardon by Andrew Jackson (Hugh Sothern) if he and his pirates will fight on the American side. As good as his word, Lafitte stands shoulder to shoulder with Jackson as they ward off the British at the Battle of New Orleans. During a Victory Ball in his honor, Lafitte is confronted with evidence that he unknowingly caused the death of Annette's younger sister Marie (Louise Campbell) during a previous act of piracy. The assembled guests are all for hanging Lafitte on the spot, but General Jackson offers the pirate an hour's head start out of New Orleans, provided he never set foot on American soil again. This naturally costs Lafitte the love of Annette; fortunately, Gretchen is awaiting him on board his ship with open arms. From the opening scene in which Dolly Madison (Spring Byington) rescues the Declaration of Independence during the burning of Washington to the closing clinch between Lafitte and Gretchen, The Buccaneer is one of DeMille's most exhilarating films. It was remade less successfully in 1958 under the direction of Cecil B's son-in-law Anthony Quinn, who played the supporting role of Beluche in the original film. ~ Hal Erickson, All Movie Guide

In this drama, a gangster finds the woman of his dreams, but before he can have her he must frame her fiance. Meanwhile the Asian lover he dumped plots her revenge. ~ Sandra Brennan, All Movie Guide

If I Were King is a delightful costume adventure tale set in 14th century France, during the reign of Louis XI, and inspired by the legend of the rebel poet François Villon, whose exploits were filmed earlier as The Beloved Rogue (1927) with John Barrymore, and later transformed into the musical The Vagabond King on Broadway and onscreen. The movie opens with Paris surrounded by the forces of the Duke of Burgundy, whose armies have laid siege to the city in hopes of starving out King Louis XI (Basil Rathbone, in a riveting performance), a wily, cruel monarch who distrusts all around him -- mostly, however, Burgundy has succeeded in forcing Louis to hunker down and in starving the common people of Paris, whose well-being their king can't be bothered about.

The one man in Paris with the courage to raise a hand to ease the suffering is François Villon (Ronald Colman), a gifted poet and glib orator who understands the common people far better than Louis. We first meet him leading a raid on the king's storehouse for sorely needed food and wine. Pursued by the king's guards, he accidentally crosses paths with Louis himself -- trying to uncover a nest of traitors -- at a tavern, and is captured. Louis would normally have Villon put to death without a second thought, but the rebel poet has done him the service of killing a treasonous officer, and has also piqued the king's interest with his notion of inspiring loyalty rather than fear in his subjects. The king also wishes to show Villon that it isn't always easy, even with all of the power of the crown on one's side, to rule a kingdom, or even the capitol city of a kingdom. Louis appoints Villon to the post of Constable of France, in command of all military and police authorities, and nominally in charge of the army, and leaves it to him to do his job -- with the provision that, at the end of a week in so powerful a position, Villon will, indeed, hang. Villon does a very good job of dispensing justice in a way that makes his followers love the king, and even turns one traitor into a loyalist. He is less successful at getting the titled nobility on his side, or the generals to rally their armies for the task at hand, breaking the siege, and is further distracted from his task by his romantic entanglements, with Ellen Drew as the girl of the streets who loves Villon and Frances Dee as the lady-in-waiting to the queen who has stolen his heart.

Director Frank Lloyd uses the same sure hand that propelled his Oscar-nominated Mutiny on the Bounty (1935) to weave together the telling of this lusty and witty tale (from a clever screenplay by Preston Sturges, who added his own translations of Villon's poetry to the original script); but the real interest for most viewers will reside with the sparks that fly from the performances of Colman and Rathbone as the two equally matched antagonists, each toying with the other's perceived weaknesses (especially their vanity) while, in his way, secretly admiring elements of the other's character. In the end, Sturges' script cleverly interweaves their common interests, Villon realizing that he must save Paris in order to keep from losing his head. ~ Bruce Eder, All Movie Guide

This Anglo-American coproduction was based on the popular West End stage comedy by Terrence Rattigan. It all begins when Diana (Ellen Drew), the sister of a British boy studying in France, arrives in town to flirt with all of her brothers' schoolmates. Alan (Ray Milland), one of the students, successfully resists Diana's charms-meaning of course that Alan and Diana will be in each other's arms by fadeout time. Much of the wit and zest of the original stage production has been blunted for the screen, moving one critic to describe French Without Tears as "Comedy Without Laughs". In all fairness, however, the film does boast a hilarious drunk scene in a musty old French wine cellar. ~ Hal Erickson, All Movie Guide

The late cinema historian William K. Everson once wrote an article titled "Movies Out of Thin Air", referring to films that were comprised almost exclusively of stock footage from earlier productions. A prime example of this sort of patchwork entertainment is the 1939 Paramount production Geronimo, which though advertised and distributed as an "A" picture was largely and economically cobbled together from existing film vignettes. Essentially a western remake of Lives of a Bengal Lancer (1935), the film concentrates on the rocky relationship between crusty Cavalry general Steele (Ralph Morgan) and his shavetail lieutenant son (Richard Cromwell). The boy is taken under the wing of kindly Captain Starrett (Preston Foster), who is also occupied with bringing renegade Indian warrior Geronimo (played by Native American actor Chief Thundercloud, unbilled despite his title-character status) to justice. The fly in the ointment is treacherous gunrunner Gillespie (delightfully played as a snivelling coward by Gene Lockhart) who for a price agrees to help Geronimo decimate the local white population. Nominal heroine Ellen Drew has one of the least demanding assignments in movie history, spending two-thirds of the film in a coma after being injured in a stagecoach accident! Among the previous Paramount epics represented in Geronimo via stock footage are Frank Lloyd's Wells Fargo and Cecil B. DeMille's The Plainsman. ~ Hal Erickson, All Movie Guide

To fully appreciate Buck Benny Rides Again, one must have some familiarity with Jack Benny's radio programs of the 1939-40 season. During this period, Jack's broadcast costars included bandleader Phil Harris, announcer Don Wilson, singer Dennis Day and comedians Eddie "Rochester" Anderson and Andy Devine. All five supporting players appear in this film, all playing "themselves" just as Benny does. Falling in love with aspiring singer Joan Cameron (Ellen Drew), Jack vows to go out of his way to impress her. When he learns that Joan is headed for a western dude ranch, he poses as "Buck" Benny, a rootin'-tootin'-shootin' 100% genuine cowboy. In truth, both Jack and his valet Rochester are terrified at the Wide Open Spaces, certain that they'll be scalped by Indians at the first opportunity, but through a series of silly coincidences Benny manages to convince Joan that he's an honest-to-goodness frontiersman. The plot thickens when a pair of modern-day desperadoes (Ward Bond and Morris Ankrum) plot to rob the dude ranch's safe, but our hero saves both the day and his girlfriend, with the unsolicited but very welcome assistance of his pet polar bear Carmichael (the same bruin who allegedly ate the gas man on Jack's radio show). Benny fans will get an extra kick out of seeing his legendary Maxwell in all its sputtering, backfiring glory, while old-time radio aficionados will enjoy hearing the voices of Mary Livingstone (Mrs. Benny) and Jack's "friendly enemy" Fred Allen. Frank Loesser's musical score includes such hit-parade favorites as "Say It (Over and Over Again)" and "My! My!", the latter sung by Rochester to his sweetie Josephine (Theresa Harris). ~ Hal Erickson, All Movie Guide

Filmed on location at Mesa, AZ, this minor Paramount western featured newcomer Ellen Drew as "Slats" Dangerfield, a young girl returning to her grandmother's ranch in Texas. Old Mrs. Dangerfield (May Robson) is experiencing a rash of cattle rustlings and, fed up with her no-good grandson Carter's (John Miljan) handling of the emergency, she contacts an old beau, Ranger Captain Ben Cadwallader (Charley Grapewin) of the Texas Rangers. Cadwallader assigns young Ranger Jim Kingston (John Howard) to infiltrate the gang, which the stalwart young man does with the expected results. Do "Slats" and Jim fall in love despite her initial dislike of the ranger? And does Mrs. Dangerfield's unsympathetic grandson Carter turn out to be in cahoots with the rustlers? Although not a direct sequel, this well-apportioned B-Western was obviously produced to capitalize on the popularity of the studio's 1936 The Texas Rangers. Robert Ryan, in his fourth film, appears in an unbilled bit part. ~ Hans J. Wollstein, All Movie Guide